Review: Star Trek: Discovery, “Vaulting Ambition”

The crew of the Discovery has hit another snag on their attempts to return home: the files on the Defiant have been redacted of all useful information. Because Stamets remains out of commission and it has still somehow not occurred to an entire ship full of scientists that they could just make another pilot for the spore drive, Burnham has no choice but to infiltrate the imperial palace-ship in search of more information.

The official logo for Star Trek: DiscoveryThis is, of course, a monumentally stupid idea, and it ends about as well as you’d expect.

Meanwhile, Voq’s clash with Tyler’s memories begins to tear his mind apart, and Stamets finds his consciousness adrift in the mycelial network, where a dark force threatens to tear down all realities.

Now, there are actually some things I like about “Vaulting Ambition.” Stamets’ story, in particular, is really well done. It’s great sci-fi, with a real feeling of something epic brewing, and it also brings about some of the most heartfelt scenes in this series to date.

Also, the Terran Empire’s palace-ship is incredibly cool. It’s sort of like a cross between a Star Destroyer and the Spear of Adun, and it’s just all kinds of badass and amazing.

Everything else, though?

Errr…

Well, Tyler/Voq is still a mess. Last episode was all about how the conflict between Tyler’s memories and Voq’s personality was gone and only Voq now remained, but now all of a sudden the two sides are in constant war with one another. Because reasons!

This arc now seems to have found a kind of resolution; it’s terribly rushed and makes no sense, but really, what could they have possibly done to salvage this dumpster fire of a story at this point?

The Mirror version of the Disovery (or reasonable facsimile thereof) in Star Trek: Discovery.“Vaulting Ambition” also manages to give me an entirely new cause for complaint that I’ve never had about a TV episode before: It’s super short. Barely more than half an hour. I mean, I may not love this show, but at least give me my money’s worth…

My other big issue with this episode is another major spoiler. Well, not really, because most everyone saw this coming, but I’ll still give you a chance to leave just in case.

Obligatory dummy paragraph so you can go.

Okay? Okay.

So, yeah, Lorca’s from the Mirror Universe.

Much like the Voq/Tyler reveal, this takes an interesting character and makes them boring. I never liked Lorca, but I did think he made the show interesting. It was fascinating to see a captain so far gone from Starfleet’s ideals. I was expecting some kind of Section 31 twist or some other story of corruption within Starfleet, or some commentary on how war makes monsters of us all.

That, ironically, would have delivered on the themes that Discovery’s Mirror arc seems to have been trying (and failing) to paint. The idea that the seed of darkness exists in all of us.

But nah, he’s just from the evil universe. Who needs intelligent social commentary when you can have cheap shock value?

The titular ship in Star Trek: DiscoveryReally, that’s Discovery’s motto right there.

I’m also a little uncomfortable with the revelation he’s a sexual predator (maybe even a pedophile). In all fairness, I probably shouldn’t be. There’s no rule that says Star Trek can’t touch on such themes. It’s darker than the franchise usually goes, but there’s nothing necessarily wrong with going dark places.

I guess it just feels like, again, cheap shock value. Lorca was already evil enough. Did he really need to be a child-molester, too? Could this show be any less subtle?

And I don’t really trust Discovery to handle this properly, especially given the show’s massively insensitive handling of the topic of sexual assault in the past.

I do feel a little bad for trashing this show in every review. I know a lot of people are enjoying Discovery (somehow), and I don’t like raining on people’s parades. I should probably just stop watching — I’m basically hate-watching at this point — but I’m invested enough that I kind of want to see how the season ends. I very much doubt I’ll show up for season two.

I suppose I could stop doing the reviews, but I do find it cathartic to have a good rant after each episode.

Well, there’s only a few episodes left.

Overall rating: 5/10

Review: Dirk Gently’s Holistic Detective Agency, Season Two

As you may recall, I initially had a hard time getting into the Netflix/BBC adaptation of Dirk Gently’s Holistic Detective Agency. It was a strange, seemingly obtuse show with little connection to its source material. But by the end of season one, I’d been converted.

The logo for Netflix's adaptation of Dirk Gently's Holistic AgencyA year later, season two has appeared on Netflix, and I’ve been more than converted. I’ve been absolutely floored.

Compared to season one, season two’s plot is a fair bit more straightforward, but I use the term loosely. It’s still so bizarre and complex that I’d have a hard time knowing where to begin summarizing.

I can say it involves magic, scissor-wielding knights, pocket dimensions, a holistic method actress, a boat that fell from the sky, a purple people-eater, an epic gay love story, and the best worst cops ever.

Oh, and you might just learn the how and why of Dirk Gently’s existence along the way. Before, I disliked the attempt to provide an explanation for Dirk’s abilities, but seeing how it now fits into a greater mythology, I’ve come to appreciate the idea.

Much of season two deals with events in an alternate reality, a fairytale kingdom called Wendimoor. A surreal place of rainbow colours and childish ideas, Wendimoor initially seems like a place of utter silliness and absurdity, but I guarantee you that by the end of the season, you’ll be taking events in Wendimoor very, very seriously.

That said, while the show can still go to some fairly dark places, season two does have a lot more levity than season one. There’s more jokes, more humour, and a more whimsical tone in general, as well as some genuinely heartwarming moments.

Sherlock Hobbes and Tina Tevetino in season two of Dirk Gently's Holistic Detective AgencyA real highlight of season two comes in the form of two new characters, Tina Tevetino and Sherlock Hobbes, the only two cops in a tiny Montana town that lies at the heart of Dirk’s latest “case.” Bored out of their minds from their life in a town where absolutely nothing ever happens, Tina and Hobbes become almost frighteningly eager to assist Dirk’s friends on their exciting adventure.

They’re the worst cops ever, breathtakingly undisciplined and unprofessional, and yet almost overwhelmingly lovable and entertaining. They’re the best part of season two, and that’s saying something in a season that’s virtually flawless from top to bottom.

And truly, this is a season of television that has it all. Humour, drama, action, mystery, suspense, shock, horror… Name an emotion, and season two of Dirk Gently will make you feel it.

As before, the season begins seeming like chaos, like nonsense. Weirdness will be thrown at you hard at fast, and none of it will make any sense. But with each passing episode, more pieces will fall together. Everything will come together, and (nearly) every question will be answered. Anarchy becomes a symphony.

These are the kind of stories that both inspire and depress me, because I want so badly to be able to write like this, but I know I’m just not that good. Maybe one day I’ll become a good story-teller, but I’ll never be this good.

If I have one small complaint, it’s that Dirk himself takes something of a dark turn this season. He spends much of it in a state of depression, his confidence shattered and his sense of wonder replaced by cynicism. Now, this makes perfect sense given all that’s happened in his life, but it just doesn’t feel the same without Dirk’s usual manic enthusiasm.

A shot from season two of Dirk Gently's Holistic Detective AgencyIn every other way, this is about as good as TV gets.

In researching this post, I was very saddened to discover that the BBC has cancelled the show. My hope is that Netflix may pick it up for a third season themselves, because this is definitely a show that deserves to continue, but if not, the silver lining is that season two does have a mostly conclusive ending, so it’s not like we’ll be left with an unfinished cliffhanger at least.

Regardless of what the future holds, Dirk Gently’s Holistic Detective Agency is a show that has now earned my unequivocal recommendation. Season one took some getting used to but was worth it in the end.

Season two, on the other hand, is a masterpiece.

Overall rating: 9.6/10 Whether you know it or not, you need this show in your life.