Warrior Nun Deserves Another Season

Thanks to the long gap between seasons and a total lack of promotion from Netflix, there’s been a bit of a pall hanging over the second season of Warrior Nun. There’s this perception that it’s a dead show walking, not helped by Netflix’s long history of cutting down its own shows in their prime.

The logo for Warrior Nun season two.Fans — and even some members of the cast — have been running a guerilla campaign to try and keep the show alive by spreading the word and streaming it as much as possible.

It’s a shame there’s this feeling of needing to fight for the show, because it puts a bit of a damper on a truly excellent season of television.

I’ve said in the past that I think the mark of true greatness is not a lack of any flaws, but when the strengths shine so bright as to drown out the flaws. Season two of Warrior Nun fits that description to a T.

Objectively, I can find many faults with this season. Most notably, it often feels rushed. I get the impression the writers wanted more than eight episodes, but this was all Netflix was willing to give them. Or perhaps it’s an over-correction to the criticism of season one’s slow-burn (a criticism I disagree with). Either way, a lot of things move too quickly. Most notably one character changes loyalties so often and so quickly that their arc ceased to make any sense at all.

There’s one side-plot that has the opposite problem — it feels too drawn out, especially given the outcome has pretty much been a foregone conclusion since last season. The resolution is very satisfying when it comes, though.

No one does slow motion walking toward the camera like this show.You also need to suspend your disbelief extra hard for a lot of things this season. The sci-fi elements are extremely implausible this time around, even by the standards of a show about “undercover tactical nuns.”

But you know what? I don’t really care about any of that. This season was just too damn enjoyable for any of that to get me down.

When I watched the original season the first time, I came away feeling that Ava and Beatrice were carrying the show. Not that I disliked the other characters, but they didn’t feel that memorable compared to Ava and Bea. When I rewatched season one, I found the supporting cast members a lot more compelling than I remembered, and in season two, Warrior Nun has established itself as a show where the entire ensemble is more than carrying their weight.

Sister Camilla is at least as lovable as before, if not more so. Jillian also puts on a strong performance, and there’s some new faces that hold their own admirably.

But the real breakout star this season is Mother Superion. She is a character I very much did not want to like because of how abusive she was to Ava when first introduced, but despite my best efforts, she won me over. She has a lot more screentime this time around, and across her various scenes, she gets to show pretty much the full range of human emotion, from righteous anger to sorrow and even some humorous scenes. And she kills it every time. Major respect to Sylvia De Fanti for an incredible performance.

Kristina Tonteri-Young as Sister Beatrice in Warrior Nun season two.All that’s not to say that Ava and Beatrice aren’t still great, because they absolutely are, both individually and in terms of their dynamic together. Their friendship gets a bit turbulent this season, and they often find themselves in conflict, but there’s always the sense that they maintain respect and affection for one another throughout. Characters who can handle conflict in a healthy way are depressingly rare in popular fiction, and it’s so refreshing to see it here.

While there are parts that feel rushed, as I’ve already noted, the fast pace of the season can also be quite exhilarating.

I initially gave Warrior Nun a try purely because I found out it was the work of Simon Barry, the mind behind Continuum, a strong contender for my favourite TV series of all time. I’m not sure I’m quite ready to say that Warrior Nun has yet reached Continuum’s quality level, but this season did give me the same brain-blasted, pleasantly overwhelmed feeling that Continuum’s later seasons did. So much happens so fast it feels almost supernatural that they’re able to fit so story in a relatively short run-time. It displays an incredible economy of story-telling that most writers can only aspire to.

Oh, yes, and this season also happens to feature some of the most inventive and beautifully shot action scenes I’ve had the pleasure to witness.

The second season ends on a pretty satisfying note, so if the series is to end here, it won’t be so jarring or heart-breaking as some shows that are left unfinished. But I still hope it does continue. There’s plenty of potential for more story in this universe, and it just plain deserves it. It’s fun, it’s exciting, it’s moving, and while it’s subtle, there’s a maturity to the characters and their relationships that most popular media lacks.

Rings of Power Is Off to a Poor Start

I had a lot of skepticism going into Amazon’s new Lord of the Rings series, The Rings of Power, based on some truly bizarre plot leaks (at least some of which have now been confirmed) and a lot of cringe-worthy quotes by the showrunners.

Still, I would really like more good Middle-Earth content, so I tried my best to keep an open mind. Going in, I had the feeling it wouldn’t be very faithful to Tolkien, but it would at least be an entertaining fantasy adventure series.

Unfortunately, so far it’s not even living up that standard.

I was right that it’s not faithful to Tolkien’s writings. Galadriel has had her backstory and motivations altered so radically she’s essentially a completely new character. Meanwhile Durin is being portrayed as just another Dwarf, with so far no mention of his past lives or great significance to the Dwarven people.

But perhaps more importantly, it’s just not that interesting of a show so far.

The pacing is glacial, for one thing. Now I know a lot of people will say that’s also true of Tolkien’s original writings, and that’s technically accurate, but the depth and beauty of Tolkien’s writing carries it through. Rings of Power doesn’t have that same skill in its story-telling that allows the slow pace to work.

There are a lot of moments that clearly attempt to emulate the beauty and heart of Tolkien’s legendarium, but the writing isn’t strong enough to deliver, resulting in a lot of pseudo-spiritual babble that doesn’t actually mean anything. See Finrod’s word-salad about boats and rocks.

The acting is mostly competent, but none of it’s quite good enough to cover up how dull the writing is.

There’s a number of mysteries introduced by the show, but I find them more frustrating than anything. There’s a new character whose identity is a big question mark, and the show spends all of his scenes telegraphing that he’s either Gandalf or Sauron in extremely blatant ways. Obviously he can’t be both, so half of his scenes exist just to be unsubtle red herrings, and gods know how long it will be before we know which half. It’s one of the most transparent attempts to string along an audience I’ve ever seen, and after just two episodes, I’m already utterly exhausted by it.

But perhaps my biggest issue is that the version of Galadriel they present is an absolute blithering idiot. Her entire story so far consists of nothing but suicidally stupid decisions, and the only reason she survives the first two episodes is because she has impenetrable plot armour.

(None of this is an indictment of Morfydd Clark, who is doing the best she can with the meager hand she was dealt. From what I’ve seen of her in interviews, she seems like an incredibly sweet person, and I don’t want to direct any hate toward her. Honestly, she deserved better.)

So far, the only plot in the show I find myself at all invested in is that of Bronwyn and the other people living in what will eventually be Mordor. Maybe because it’s a blank slate and thus free of expectation, but it’s the only part of the show that’s held my attention so far.

Rings of Power has not yet reached the irredeemable depths of something like the last season of Picard, but what we’ve seen so far doesn’t give much cause for optimism. Simply put, it’s just kind of boring.

Of course, much of the controversy around Rings of Power so far has centred around its racial and gender politics, because absolutely everything has to turn into a culture war brawl these days. I gave serious thought to simply not addressing it all because I’m so tired of it, but I’d like to try and present a nuanced take on the issue, as nuance is pretty lacking in most of the discussions I’ve seen.

First of all, I have no respect for those who are offended by the very concept of black people existing in Middle-Earth. The one change to Tolkien’s work that is definitely worthwhile is trying to improve the diversity of the setting. I don’t feel that Tolkien himself was a particularly bigoted or hateful person at heart, but he was a product of his time and culture, and elements of his work do not hold up well in a modern context.

But that doesn’t mean Rings of Power is approaching it the right way.

For all the wailing and gnashing of teeth over how excessively “woke” the show is, the actual number of people of colour appearing in it is very small, and the cast is still overwhelmingly white. I’ve noticed that the extras in crowd shots are mostly, if not entirely, Caucasian, and that all combines to make the few PoC on the cast really stand out. To me it makes them feel like tokens rather than a genuine effort to diversify the setting.

A cynical part of me wonders if they just threw in a few PoC knowing it would make the racists rage so that they could then write off all criticism of the show as rooted in bigotry and nothing else. I know that’s the narrative I’ve seen advanced by most vocal fans of the show.

The frustrating thing is that there are already entire cultures of PoC in Tolkien’s writing, and Rings of Power is completely ignoring them. I don’t know if the people of the newly invented realm of “Tirharad” are meant to be related to the people of Harad, so I can’t say if making them mostly pale-skinned is technically white-washing, but it definitely feels like it. Regardless of whether the people of Tirharad are related to the Haradrim, Rings of Power is ignoring a culture that would have allowed them to massively increase the diversity of the cast while also exploring an underdeveloped part of the lore.

Bronwyn and Arondir in The Lord of the Rings: The Rings of Power.I’m similarly disappointed by the missed opportunities in Galadriel’s story. I’m not upset by the show presenting her as a military leader (and those who are betray the fact they don’t actually know Middle-Earth’s history very well at all), but I am very bothered the fact they’ve written her family out of the story. I think it would have been a much bigger win for feminism if Rings of Power had depicted Galadriel as a badass warrior and a loving wife and mother.

The more time goes on, the more I appreciate how special Continuum was…

(To be fair, Bronwyn does feel like she’s embodying this concept at least a little bit, but that just further raises the question of why Galadriel couldn’t get the same treatment.)

My point is this: I think Rings of Power holding up ideals of diversity and feminism would be a good thing, but I don’t believe it’s actually doing that. I think it’s paying lip service to those concepts in a cynical attempt to profit off our current culture war.

And that really tells you a lot about what kind of show it is. It covers itself in the trappings of Tolkien’s timeless stories of hope and heroism, but it’s only skin deep.