Pointless Nostalgia: Mainframe Entertainment

I mostly use this blog to discuss my current interests — my recent writing projects, the books I’m reading, the shows I’m watching, and so forth. However, my love affair with speculative fiction has been a lifelong thing. I thought it might be interesting* to turn back the clock a bit and look at some of the sci-fi and fantasy I loved as a child, and which started me on the path to become the nerd I am today.

Graveheart and Tekla on Planet Ice in Shadow Raiders*(By which I mean that I wanted an excuse to look through a bunch of nostalgic YouTube clips.)

Originally, this was just going to be one post, but it got long enough that now I’m thinking I might make a whole series out of it.

Mainframe Entertainment:

When I think about things I loved as a kid, the shows produced by the Canadian company Mainframe Entertainment (now known as Rainmaker Entertainment) jump to mind almost immediately.

It all started with ReBoot. The first ever computer-animated television series, ReBoot was a piece of history, and while I loved it at the time, I think I have an even greater appreciation for ReBoot now that I’m an adult.

ReBoot was, above all else, wildly creative. It was a story set inside a computer, where each character is an anthropomorphized program. For example, one of the main heroes was Bob the Guardian, essentially an anti-virus program.

The city of Mainframe, setting of ReBootBut what was so clever about ReBoot was that they never actually came out and said, “This is a story about life inside a computer.” They just sort of left you to figure that out on your own. And they created this brilliantly deep and bizarre mythology and cosmology of life inside cyberspace that was just so completely original.

There were of course times when ReBoot devolved into pure, pointless absurdity as kids’ shows tend to, but on the whole, it was remarkably smart for a show aimed at children, and the later seasons wound up being surprisingly dark.

ReBoot also featured one of the greatest characters in human history: Mike the TV.

There’s been talk of a continuation of ReBoot for a long time, but the future remains uncertain. There was supposed to be a feature film trilogy, but I believe it’s been cancelled. Now just recently there’s word that Rainmaker is working on a new TV series called ReBoot: The Guardian Code.

I don’t generally want to be one of those adults who still watches kids’ shows… but I’d probably watch a ReBoot revival.

Bob the Guardian in ReBootReBoot was far from the only Mainframe show I loved, though. There was also Shadow Raiders (AKA War Planets).

Shadow Raiders was, if anything, even more bizarre than ReBoot, featuring a star system of warring elemental worlds forced to band together for survival against an all-consuming void planet.

Like ReBoot, Shadow Raiders had a surprising maturity once you looked past its odd outer trappings. The show went to some dark places, with entire worlds destroyed and civilizations brought to the brink of extinction. It’s not often you see a kids’ show deal with ideas like ingrained racial hatred and genocide.

Shadow Raiders was perhaps my first exposure to one of my favourite themes in fiction: the idea of old enemies banding together for mutual survival. The show repeatedly hammered home both how much the different worlds hated each other, and how utterly doomed they would be if they didn’t work together.

Shadow Raiders was also my first experience of a show I loved being cut down before its time, as it lasted only two seasons and didn’t really have a satisfying conclusion. This would become a regular theme in my life: Star Trek: Enterprise, Stargate: Universe, Terminator: The Sarah Connor Chronicles…

The Beast Planet consumes Planet Jungle in Shadow RaidersBut of course, the most famous of Mainframe’s shows, and the one I most loved at the time, was Beast Wars (and its sequel, Beast Machines), a spin-off of the Transformers universe.

Here’s a show to win the heart of any young boy. What’s better than a giant killbot? A giant killbot who turns into a truck. But what’s better than a giant killbot who turns into a truck? A giant killbot who turns into A MOTHER****ING DINOSAUR MOTHER****ER.

To say I was obsessed with this show would be a colossal understatement. I adored it with an almost religious fervour, and I wince to think of how much money my parents wasted getting me the toys.

My favourite characters were Rattrap, because rats and because I always gravitate towards the geeky characters, and Silverbolt, because I like lawful good types. Also, he was a wolf cross-bred with an eagle. Badass.

I especially enjoyed the episodes dealing with the alien Vok, who I found fascinatingly mysterious and creepy. In this, we see the earliest signs of my fascination with the concept of alien and unknowable beings, still present today in my fondness for things such as World of Warcraft’s Old Gods or The Secret World’s Dreamers.

The Maximal Silverbolt in Beast WarsIronically, while it was my most beloved Mainframe show at the time, Beast Wars is the one I have the least respect for as an adult. It was the most overtly childish, and the need to support the toy line forced the storyline to go in odd and often unnatural directions. It did not have the same wild originality as Shadow Raiders or ReBoot.

Still, it does deserve credit for once again being darker and more mature than one would expect from children’s programming, albeit to a lesser extent than its contemporary shows by the same company.

Something that amuses me to this day is how they were able to get away with putting such hideous acts of violence in a kids’ show simply because robots don’t bleed.

Retro Review: Continuum Season Three, Episodes 10-13

I think we all know how this works. As usual, there are spoilers ahead.

“Revolutions Per Minute”:

The official logo for ContinuumThis episode felt a little odd. It’s not really filler, but it sort of felt like it at times. It’s another episode where a lot is happening, but not all of it is particularly compelling.

The main plot deals with Liber8 taking an interest in a pharmaceutical company which is currently small, but will be a major player in the future. They’re testing a new drug to treat Alzheimer’s, which immediately reminds Kiera of Flash.

Further complicating matters is that Dillon’s daughter has succeeded in infiltrating Liber8, and they’re using her to infiltrate the pharmaceutical company.

Flash may also hold the answer to John Doe’s identity, if Kiera can get him some.

Meanwhile, Alec 1.0 makes a breakthrough with the aid of Kiera 1.0’s stolen CMR, but when he tests his new device on Jason, it has unexpected results. As Jason experiences a welcome jolt of lucidity, Alec is already moving on to other plans, hiring Julian of all people to help improve Piron’s image.

The most interesting part of this episode in my view was the continued effort to learn John Doe’s identity. I’m now thinking perhaps he comes from a future that has been changed by Kiera’s actions in the past (where Kellogg became emperor of everything instead of Alec?), and is even worse than Kiera’s soulless dystopia. Unfortunately, this also got the least attention of all the episode’s story arcs.

Ryan Robbins as John Doe in ContinuumOn the other hand, the plot surrounding Dillon’s daughter wasn’t interesting at all, and I’m left wondering what the point of it was. I guess just an attempt to humanize Dillon? Didn’t work very well, regardless.

Something else I feel strange about is how the attitudes toward altering history have changed so much. Kiera has spent most of the series trying desperately to preserve her future, but she went out of her way to shut down Flash before it started, which will undoubtedly have consequences. It’s somewhat understandable considering what happened to her sister, but still…

Also, in the season premiere, we saw all of time and space collapse because of Alec’s meddling. Now things have changed even more despite Kiera’s best efforts, but the continuum remains un-kerploded. Maybe there’s an explanation for this, but if so, I missed it.

“Revolutions Per Minute” was still a decent episode overall. I enjoyed how the plans of Alec, Liber8, Kellogg, and Kiera all converged in such an odd yet effective way, and pretty much everyone on the cast gave strong performances.

Overall rating: 7.4/10

“3 Minutes to Midnight”:

Where do I even begin? Phrases like “mind-blowing,” “earth-shattering,” and “game-changing” come to mind.

An advertisement for Alec's Halo technology from Continuum“3 Minutes to Midnight” is an episode full of answers and revelations, with the potential to turn everything about Continuum on its head.

Having regained his memories, John Doe — or Brad Tonkin — flees, unable to face Kiera due to his guilt over killing her other self.

Meanwhile, Jason experiences a violent psychotic break. The evidence points to Halo’s involvement, and he might not be the only one having problems, though Alec is quick to downplay the issue.

Carlos seeks the aid of Julian in getting to the truth surrounding Halo, and for perhaps the first time, Julian really is on the right side of things.

But it’s an ambush by Liber8 halfway through the episode that takes “3 Minutes to Minute” from interesting to incredible.

When Kiera and Brad are captured, what starts as an interrogation becomes a tense stand-off, and that leads in to possibly the biggest burst of revelation in Continuum’s history, and I don’t think the show will ever be the same.

Kiera holds Sonya hostage in "3 Minutes to Midnight" from Continuum's third seasonAll through Continuum’s run, there has been one question hanging over everything: Can the future be changed?

Now, we have our answer.

Yes.

Kiera’s future is gone. Brad hails from an equally but differently ruinous future, where Liber8’s actions have led to blood-soaked anarchy.

But that’s just the start, as everyone laid their cards on the table.

I thoroughly enjoyed watching Liber8 learn the truth behind their mission, that they are and always have been pawns of Alec Sadler. Lucas may have hammed it up a bit, but overall, seeing everything they ever believed in shattered was very satisfying.

Everything is changed now, and no one knows what they’re fighting for anymore, or if it’s even worth fighting. The future Kiera fought to protect is gone. Liber8’s mission is a lie, and they now know their cause leads only to death and ruin.

With so many revelations and such a powerful ending, “3 Minutes to Midnight” easily could have been an excellent season finale. But there’s still two more episodes!

Overall rating: 9/10

“The Dying Minutes”:

Rachel Nichols as Kiera Cameron in ContinuumHere we have another episode spectacular and climactic enough to easily serve as a season finale, but again, it’s still not over.

As with the last episode, the theme here is everyone losing faith in what they once believed in. Due to Brad’s revelations, it has become clear that the future cannot be predicted, or controlled.

As a result, Liber8 has disbanded, but Sonya still believes in the cause. She forms a last ditch plan to sabotage Piron on the eve of Halo’s launch, but forced to go it alone, things don’t work out well for her.

Kiera, also, has had to abandon that which she once believed in. With her own future now out of reach, she can only hope to create the best possible future, and it’s clear she picked the wrong Alec for that. With Brad’s aid, she sets out to rescue Alec 2.0, who is being tortured by the Freelancers.

As all this is unfolding, Curtis is hatching his own scheme. He believes the other Freelancers have lost their way, and he seeks to free the heart of their power: the Traveler, an ancient being who founded their order more than a thousand years ago.

The end result is an explosive, cinematic, action-packed episode that is a glowing example of Continuum at its finest.

Alec Sadler being tortured by the Freelancers in ContinuumWith a major cast member dead, another clinging to life, and the Freelancers all but eradicated, this is another episode that will likely shape the face of the series for a long time to come. Continuum has pulled off some crazy twists in the past, but this might just take the cake. This is some Battlestar Galactica grade crazy.

I am going to miss Sonya. As an idealist driven too far by a corrupt world, I think she may ultimately have been the most interesting member of Liber8. Travis was more frightening, and Garza more entertaining, but Sonya had the most depth as a character.

My one very minor complaint is that they seem to be setting up Brad and Kiera as a couple, which I don’t much care for. True, expecting her to hold to her marriage vows at this point is unrealistic at best — and Greg was a cheating bastard anyway — but it feels a little forced, a little predictable, and I just don’t care for it.

On the plus side, if it means more of Ryan Robbins going forward, it’s probably a good thing.

Overall rating: 9/10

“Last Minute” (season finale):

The final episode of Continuum’s third season begins with everything in a fairly peaceful state. Kiera and Brad have retired to a peaceful life in the country, and Alec 2.0 and Emily are in the process of riding into the sunset.

That doesn’t last.

Kiera and Liber8 united against Alec Sadler in the third season finale of "Continuum"It soon becomes clear that there can never be peace as long as Alec 1.0 is around. He has gone too far, and the future he envisions will bring nothing but doom. Everyone is in agreement: Alec Sadler must fall.

And I do mean everyone. Including Liber8.

The lines are drawn, and the fight to define the future has begun.

Everything about this episode was brilliant. Absolutely stellar. Action, emotion, suspense, intensity. This is everything you could possibly want in a sci-fi season finale.

I think my favourite part was how Kiera’s character arc has evolved. She went to some very dark places, did some terrible things, to preserve her future, but now, she has let go of it. She has been awakened to the terrible truth of her future, and she now knows she cannot allow it to come to pass. Though it pains her terribly, she has decided to change the future for the better, even if it costs her everything she once held dear.

It’s a fantastically powerful evolution, and it gives me a totally new appreciation for her character.

I’m sorry if this review is a bit vague, but it would feel redundant to go through and talk about how I loved every single thing. “Last Minute” was just an excellent episode all around.

Alec destroys the Piron antimatter lab in Continuum's third season finaleThe one thing I have somewhat mixed feelings on is the ending.

I say this mainly because — minus the last five minutes — this could have done beautifully as the series finale. Pretty much every story arc was wrapped in a satisfying way, and it was all excellently done.

I don’t want to be in the position of wishing death on one of my favourite shows, but the future of sci-fi television shows is always shaky. I’m tempted to say they maybe should have just quit while they were ahead. Even if they do get the opportunity to end things on their own terms, I doubt they could do much better than this.

On the other hand, if there is a fourth season, and if this latest new direction turns out well, I suppose it will all be for the best.

Overall rating: 9.3/10

* * *

And that’s it. I am now caught up on Continuum. I am very glad I took a chance on this show; it’s far-exceeded my expectations.

OMGWTFBBQThere was never a time when Continuum wasn’t worth watching, but it’s only gotten better, with each season improving significantly on the previous. What started as a fairly basic action-adventure has evolved into a surprisingly smart, intense, and powerful sci-fi epic, and some of the best speculative fiction I’ve seen on TV in quite a while.

It carries a pretty powerful message, as well. I can’t help but worry its vision of a future in the thrall of corporations will prove prophetic, and we’ll all be slaves to corporate interests, toiling endlessly to pay off a Life Debt that serves as an eternal shackle.

Hell. Is that any different from now?

Whether there will be a fourth season or not is still up in the air. There seems to be strong arguments for either possibility. Apparently the show-runner has plans for at least seven seasons — which seems a bit over ambitious — but the continued silence on the matter is worrying.

I hope there will be another season. Continuum deserves it. But it’s best to prepare for the worst where sci-fi TV is concerned.

Well, damn. Now what am I going to watch?