Retro Review: Once Upon a Time, Season One: Episodes 1-6

As someone with a craving for quality high fantasy television, I’ve long had an interest in Once Upon a Time, but for one reason or another, I didn’t find the time to give it a shot when it premiered. I did see a few episodes here or there in my final months in Toronto, but they were all out of order.

The logo for Once Upon a TimeWhat I saw left with me with some mixed feelings. At times, the show seemed very clever and offered a great portrayal of old school fantasy, but at other times it was so smarmy it made me want to puke. I didn’t much care for Emma, the main character, but I loved many of the peripheral characters.

Overall, the good seemed to outweigh the bad, and now that I’ve finally signed up for Netflix, I’m going to start watching the series properly and in order.

As with previous binge watches, my individual episode reviews may be a bit more truncated and spoilery than usual.

Pilot episode:

Once Upon a Time wastes very little in establishing the format and overall arc of the series. Like the other episodes I’ve seen, the pilot jumps between scenes in our world and flashbacks to a fantasy kingdom to tell a cohesive story.

Our hero is Emma Swan, a bail “bondsperson” who is contacted out of the blue by the son she gave up for adoption, Henry. She is forced to take him back home to a small town called Storybrook, and along the way, he regales her with outlandish stories about how Emma and everyone in Storybrook are actually exiles from a fairytale land, and how it’s Emma’s destiny to save them all.

The wedding of Snow White and Prince Charming in Once Upon a TimeExcept they’re not just stories.

As this is happening, the pilot also illustrates the final days of the fantasy kingdom as an evil queen unleashes a terrible curse to end all happy endings. The imprisoned black magician Rumpelstiltskin* foresees the only hope will come from the daughter of Snow White and Prince Charming , and they call upon their allies to save the newborn Emma at all costs.

*(Played by Robert Carlyle, who is awesome.)

The rest of the episode deals with Emma attempting to wash her hands of Henry, and largely failing. As this happens, the seeds of a rivalry between her and Regina, Storybrook’s mayor and the evil queen in truth, are sewn.

The pacing is good, and there’s an emotional punch without it being too overwrought. A lot of the actors already seem very comfortable in their roles, and the characterizations come through strongly — though it probably helps that I already have some familiarity with the characters.

Something I really enjoy about Once Upon a Time is all the clever little ways events and characters in our world mirror the fantasy world, and that’s already on full display. Regina offering Emma some apple cider, for instance.

Emma and her son, Henry, in Once Upon a TimeIf I have a complaint, it’s the pilot ended too soon and left me wanting more… but that’s not really a complaint.

Overall rating: 8/10 A strong start.

“The Thing You Love Most”:

As with most shows, the second episode of Once Upon a Time is a little on the slow side.

In Storybrook, Regina does everything in her power to drive Emma away. If I was coming in fresh, I’d find this all very unreasonable and a bit strange, but based on later episodes I’m seen, I’m of the impression Regina still knows who she is and thus likely knows what Emma represents.

On the fantasy end of things, we learn the backstory of Regina’s use of the curse, and the terrible cost she had to pay for it.

I don’t really have any major complaints about this episode. It’s just not terribly memorable. Also, again, I don’t much care for Emma. The actress just doesn’t feel authentic. She’s trying too hard to seem tough.

Lana Parilla as Regina Mills in Once Upon a TimeThe one interesting thing to come out of this — that was news to me — is that Regina’s father’s name was Henry. Hmm…

Overall rating: 6.9/10

“Snow Falling”:

As the name might imply, this episode focuses heavily on Snow White. Specifically, the start of her relationship with Prince Charming — which turns out to be a mocking nickname she gave him.

On the fantasy side of things, Snow is a brigand living in the woods for fear of being caught by the evil queen. She robs Charming as he passes by, and he hunts her down and blackmails her into helping him retrieve what she stole.

It starts out as one of those “trying so hard not to be cliche it feels terribly cliche” things, but the plot evolves well, and it has a lot of action and excitement. It’s perhaps a bit hokey, but hokey in a way that’s more endearing than irritating — which based on my experience to date is probably an apt description of Once Upon a Time as a whole.

Meanwhile, in Storybrook, a field trip to the hospital leads to Henry learning that Prince Charming is in that reality a comatose John Doe. He gets it in his head that if Mary Margaret — Snow White in truth — were to read their story to him, he might wake up, and an in an attempt to not hurt Henry’s feelings, she and Emma choose to indulge him.

Snow White and Prince Charming in Once Upon a TimeBut as is often the case, Henry’s ideas aren’t so crazy after all.

The most interesting thing about the Storybrook side of “Snow Falling” is once again all the subtle ways it mirrors the events of the fantasy world, like David/Charming being drawn to the toll bridge and Mary Margaret waking him with mouth-to-mouth resuscitation.

Also, the normal world versions of the Seven Dwarfs really crack me up.

On the whole, I do find Snow White a much more compelling protagonist than Emma. She’s got the perfect balance of spunk, toughness, and humanity, along with a healthy dose of charisma, and the actress seems to be having almost too much fun with the role.

Overall rating: 7.6/10 Less Emma makes for a better episode.

“The Price of Gold”:

We continue to run down the list of classic fairytales. Today, Cinderella’s up to bat.

But there’s a twist. In this version of things, Cinderella won her grand life not through the blessing of a faerie godmother, but through a deal with Rumpelstiltskin, and as he is so fond of reminding people, all magic has a price. In this case, the price is a child.

Events in the real and fantasy worlds mirror each other as Rumpelstiltskin/Mr. Gold attempts to claim ownership of Cinderella/Ashley’s soon to be born child. In the real world, Emma travels across town to try to save Ashley and the child as the circumstances shine an uncomfortable light on Emma’s own past.

This was one of those times where Once Upon a Time just felt a little too smarmy for my taste. They tried so hard to make Cinderella sympathetic that it felt cloying, and the episode just hammered home the whole redemption/anyone can change angle a little too heavily.

Robert Carlyle as Rumpelstiltskin in Once Upon a TimeAlso, it was a very Emma-heavy episode, and I think my feelings on her are clear at this point.

On the plus side, the nod to the darker side of fairytales and the terrible price of magic was quite cool, and there was a lot of Robert Carlyle in this episode, and that’s always a good thing.

Overall rating: 6.8/10

“That Still Small Voice”:

And now it’s Jiminy Cricket’s turn.

In Storybrook, he’s Henry psychologist, Dr. Hopper — I see what you did there, Once Upon a Time.

When a sudden earthquake exposes an old mining tunnel, Henry becomes convinced Regina is keeping a secret there key to uncovering Storybrook’s true nature. He’s determined to explore the mine despite the dangers, so Regina coerces Dr. Hopper into denouncing Henry’s “fantasies.”

Naturally, Henry doesn’t take this well, and he runs off to explore the mine on his own, becoming trapped. The race is then on for Emma, Regina, and Dr. Hopper to save him.

Jennifer Morrison as Emma Swan in Once Upon a TimeOn the fantasy side of things, we learn how Jimmy became a cricket in the first place. Perhaps not surprisingly, it involves Rumpelstiltskin. And it gets surprisingly dark.

I really do hope that some definitive proof of Storybrook’s true nature is uncovered soon, because the inevitable “you’re crazy, Henry” speech is getting very tiresome. It’s good the show acknowledges how preposterous the whole situation is, and it makes sense for Emma to be skeptical, but it’s the same scene every episode, and we as viewers know Henry’s right, so it feels quite redundant.

Otherwise, I felt this was a solid episode. One thing that was particularly interesting was seeing some nuance added to Regina’s character. This is the first time it’s been clear that she really does care about Henry, and seeing her put aside her loathing for Emma for his sake was a powerful moment.

I may not be a particular fan of Emma, but her interactions with Regina can sometimes be quite interesting. They’re so at odds, but they’re united in wanting to protect Henry.

…I can only imagine the slash fics that must exist involving those two.

Overall rating: 7.5/10

“The Sheperd”:

This is one of those times when I have very mixed feelings on Once Upon a Time. There’s much I like about this episode, and much I don’t.

Josh Dallas as Prince Charming in Once Upon a TimeThis time, the focus is on Prince Charming… who turns out to not be such a prince after all. He just plays one in real life. On the Storybrook side of things, he’s torn between his feelings for Mary Margaret, and his loyalty to his wife, who is notable for not being Snow White in any reality.

Snow White and Prince Charming are one of the highlights of the show. They’re very likable characters, and the actors who play them have a lot of charisma. It’s very hard not to like them. So any episode that focuses on them earns some points.

And the fight with the dragon was quite cool, if a bit brief for my taste.

But this another case of laying the emotion on a bit thick, and having David/Charming go back to his wife is disappointing, and not for the reasons the show intended. I don’t need to have seen later episodes to know he’ll end up with Mary/Snow; why waste our time pretending that’s in doubt?

It also doesn’t make a lot of sense for Charming to have been able to pull off all his feats of martial prowess if he was really just a shepherd. The overall impression is it was a very short amount of time between his being ushered off the farm and meeting Snow. How’d he become an expert archer and swordsman in that time?

Overall rating: 7/10

Shannara on MTV: I Have a Bad Feeling

In case you weren’t already aware, there is a television series in the works based on Terry Brooks’ sprawling Shannara series of fantasy novels. The series will be titled “The Shannara Chronicles” and is being produced by MTV. It’s scheduled for release sometime this year.

A map of the Four Lands, setting of the Shannara novelsThis feels like the sort of thing I should be celebrating. I’m desperate for some quality high fantasy television, a terribly under-served niche, and I’ve been a Shannara fan since I was a kid. But there are several things about this that are just making my heart sink.

Firstly, MTV. Need I say more? If I was going to make a list of networks I trust to make a quality, serious fantasy series, MTV would be waaaay near the bottom.

I don’t like judging products by their pedigree too much, and I won’t say that MTV’s involvement means this series is doomed, but it doesn’t inspire one to confidence.

The other main problem is what they’ve picked as the source material. The series will be based on The Elfstones of Shannara, the second book of the original trilogy. It’s a seemingly arbitrary choice, and it strikes me as a pretty poor one.

It’s not the worst book they could have chosen, but I’m only saying that because The Wishsong of Shannara exists. They’ve chosen to throw themselves into a worst of both worlds scenario by starting in the middle of the story and not jumping ahead enough to get to the really interesting Shannara stories.

Cover art for The Elfstones of Shannara, the second book in the original Shannara trilogySee, the Shannara franchise begun as a supremely generic — if still well-executed — high fantasy story. The first book, The Sword of Shannara, was pretty much a pure Lord of the Rings rip-off. Over time, the Shannara series started to develop a lot more personality, incorporating aspects of magitech and science fantasy while also developing the history and culture of the Four Lands very well.

But that hadn’t yet begun in The Elfstones of Shannara. While it wasn’t as transparent a Tolkien knock-off as the first book, it was still a very generic high fantasy with little to distinguish it from the pack.

But it is book two, which means newcomers to the franchise will be lost as to why the Ohmsford family is so important or what the backstory of the world is. Unless MTV wants to butcher the history of the series and just ignore the events of the first book.

I’m also not sure how they intend to get a full TV series from one relatively short book, unless they want to stretch out the story endlessly, which would get boring very fast, or start over with a new cast and story every season, which seems very foolhardy from a marketing and financing perspective.

If they wanted to go to the original trilogy, I really think starting with Sword would have been the best bet, even if it is obviously similar to Lord of the Rings. It gives people a good introduction to the world of Shannara, and it was the best of the first three books, derivative or not.

Cover art for a compilation of the Heritage of Shannara seriesBut the really smart thing to do would have been to go with something even later in the franchise. The second major series, The Heritage of Shannara, was where the Shannara series really came into its own. It had a much bigger and more cohesive story, and it transformed the Four Lands into much more than a weak Middle-Earth knock-off.

As a four-part series with a huge cast and a lot of literal and metaphorical ground to cover, it also offers much more fodder for a full television series

If I had a magic wand, I’d do a TV series based on Genesis of Shannara, as it was by far the most original and powerful of Brooks’ novels, but its bizarre mash-up of high fantasy, urban fantasy, and post-apocalyptic sci-fi is probably a little too unusual for the average viewer. So Heritage seems like the best choice.

There are other compelling options. The Voyage of the Jerle Shannara would also make a good TV show. A wild adventure into the unknown to battle a lizard monster, a crazy witch, and a freaky Borg-esque supercomputer? I’d watch.

Really, there are so many better choices than Elfstones. I don’t understand what they were thinking. It doesn’t even feature the most interesting aspect of the entire Shannara franchise, the sword of truth itself.

I want to believe the Shannara TV series will be good, but there’s just so little to give me any hope right now.