Review: Warcraft, Durotan

The interesting thing about this book is that it is not based on the games, as Christie Golden’s many other Warcraft novels have been, but instead the movie.

Cover art for Warcraft: Durotan by Christie GoldenThe Warcraft film has its own unique continuity, and so while Durotan covers roughly the same period of time as Golden’s Rise of the Horde, it’s a very different story. Think of it as an alternate universe, only without the headache-inducing confusion and absurdity of Warlords of Draenor.

Like the movie, it changes a lot about the established lore while still staying mostly true to the spirit of the world and its characters.

As the title would imply, the focus is given to Durotan and the Frostwolf clan. While Rise of the Horde provided a broad view of the fall of Draenor, the scale of Durotan is much more narrow and personal as the Frostwolves struggle to survive in a world that is slowly dying.

Durotan also introduces a new threat in the form of the Red Walkers, a rogue clan of vile flesh-eaters driven past the brink of madness by the ruin of their world. They serve as the primary antagonists, and they do a damn good job of it.

It’s a much simplified version of the lore, with none of the at-times overwhelming complexity that has come to define that period of history in the main universe, but while I wouldn’t necessarily want to see the game universe streamlined to this extant, it is interesting as a “what if” take. Durotan is certainly much more friendly to someone with little to no Warcraft lore knowledge than most of the recent Warcraft novels.

Ultimately, whether or not you will enjoy this book comes down to one question: Do you like Orcs?

If you answered “yes,” you will enjoy this book. If you answered “no,” probably not.

I’m not just saying that because basically every character in the book is an Orc. Everything about Durotan just oozes Orcish culture. This is the absolute Orciest, chest-thumpingest, skull-splittingest, zug-zugiest, lok’tariest book ever.

I like Orcs, so this is all good news to me. I especially like the Frostwolves and their culture — essentially the loyalty and fellowship of a wolf pack blown up to a full humanoid society — so it was a great joy to immerse myself in that mentality for three hundred pages or so.

I do have a few complaints, but all of them minor.

I know this is a very out of character thing for me to say, but I would have liked to have seen more of the Draenei. I was very curious how this newer, streamlined version of the lore explains them, but I was destined for disappointment on that front, as barely any attention was given to them in the book.

Similarly, I would have liked to see more of Garona, who turned out to be (surprisingly) a major highlight of the movie.

A promotional shot of Orgrim Doomhammer from the Warcraft movieI’m not entirely keen on how Orgrim Doomhammer is portrayed in the book, either. He mostly comes across as a bit of a simpleton, which is a disservice to a character as complex as he has traditionally been.

The ending is slightly underwhelming, too, but I suppose that’s somewhat inevitable for a book that mainly serves to set up the movie. The climax of the story happens on the big screen, not between the covers.

Still, on the whole, it was a good read. Recommended to both fans of the games and people who’ve only seen the movie.

Overall rating: 8/10

Review: Dark Matter, “We Should Have Seen This Coming”

I’m having a hard time not seeing this as some sort of weird Dark Matter/Secret World crossover.

The logo for Dark MatterThe Raza crew needs cash. The only way they know how to get it is through some good old fashioned space piracy.

Nyx has a suggestion for the perfect mark… or so she says. This being Dark Matter, of course she has an ulterior motive. In the process, we learn her history and the source of her preternatural combat skills.

Basically, she’s one of the Connected. Somehow I’m not surprised the Dragon made it to the space age.

This was a very well-balanced episode. We got some action, we learned a lot about Nyx, we got some development of for rest of the cast, and we discovered a new faction in the galactic mix. A little something for everyone.

The Connected Seers make for an interesting addition, a bit more heavy on the sci-fi than what we’ve seen on Dark Matter so far. On the whole I welcome their addition, but I am a little concerned the show’s villains’ gallery is getting a little crowded. Now we’ve got Seers, the empress of Space Japan, the corporations, and Wesley Crusher to deal with. That’s a lot of ground to cover for a show with only thirteen episodes to a season.

It was good to see Nyx get fleshed out some, but I think I liked the smaller developments for the other cast members better. Six and Three’s bit seemed a little by the numbers, but it needed to happen. Five developing some suspicions of Devon is good. I like that Sally can apparently switch back and forth between her old and new personas — I think I would have missed her old one if it was gone for good.

Left to right: Alex Mallari Jr. (Four), Roger Cross (Six), Anthony Lemke (Three), and Melissa O'Neill (Two)What really impressed me was Four’s solution at the end. I saw it coming (har har), but I wasn’t sure the show would be willing to go there. I’m glad they did. Bodes well for the future that the writers aren’t the sort to pull their punches.

This also marks arguably the first time we’ve seen significant space battles on the show. It was good to see those cannons on the Raza finally get some use. A portend of things to come?

Overall rating: 8/10

So if the Seers are the Dragon, I guess that means the corporations are Illuminati. Come to think of it, the GA uniforms do look a little like the Lumie PvP armour.

No Templars in sight, though. I suppose they’re probably stuck on Earth while this century’s Dame Julia struggles in vain to figure out how to fly a space ship.