Dungeons and Dragons: The Wild World of Homebrew

As our venture into the world of table-top role-playing progresses, I and my friends are now beginning to expand beyond the basic rules of Fifth Edition and experiment with more drastic homebrews.

The official logo for Dungeons and Dragons, fifth editionFor instance, for our most recent session our DM led us in an experimental one-shot using the setting of ReBoot.

I have to say I very deeply admire the effort our DM went to for this. He not only had to design entirely new mechanics for the ReBoot setting, be he also had to create the mechanics for the Games we entered into over the course of the adventure. At one point we wound up playing a tabletop version of Mario Kart. It was… different.

It’s a bit of a double-edged sword because it did lead to a lot of the session simply being learning new rules, but still, the sheer creativity has to be admired.

The Reboot setting also allowed for some interesting role-play. I of course chose to be a Guardian, but I played him as a hardboiled, loose cannon cop who plays by his own rules. Meanwhile the show was stolen by one of my friends, who made her character an over-the-top cutesy anime JRPG heroine. We were a motley bunch.

For my part, in a turn of events probably everyone saw coming, I have begun working on some homebrew to adapt 5E to the setting of the Secret World. I started out just creating passives for the various factions — I decided that choice of faction replaces racial choices — but it got a bit out of hand, and the document is now 5,000 words.

My Templar tanking a lair boss in The Secret WorldThat being said, I still consider it a rather basic framework. It mostly still uses the same mechanics of 5E. I’ve not touched classes or monsters at all, aside from disallowing a few classes that didn’t fit the setting. I may expand it to include those things at some point, but I’m not sure.

It is very much a vanity project. I’m the only person in my friend group who ever played TSW, so I don’t foresee a lot of interest in this from my friends, and I’m not sure my game design “expertise” is at a level that any strangers would be interested in what I’ve come up with. If nothing else, it amused me.

I do wish to share one thing from the homebrew, just because I’m rather proud of it. I came up with a number of custom backgrounds to fit the modern setting, and while most are somewhat bland, the Conspiracy Theorist background is a bit more fun:

You were right all along! The Illuminati are real! The people in the YouTube comments said you were mad, but who’s mad now?!? You have proficiency in Hacking, Insight, and History, and you are also proficient with a Hacker’s Kit and Thieves’ Tools. You are much less likely to suffer consequences for revealing the secrets of the Secret World to the public, because no one takes you seriously. Your maximum sanity is lowered by 1.


Dungeons and Dragons Online Impressions

Given that I’ve been spending so much time playing D&D in the real world, I decided it was finally time to give the Dungeons and Dragons MMO — er, not that D&D MMO, the other one — a try.

My Elven paladin in Dungeons and Dragons OnlineDungeons and Dragons Online is one of the few well-known MMORPGs that I had not played up until now. The badly dated graphics coupled with a poorly regarded free to play model left me with the impression of a low-budget, low-effort sort of game, and I was intimidated by its reputation as an unusually complex title. But since D&D has been on my brain so much lately, curiosity won the day.

DDO is a very odd game. Playing it feels like I stepped through a portal into some alternate reality where MMO design evolved along entirely different lines.

In some ways, DDO is a staunchly traditional RPG hewing very closely to classic tabletop mechanics. Character creation involves not just the usual racial, class, and visual options, but also rolling your stats and picking feats. And this commitment to old-school character building and intense mechanical depth continues throughout the game. Some of the item tooltips are practically novel-length, even at low levels.

There’s also a greater richness to quest mechanics that harkens back to older RPGs. In addition to combat, there’s also simple puzzles, as well as hidden rooms to sniff out and traps to dodge.

But then you also have the fact that this is actually an action combat game, or an early ancestor thereof, so in that sense it feels quite modern. There’s no auto-attacking here; moment to moment combat feels more like Diablo than traditional CRPGs.

A skill sheet in Dungeons and Dragons OnlineYou do have an action bar, but there’s not the same reliance on rotations of active abilities you’d expect from an old school MMO. At least as a paladin, my active class abilities were few in number and very limited in their use, with the focus of combat on simply swinging my axe. The action bar is therefore as much devoted to consumables and swapping weapon sets as it is to class abilities.

Most of my time in DDO, my attention was held simply by how unusual the game design is compared to other MMOs. As a student of the genre, it’s fascinating.

I do also admire the commitment to staying true to D&D mechanics. I didn’t have to look up what stats do because I already knew from table-top, and my paladin had much the same abilities as her pen and paper equivalent.

However, for all the ways DDO is unique, I ended up drifting away from it for much the same reasons most MMOs fail to hold my attention.

One is that the game is simply too easy. Going in I was worried such a group-centric game would be too punishing to the solo player, but I spent all my time killing enemies in one or two hits from my axe, while never in the slightest danger of dying. The addition of cheaply available (and seemingly quite overpowered) NPC followers makes the quests even more braindead.

A puzzle in Dungeons and Dragons OnlineDDO does have a variety of difficulty settings for every quest, which is a design I very much admire, but as non-subscriber, I was only ever able to do each quest on “normal” during my first playthrough, and “pay to make the game not suck” is never an enticing business model.

The other issue is that the story is very bland. The dungeon master narration in each quest is a nice touch of ambiance, but it fails to entirely cover the fact that there’s very little plot here. In my time with the game I encountered no memorable NPCs, and ultimately most quests are just of the blandest “kill ten rats” fare.

There are other issues, too. As mentioned, the graphics are painfully dated, and the game is just straight up unpleasant to look at. Leveling is very slow (probably another F2P restriction), and I don’t know the Eberron setting very well, so I felt little connection to the world.

If you’re a fan of MMO game design and the history thereof, DDO is probably worth checking out at least in brief. It’s very unique, and it’s fun to fantasize how MMOs might have evolved differently if DDO had been more successful. Otherwise, though, I’m not sure it’s worth your time.