Defiance of the East, a Fan-Made Expansion for Lord of the Rings LCG

The Red Book of Westmarch speaks little of the Easterlings, and describes them only as enemies of the West. Indeed many among them were of wicked disposition, their hearts clouded by the evil of Mordor.

But there were those among them who resisted. A few among them rejected the rule of Sauron and the worship of Melkor. Guided by the mentorship of the Blue Wizards, they conducted a secret war through many long years, weakening the armies of the Eastrons from within. Great was their suffering, and their sacrifices, their courage unrecorded in the lays of the West.

Defiance of the East – Fan-made Player Card Expansion

Over the past year or so, I’ve become quite a fan of Lord of the Rings: The Card Game. Being me, this inevitably led me down the road of creating custom content, the game already having a thriving fan content community thanks to the efforts of A Long Extended Party and other creators.

A custom card created for Lord of the Rings: The Card Game.My inspiration came from the Harad player card archetype featured in the game’s Haradrim cycle. I loved the idea of exploring one of Middle-Earth’s cultures traditionally viewed as an enemy and giving voice to those among them who rejected Sauron’s rule. It’s a great way to modernize and diversify the setting while respecting the original lore.

I thought it would be a wonderful idea to do the same for the other big faction of Men under Sauron’s rule, the Easterlings. But with the game in functional maintenance mode with no new content planned, it seemed unlikely the developers would fill this gap. Thus, I took it upon myself to explore the idea of a player Easterling archetype.

I envisioned a hidden resistance movement, sabotaging Sauron’s forces in the East and eventually revealing themselves in a glorious final stand during the War of the Ring.

I created twenty new cards, including four heroes, enough to build a full deck of Easterling characters, provided you flesh it out with a few cards from the official pool (I recommend Valiant Sacrifice). The cards have been play-tested (in true solo only so far) and already gone through a few rounds of adjustments to get the balance right.

The link in the header above contains all cards, including versions with extra bleed for easier printing. Art was found via Google image search. I’ve done my best to credit the original artists on all of the cards, but there’s a few I couldn’t track down a source for. Those are listed as “unknown” – if anyone knows the original artists for those, let me know, and I’ll add them.

A custom card created for Lord of the Rings: The Card Game.When it comes to mechanics, I wanted to explore themes of resilience and sacrifice. I drew inspiration from the Dunedain archetype and the Survivor class in the Arkham Horror LCG and developed a theme around resisting or even benefiting from treachery cards. There’s also a sub-theme of sacrificial allies.

The archetype is designed with true solo play in mind, as its how I usually play and fits the themes of an isolated resistance movement. Throwing all those treacheries out could be troublesome for your allies in multiplayer. That said, multiplayer should still be possible with careful planning; the Courage Unrecorded event allows you to protect your allies from Treachery effects while still gaining their benefits.

Having now played with the Easterling deck a few times, I’ve found it does present a unique feel compared to the game’s other archetypes. The Easterlings tend to boast weak stats, but their emphasis on direct damage and progress allow them to overcome this seeming disadvantage. Their Falcons and Messengers clear locations with ease, while their Martyrs can tear through powerful foes at the cost of their own lives, especially when the Easterlings find their Rebellion Unmasked.

The way these mechanics side-step usual obstacles like threat and defense scores reinforces the idea that this is a hidden movement working behind the scenes. Meanwhile, their cheap allies, strong economy, and heavy recursion allow them to easily recover from setbacks, capturing their resilience in the face of impossible odds.

If anyone does end up playing with these cards, do let me know your experience. I’d love to hear any feedback you may have.

Rings of Power Is Off to a Poor Start

I had a lot of skepticism going into Amazon’s new Lord of the Rings series, The Rings of Power, based on some truly bizarre plot leaks (at least some of which have now been confirmed) and a lot of cringe-worthy quotes by the showrunners.

Still, I would really like more good Middle-Earth content, so I tried my best to keep an open mind. Going in, I had the feeling it wouldn’t be very faithful to Tolkien, but it would at least be an entertaining fantasy adventure series.

Unfortunately, so far it’s not even living up that standard.

I was right that it’s not faithful to Tolkien’s writings. Galadriel has had her backstory and motivations altered so radically she’s essentially a completely new character. Meanwhile Durin is being portrayed as just another Dwarf, with so far no mention of his past lives or great significance to the Dwarven people.

But perhaps more importantly, it’s just not that interesting of a show so far.

The pacing is glacial, for one thing. Now I know a lot of people will say that’s also true of Tolkien’s original writings, and that’s technically accurate, but the depth and beauty of Tolkien’s writing carries it through. Rings of Power doesn’t have that same skill in its story-telling that allows the slow pace to work.

There are a lot of moments that clearly attempt to emulate the beauty and heart of Tolkien’s legendarium, but the writing isn’t strong enough to deliver, resulting in a lot of pseudo-spiritual babble that doesn’t actually mean anything. See Finrod’s word-salad about boats and rocks.

The acting is mostly competent, but none of it’s quite good enough to cover up how dull the writing is.

There’s a number of mysteries introduced by the show, but I find them more frustrating than anything. There’s a new character whose identity is a big question mark, and the show spends all of his scenes telegraphing that he’s either Gandalf or Sauron in extremely blatant ways. Obviously he can’t be both, so half of his scenes exist just to be unsubtle red herrings, and gods know how long it will be before we know which half. It’s one of the most transparent attempts to string along an audience I’ve ever seen, and after just two episodes, I’m already utterly exhausted by it.

But perhaps my biggest issue is that the version of Galadriel they present is an absolute blithering idiot. Her entire story so far consists of nothing but suicidally stupid decisions, and the only reason she survives the first two episodes is because she has impenetrable plot armour.

(None of this is an indictment of Morfydd Clark, who is doing the best she can with the meager hand she was dealt. From what I’ve seen of her in interviews, she seems like an incredibly sweet person, and I don’t want to direct any hate toward her. Honestly, she deserved better.)

So far, the only plot in the show I find myself at all invested in is that of Bronwyn and the other people living in what will eventually be Mordor. Maybe because it’s a blank slate and thus free of expectation, but it’s the only part of the show that’s held my attention so far.

Rings of Power has not yet reached the irredeemable depths of something like the last season of Picard, but what we’ve seen so far doesn’t give much cause for optimism. Simply put, it’s just kind of boring.

Of course, much of the controversy around Rings of Power so far has centred around its racial and gender politics, because absolutely everything has to turn into a culture war brawl these days. I gave serious thought to simply not addressing it all because I’m so tired of it, but I’d like to try and present a nuanced take on the issue, as nuance is pretty lacking in most of the discussions I’ve seen.

First of all, I have no respect for those who are offended by the very concept of black people existing in Middle-Earth. The one change to Tolkien’s work that is definitely worthwhile is trying to improve the diversity of the setting. I don’t feel that Tolkien himself was a particularly bigoted or hateful person at heart, but he was a product of his time and culture, and elements of his work do not hold up well in a modern context.

But that doesn’t mean Rings of Power is approaching it the right way.

For all the wailing and gnashing of teeth over how excessively “woke” the show is, the actual number of people of colour appearing in it is very small, and the cast is still overwhelmingly white. I’ve noticed that the extras in crowd shots are mostly, if not entirely, Caucasian, and that all combines to make the few PoC on the cast really stand out. To me it makes them feel like tokens rather than a genuine effort to diversify the setting.

A cynical part of me wonders if they just threw in a few PoC knowing it would make the racists rage so that they could then write off all criticism of the show as rooted in bigotry and nothing else. I know that’s the narrative I’ve seen advanced by most vocal fans of the show.

The frustrating thing is that there are already entire cultures of PoC in Tolkien’s writing, and Rings of Power is completely ignoring them. I don’t know if the people of the newly invented realm of “Tirharad” are meant to be related to the people of Harad, so I can’t say if making them mostly pale-skinned is technically white-washing, but it definitely feels like it. Regardless of whether the people of Tirharad are related to the Haradrim, Rings of Power is ignoring a culture that would have allowed them to massively increase the diversity of the cast while also exploring an underdeveloped part of the lore.

Bronwyn and Arondir in The Lord of the Rings: The Rings of Power.I’m similarly disappointed by the missed opportunities in Galadriel’s story. I’m not upset by the show presenting her as a military leader (and those who are betray the fact they don’t actually know Middle-Earth’s history very well at all), but I am very bothered the fact they’ve written her family out of the story. I think it would have been a much bigger win for feminism if Rings of Power had depicted Galadriel as a badass warrior and a loving wife and mother.

The more time goes on, the more I appreciate how special Continuum was…

(To be fair, Bronwyn does feel like she’s embodying this concept at least a little bit, but that just further raises the question of why Galadriel couldn’t get the same treatment.)

My point is this: I think Rings of Power holding up ideals of diversity and feminism would be a good thing, but I don’t believe it’s actually doing that. I think it’s paying lip service to those concepts in a cynical attempt to profit off our current culture war.

And that really tells you a lot about what kind of show it is. It covers itself in the trappings of Tolkien’s timeless stories of hope and heroism, but it’s only skin deep.