Limetown and Night Vale: From Audio to Print

There seems to be a lot of crossover between the world of audio and the world of print. Both of the podcasts I’ve become a fan of in recent times — Limetown and Welcome to Night Vale — have put out tie-in novels, and I figured it was time I gave them a read.

An official banner for the podcast drama LimetownWhen it comes to the podcasts, I think I still enjoy Limetown a little more than Night Vale (though it’s a very close race). But when it comes to the books, Night Vale is the decisive champion.

To be honest, I didn’t much enjoy Limetown’s novel at all. It doesn’t provide much insight into the conspiracies and intrigue that are the setting’s focus; instead, it mostly provides backstory for Lia Haddock and her uncle, Emile.

That’s not the worst idea in theory. A character study could still be interesting, even if it’s not necessarily what I’m looking for in a Limetown story. But it’s not even a very good character study.

In the podcast, Lia comes across as fierce and determined, but also warm and human. In the book, her determination comes across more as obsessiveness. She wants to solve mysteries not because she cares about the people involved — the book makes it very clear that Lia doesn’t care about anyone, at all — but simply because she has a deranged need to poke at any unanswered questions she finds.

Not only does it not make for an enjoyable book, it dampens my interest in the podcast, too. Part of what hooked me into Limetown was how much I loved Lia as a character, but the book kind of made me hate her.

By contrast, the Night Vale novel — while not without a few hiccups of its own — is a much better experience.

Official art for the audio drama Welcome to Night ValeShifting focus away from Cecil, Night Vale’s print incarnation focuses on two ordinary citizens of Night Vale: Diane Crayton, PTA member and single mother of a teenage shapeshifter, and Jackie Fierro, a pawn shop operator who has been nineteen years old for an indeterminate number of decades.

The more detailed perspective of a book makes the surrealism of Night Vale a bit harder to swallow at times, but once you readjust to an even greater sense of weirdness than the podcast provides, it’s a good read. It’s got the same humour as the podcast, and I found myself audibly cracking up on nearly every page.

The thing that’s really impressive about this book — that’s also true of the podcast to some extent — is how real the characters and their struggles can feel. Once you get past the carnivorous insectoid librarians and wheatless deconstructed croissants, this is a very down to earth story of family struggles that is deeply relevant to our own world. Having dealt with some of the issues this book brings up in my own life, I can confirm that the characters and their struggles feel very authentic and relatable.

I do think the ending could have been more conclusive, and you definitely have to be careful about when you read this book relative to where you are in the show (I unintentionally spoiled myself, as I read the book before I’d caught up to when it was released), but even so the Night Vale novel definitely gets my recommendation.

I wouldn’t bother with the Limetown one. It’s not worth your time.


Revisiting Dark Matter

Over the past few weeks I’ve been rewatching Dark Matter from start to finish. It had been a while since the show wrapped up, and I was missing it.

A promotional image for Dark Matter season threeFor the most part, it’s as fun as I remember. The rewatch hasn’t changed my view of the show in any big ways, but there are a few insights I’d like to share.

On the off chance you haven’t watched Dark Matter yet, do note there are spoilers in this post.

My view of individual episodes changed:

This rewatch did not significantly change my view of Dark Matter as a series. My opinion remains about the same as it always was. It’s smart enough to be engaging, but simple enough to be relaxing. It’s the perfect “comfort food” show.

However, I did find my opinions of many individual episodes changed a bit. When “Built, not Born” first aired, I felt it was possibly the best episode of the series. On the second time through, I still liked it, but it didn’t seem nearly so brilliant. More of a B-.

On the other hand, I wasn’t exactly blown away by “I’ve Seen the Other Side of You” on first viewing, but now I feel like it maybe deserves to be remembered as the high water mark for the series. The ending scene from which it derives its title is just so powerful, and it cuts to the heart of the show’s themes perfectly.

Two and Victor in the Dark Matter episode "Built, not Born"I don’t think I ever fully appreciated the fact that Portia willingly surrenders at the end. It’s not just that she’s beaten; it’s that she wants the redemption that Five is offering her. It shows that there was the seed of goodness in her even when she was at her worst. Portia and Two aren’t completely different people; each has the potential to be the other.

Also, Five is just the best in that scene (more on that in a bit).

Losing One made the show better:

I find it funny that One’s death is something that happened despite the creator’s wishes, because in all honesty I think it’s one of the best things that ever happened to the show.

This is not a diss at One. He was never my favourite of the crew, but he’s a solid character, and I don’t have any major problems with him. But I think his loss moved the story and the other characters forward in important ways.

Two, for example, grew a great deal as a result of his death. Before then, a lot of her screen time was taken up by being One’s love interest, which always felt a bit forced to me. Once he was gone, she really came into her own as the leader of the crew and a force to be reckoned with.

Left to right: Alex Mallari Jr. (Four), Roger Cross (Six), Anthony Lemke (Three), and Melissa O'Neill (Two)Three also developed after One’s death. His constant sniping with One made both characters seem childish, but after One was gone, Three seemed to mature and become a more three-dimensional character.

In general, One’s loss upped the stakes of the show in a big way. Losing one of the core crew made the dangers the crew faces feel much more real, and the story felt more intense as a result.

Maybe all this growth and evolution could have happened even if One had survived, but from my perspective it seems his loss was a net gain for the show. If nothing else, I do feel that One was a bit redundant as a character. His role seems to have been to be the conscience of the crew, but Five and Six also fill that role, and I’d argue they do it better. They seem more sincere in their desire to do good, whereas One tends to come across as someone who wants to do the right thing because it makes him look good.

But the other cast changes hurt it:

This isn’t a new revelation as it bothered me at the time, but it does deserve repeating. The biggest problem with Dark Matter — really its only major flaw — is its constant, jarring cast changes.

As I said, I think losing One was a good move, but the revolving door of new cast members being added and then removed after that did drag the show down. Nyx and Devon were both interesting characters who added something different to the crew, and they were killed off far too soon.

Sally no longer?Adrian annoyed me, so I wasn’t sad to see him go, but that does raise the question of why he was ever there in the first place. His whole role in the story feels unnecessary. Meanwhile Solara had potential but was gone before we really got to know her. Again, why include her at all?

Even with that instability, though, the cast remains Dark Matter’s greatest strength, and one character in particular stands above the rest, which brings me to my final point.

Five is an absolute triumph:

Five was always my favourite part of the show right from the start, but I think it needs to be acknowledged that she’s not just fun or likable or entertaining, but a really important character of a sort we almost never see in fiction and desperately need more of.

Characters like Five are not uncommon. Lots of stories like this have characters that are lovable and compassionate. Lots of stories have nerdy genius types. It’s not too rare to see nerdy geniuses are also lovable and pure of heart.

But they’re always sidekicks. Always. They might be a useful part of the team, but they are rarely if ever the focus. They’re never the ones riding the proverbial white horse to save the day. When the big events are going down, it’s down to the more physical and violent characters to save the day with brute force.

On the rare occasions the nerdy or good-natured characters do get to save the day, it’s usually still by picking up a gun or a sword and turning into an action hero.

Jodelle Ferland as Five in Dark MatterFive is special not just because she’s a smart, compassionate character who gets to play the hero on a regular basis. She’s special because she gets to play the hero by being smart and compassionate.

She doesn’t solve her problems with brute force. She wins by thinking circles around her enemies. She solves problems through kindness and decency.

To go back to “I’ve Seen the Other Side of You” again, it is Five’s compassion — her willingness to see Portia as human and worthy of love and sympathy even at her worst — that saves the day more than anything else.

The world desperately needs more heroes like Five, in fiction and in reality. I love a good onscreen shootout or fist fight as much as the next guy, and I’m certainly not of the opinion fictional violence encourages real violence, but I do think we as a society need to spend more time lionizing people for thoughtfulness and humanity rather than simply their capacity to cause destruction. I love a good power fantasy, but there’s more than one kind of power.

If I had kids, I would make them watch Dark Matter just for the sake of Five. She’s the kind of role-model young people should have in their lives.