Limetown and Night Vale: From Audio to Print

There seems to be a lot of crossover between the world of audio and the world of print. Both of the podcasts I’ve become a fan of in recent times — Limetown and Welcome to Night Vale — have put out tie-in novels, and I figured it was time I gave them a read.

An official banner for the podcast drama LimetownWhen it comes to the podcasts, I think I still enjoy Limetown a little more than Night Vale (though it’s a very close race). But when it comes to the books, Night Vale is the decisive champion.

To be honest, I didn’t much enjoy Limetown’s novel at all. It doesn’t provide much insight into the conspiracies and intrigue that are the setting’s focus; instead, it mostly provides backstory for Lia Haddock and her uncle, Emile.

That’s not the worst idea in theory. A character study could still be interesting, even if it’s not necessarily what I’m looking for in a Limetown story. But it’s not even a very good character study.

In the podcast, Lia comes across as fierce and determined, but also warm and human. In the book, her determination comes across more as obsessiveness. She wants to solve mysteries not because she cares about the people involved — the book makes it very clear that Lia doesn’t care about anyone, at all — but simply because she has a deranged need to poke at any unanswered questions she finds.

Not only does it not make for an enjoyable book, it dampens my interest in the podcast, too. Part of what hooked me into Limetown was how much I loved Lia as a character, but the book kind of made me hate her.

By contrast, the Night Vale novel — while not without a few hiccups of its own — is a much better experience.

Official art for the audio drama Welcome to Night ValeShifting focus away from Cecil, Night Vale’s print incarnation focuses on two ordinary citizens of Night Vale: Diane Crayton, PTA member and single mother of a teenage shapeshifter, and Jackie Fierro, a pawn shop operator who has been nineteen years old for an indeterminate number of decades.

The more detailed perspective of a book makes the surrealism of Night Vale a bit harder to swallow at times, but once you readjust to an even greater sense of weirdness than the podcast provides, it’s a good read. It’s got the same humour as the podcast, and I found myself audibly cracking up on nearly every page.

The thing that’s really impressive about this book — that’s also true of the podcast to some extent — is how real the characters and their struggles can feel. Once you get past the carnivorous insectoid librarians and wheatless deconstructed croissants, this is a very down to earth story of family struggles that is deeply relevant to our own world. Having dealt with some of the issues this book brings up in my own life, I can confirm that the characters and their struggles feel very authentic and relatable.

I do think the ending could have been more conclusive, and you definitely have to be careful about when you read this book relative to where you are in the show (I unintentionally spoiled myself, as I read the book before I’d caught up to when it was released), but even so the Night Vale novel definitely gets my recommendation.

I wouldn’t bother with the Limetown one. It’s not worth your time.

What I’m up to + New Article

I haven’t really done or experienced anything lately that deserves its own deep-dive post, but I thought I might do a quick run down of the various nerdy passtimes I’ve been engaging in as of late.

Official art for the audio drama Welcome to Night ValeFirst, after finishing Limetown, I bounced around for a bit, trying different podcasts before I found one I like: Welcome to Night Vale.

The friend who first recommended Night Vale went on and on about how indescribably weird it was and how I just had to experience it for myself. I thought he was exaggerating.

He was not exaggerating.

Welcome to Night Vale is spectacularly strange. The best way I can describe it is it’s like Douglas Adams on acid, with a hefty dose of conspiracy theories and Lovecraftian influence. It takes the form of a community radio show operating out of a small desert town that appears to exist in a surreal alternate universe dominated by a ruthless totalitarian government and filled with eldritch horrors as a matter of every day life.

I think?

It’s best described as a dark comedy, but it really is unlike anything else. My only complaints are it can be a bit samey, and that the overwhelming scattershot weirdness prevents it from being as relaxing as you might expect from such a silly show. It really demands your full attention.

On the reading front, the most interesting book I’ve read recently is Diablo’s Book of Adria. This continues the series of lorebooks that also included the Book of Cain and the Book of Tyrael.

As with its predecessors, it’s a beautifully made book full of stellar artwork. I was a bit disappointed by the lack of any significant new lore revelations, but it does provide a very interesting insight into Adria’s motivations as a character. I wouldn’t say it makes her more sympathetic per se — she remains a viciously ruthless schemer — but it does provide some nuance to her beyond the power hungry madwoman one might take her for at first glance.

All in all, I’d say the Book of Adria is less revelatory than the Book of Cain, but more interesting than the Book of Tyrael. I’d recommend it.

When it comes to gaming, I’ve little to report. Still messing around with ESO and feeling very ambivalent about it. I’ve been trying to get my consular caught up in the story in SWTOR, and I’ve started running my TSW homebrew mini-campaign in D&D, but I’ll have more to say about both those things later.

Finally, I’ve had another article published at MMO Bro, in which I discuss the importance of stability in MMO design.