Review: Dark Matter, “She’s One of Them Now”

Hot damn this show is awesome.

The logo for Dark MatterWith their financing problem taken care of and the Seers off their back for the moment, the crew of the Raza prepares to take the offensive. Their target is the former owner of Five’s stolen “key.” They hope to learn the nature of the device and perhaps turn it to their advantage.

It won’t be easy to break into one of the most secure corporate fortresses in the galaxy, but this is the crew of the Raza. There’s a reason they’re the most infamous criminals alive.

Along the way they “request” the assistance of their former handler, Rodney McKay Calchek. Add some appropriated Transfer Transit tech and Five’s usual technical brilliance, and the heist is on.

Meanwhile, Nyx mourns losing her brother again, but she has little time to avail herself of the support of the crew before she herself becomes the helper as Devon goes into a downward spiral.

“She’s One of Them Now” is an example of Dark Matter at its best. There’s tension and excitement, there’s strong character development, and there are some great twists.

Jodelle Ferland as Five in Dark MatterThe action and the quips flow hard and fast and the episode never stops being endlessly, delightfully entertaining. Dark Matter isn’t necessarily the deepest or most profound work of sci-fi ever made, but you’d hard-pressed to surpass it when it comes to sheer fun.

This episode is also another case of Five being put in the spotlight, which just makes me so happy. Even in a genre aimed at geeks, it’s so incredibly rare to see the geeky types playing the hero, and so refreshing when it does happen. So often in stories like this we see characters succeeding mainly through martial strength; it’s a wonderful change of pace to see one winning the day through sheer guile and wit.

Add to that not one but two intense cliff-hangers, and you have an excellent episode.

Devon and Nyx’s side-plot, while less spectacular than the main story, is also welcome. About time we learned a bit more about Devon, though admittedly it’s not much we couldn’t have guessed. It does feel a bit strange that there still seems to be a sharp division between the old crew and the newcomers, but I suppose it does make sense for the Raza crew to be a bit slow to trust, under the circumstances.

My one complaint is that I don’t know why we spent so much time on McKay. Sorry, Calchek. But let’s be honest: He’s pretty much McKay. They’re not even being subtle about it anymore. I half-expected him to bring up his fear of lemons at some point.

Left to right: Alex Mallari Jr. (Four), Roger Cross (Six), Anthony Lemke (Three), and Melissa O'Neill (Two)Anyway, he didn’t seem to be a necessary part of the episode. I certainly don’t see a good reason to give him as much screen time as they did. I mean, I liked Rodney, too, but Atlantis is over. This is Dark Matter. Even if it has a lot of the same creative talent behind the scenes and a similar writing style, it’s still its own show and shouldn’t trying to ride the coattails of Stargate.

It feels like David Hewlett had some bills to pay so the Dark Matter producers just threw him a role for old time’s sake or something.

But that one stumble is nowhere near enough to spoil an otherwise fantastic episode.

Overall rating: 8.5/10

Review: Warcraft, Durotan

The interesting thing about this book is that it is not based on the games, as Christie Golden’s many other Warcraft novels have been, but instead the movie.

Cover art for Warcraft: Durotan by Christie GoldenThe Warcraft film has its own unique continuity, and so while Durotan covers roughly the same period of time as Golden’s Rise of the Horde, it’s a very different story. Think of it as an alternate universe, only without the headache-inducing confusion and absurdity of Warlords of Draenor.

Like the movie, it changes a lot about the established lore while still staying mostly true to the spirit of the world and its characters.

As the title would imply, the focus is given to Durotan and the Frostwolf clan. While Rise of the Horde provided a broad view of the fall of Draenor, the scale of Durotan is much more narrow and personal as the Frostwolves struggle to survive in a world that is slowly dying.

Durotan also introduces a new threat in the form of the Red Walkers, a rogue clan of vile flesh-eaters driven past the brink of madness by the ruin of their world. They serve as the primary antagonists, and they do a damn good job of it.

It’s a much simplified version of the lore, with none of the at-times overwhelming complexity that has come to define that period of history in the main universe, but while I wouldn’t necessarily want to see the game universe streamlined to this extant, it is interesting as a “what if” take. Durotan is certainly much more friendly to someone with little to no Warcraft lore knowledge than most of the recent Warcraft novels.

Ultimately, whether or not you will enjoy this book comes down to one question: Do you like Orcs?

If you answered “yes,” you will enjoy this book. If you answered “no,” probably not.

I’m not just saying that because basically every character in the book is an Orc. Everything about Durotan just oozes Orcish culture. This is the absolute Orciest, chest-thumpingest, skull-splittingest, zug-zugiest, lok’tariest book ever.

I like Orcs, so this is all good news to me. I especially like the Frostwolves and their culture — essentially the loyalty and fellowship of a wolf pack blown up to a full humanoid society — so it was a great joy to immerse myself in that mentality for three hundred pages or so.

I do have a few complaints, but all of them minor.

I know this is a very out of character thing for me to say, but I would have liked to have seen more of the Draenei. I was very curious how this newer, streamlined version of the lore explains them, but I was destined for disappointment on that front, as barely any attention was given to them in the book.

Similarly, I would have liked to see more of Garona, who turned out to be (surprisingly) a major highlight of the movie.

A promotional shot of Orgrim Doomhammer from the Warcraft movieI’m not entirely keen on how Orgrim Doomhammer is portrayed in the book, either. He mostly comes across as a bit of a simpleton, which is a disservice to a character as complex as he has traditionally been.

The ending is slightly underwhelming, too, but I suppose that’s somewhat inevitable for a book that mainly serves to set up the movie. The climax of the story happens on the big screen, not between the covers.

Still, on the whole, it was a good read. Recommended to both fans of the games and people who’ve only seen the movie.

Overall rating: 8/10