Human Again Soundtrack, Part Two

We now press on with part two of my soundtrack for the third World Spectrum novel, Human Again. This section will cover events up to and including chapter eight, “The Last of the First.”

I’m trying hard to avoid spoilers, but I may not be entirely successful.

5: Worlds Collide:

The greatest enemies of humanity, the Old Gods and the Arcanids, have been defeated. This is the story we know. But in a universe of infinite possibilities, these two evils still prosper across many worlds. Now, they clash — with Leha caught in the middle.

For this part of the story, I’ve once again dipped into the soundtrack for World of Warcraft: Cataclysm, which should be everyone’s source for badass, epic music. Specifically, the song is Xaxas, the theme from the opening cinematic.

6: Living Ghost:

Leha has faced down Garribis and the Automaton Lord. She has traveled to the far ends of the spectrum and back and evaded certain death countless times. Through it all, her courage has never failed her.

But there is one thing she cannot face: The proof of her greatest mistake and the sum of all her regrets staring her in the face, a living ghost who embodies all that her mistakes have cost her.

This scene is probably the cruelest thing I’ve ever done to one of my characters, so I chose a very morose accompaniment for it: “Story of Life” from the unofficial Stargate: Universe soundtrack.

7: The Reborn:

The human race has suffered terribly across two wars, but there is now a source of hope. The freed slaves known as the Reborn offer a new beginning for humankind. Not only through their physical assistance with rebuilding, but as a source of inspiration. The Reborn are a people free of hate, innocent souls who uplift all around them.

To Alistos, the Reborn are especially important. He lost everything in the wars, but he now has a new reason to live in Nahsreen, the Reborn woman who has claimed his heart. Nahsreen has given him a new perspective on the world, and helped him to feel human again.

My theme for the Reborn in general and Nahsreen in particular comes from the Grizzly Hills soundtrack from World of Warcraft: Wrath of the Lich King. It’s got a very clean, uplifting sound, with just a slight bittersweet edge.

8: The World Tree:

Wondrous. Haunting. Awe-inspiring. Alien.

All these words and more describe the World Tree, but none of them do it justice. It is something wholly beyond human comprehension, the last and greatest work of the creator race.

My soundtrack for the World Tree comes from the hidden faerie dragon event in World of Warcraft. Its has a surreal and haunting feel that fits the alien environment of the World Tree.

* * *

Stay tuned for the final update to the Human Again soundtrack, featuring a mix of tracks from Stargate: Universe and Battlestar Galactica.

Review: The Hobbit: Desolation of Smaug + New Article

As regular readers of this blog may know, it’s very difficult for me to see movies in the theaters these days. There aren’t many theaters in the inflamed sphincter of nowhere, where I currently dwell. But there is only one force in this world that could keep me from seeing a Hobbit movie in the theaters. Know what that is?

Death.

Bilbo faces Smaug in the Desolation of SmaugThe Grim Reaper hasn’t gotten his grubby little mitts on me yet, so I had to form plans for a brief trip down to civilization to see the second installment of the trilogy, Desolation of Smaug.

I’ve now returned from my excursion to bring you my thoughts on the film.

How to milk your dragon:

I’m going to have to be honest: I was a little underwhelmed by this movie. Not to say it was bad by any stretch of the imagination, but it wasn’t the mind-blowing experience I’ve come to expect from Peter Jackson.

This movie takes a bit more liberties with the stories of the books, adding in more detailed depictions of Gandalf’s struggle against the necromancer of Mirkwood as well as new subplots dealing with the Elves of Mirkwood.

I think fleshing out the necromancer story was a good move. It has great significance to the greater story of Middle-Earth, and made for some very gripping moments.

A map of Middle EarthThe Elven story, though, did feel like little more than a shameless attempt to pad the story out to three movies.

It’s not even that it’s a bad story. It does a very good job of illustrating both the positive and negative sides of Elves in Tolkien’s mythos. They are very wise and noble, but also cold and indifferent to the world around them.

And more Elves is never a bad thing.

But this was already such a complicated movie. The original book was an epic, and the extra details added to flesh things out have only added to its complexity. In Desolation of Smaug, it reaches a critical mass where there’s just so much going on that none of the plots end up getting the time or attention they deserve, and the film loses a lot of emotional weight as a result. It jumps around so much that it’s hard to get invested in each story.

It’s like when you’re cooking and you add one too many spices to a dish. There’s nothing wrong with that particular spice — it might be delicious in another dish — but you’ve muddled the flavour so much you can’t appreciate each individual component.

Smaug the Stupendous:

Artwork of Smaug the StupendousBut this movie still has a lot going for it, and chief on that list is Smaug himself.

As sort of the original fantasy Dragon from which the modern interpretation of the archetype springs, Smaug is a character with a lot of weight and importance even beyond his role in the story of “The Hobbit.” It was very important that they get him right.

They got him right.

I couldn’t have asked for a better portrayal of Smaug. He’s a masterpiece of special effects technology, massive and terrifying yet still very real-feeling. His fire-breathing assaults are spectacular, but what’s perhaps most impressive is how expressive they were able to make his face. Getting a giant, ugly lizard to display emotion is no easy task, but they pulled it off very well.

I was also quite pleased with his voice-overs. It’s hard not to get a feeling of, “Oh, look, Benedict Cumberbatch again,” even as someone who hasn’t seen most of what he’s been in, but you can’t argue with the results. He does perfectly capture Smaug’s majesty, and his madness.

There were some other highlights to the movie, as well. Everything to do with Gandalf and the necromancer was as good as I could have hoped for. The plot is full of creeping dread, and it concludes with a truly spectacular confrontation.

The action sequences in general are as fun as one would expect. I was particularly fond of the scene in which the Dwarves escape Mirkwood in wine barrels. It’s one of the most absurd yet entertaining fight scenes I’ve ever had the pleasure to witness.

The titular dragon of The Hobbit: Desolation of SmaugAll in all, Desolation of Smaug is a pretty good movie. It’s just not as good as I’ve come to expect from Peter Jackson’s previous journeys through Middle-Earth.

Overall rating: 8.1/10

New article:

My latest contribution to WhatMMO is Combining MMO Classes. In case it isn’t obvious by now, I’m a bit bored with a standard class archetypes. But come on, rogues and necromancers belong together like peanut butter and chocolate!