World Spectrum: What You Never Saw

Like any creative work, a novel inevitably ends up with some things on the cutting room floor. There are certain elements of the World Spectrum universe that I wanted to describe but simply never found the time to without diverting from the main plot.

Books of the World Spectrum bannerIndustrial Automatons:

As you read the World Spectrum novels, you might get the impression that all Automatons — or at least the vast majority of them — are war Automatons, but this is not the case. Industrial Automatons, used for more peaceful purposes, are fairly common.

Such Automatons are used for things like mining, forestry, demolition, and construction. Pretty much the things you’d expect heavy machinery to be used for in the real world. They tend to be more more highly specialized than their military counterparts, and they are usually not humanoid. They more closely resemble things like backhoes and other real world industrial machinery.

They didn’t come up much because the story largely focused on war and conflict. And once things started to get really crazy, I imagine most of the civilian machines were broken down, their parts re-purposed to create more war Automatons.

Civil wizards:

Similarly, the reader’s view of magic in the spectrum of worlds is almost entirely limited to battle wizards. But not all wizards choose a militaristic life. Indeed, the majority are what is known as civil wizards.

As you might expect, magical powers have a lot of very useful applications. For example, civil wizards are very useful in the worlds of construction and landscaping. They can fuse stone, bind structures with magic, and alter the shape of the land, and they can do all these things with more subtlety and care than Automatons or conventional labourers.

Barria, the known worldOther wizards’ abilities lean more toward the artistic. Wizard-artisans can create statues and carvings of exquisite detail and breath-taking beauty, and their works are sought by wealthy art-lovers the world over.

The rarest of wizards were the Healers, who could use magic to cure disease and restore injury. This requires a supreme mastery of sorcery, for magic is a chaotic and dangerous force that can easily do more harm than good.

The life of a civil wizard varies greatly based on the choices of the individual and the nation they live in. Most seek out the employ of a wealthy benefactor — usually the government or a major private company or guild — who would pay for their services. However, especially skilled or specialized wizards may live as freelancers, selling out their services to the highest bidders.

Of all the human nations, Uranna has the greatest tradition of civil wizardry. They see the great potential inherent in a strong pool of magical talent, and their government sponsors all civil wizards, even those whose talents are more in the area of the artistic than the practical. As a result, Uranna is a land filled with magically wrought beauty.

Leha and Drogin’s resemblance:

This is a really minor detail, but I never found a place to mention it, and it always bugged me.

One of my novel characters, recreating via the MMO AionLeha and Drogin don’t share a lot of physical similarities, despite being brother and sister. For the most part, they look no more similar than any other two random Eastenholder individuals.

But there is one feature they share: They both have the same nose. It’s very straight, like a perfect right triangle, and they inherited it from their father.

Tyzu’s oceans:

Tyzu is a world I wish I could have explored more. It’s such a surreal and alien place, and it’s ever-changing. The potential for new and strange locations, beasts, and phenomena is virtually limitless.

Something in particular that interested me was the thought of what Tyzu’s oceans must be like.

My thinking was that Tyzu’s oceans would be almost unrecognizable as such. They’d be as overwhelmed with plant-life as the rest of the world, and the end result would be a soupy expanse of dense seaweed, algae, and floating plants. Maybe even have a few species of plant adapted to growing on top of the dense of mat of aquatic vegetation, treating it like soil.

I don’t see there being much animal life in a Tyzuan ocean. Simply wouldn’t be enough room. They’d also be home to storms even more vicious and violent than those on the rest of Tyzu, as there would be no great trees to protect one from the lashing rain and hurricane-force winds.

Odin Is the Writer’s God

I love Norse mythology.

Do you?If you have any interest in fantasy fiction, odds are you’d enjoy reading up on Norse mythology. They’re pretty much the same thing. Dragons, Elves, Dwarves, magic rings, epic battles, evil giants… All these things spring from Norse myths.

This is not coincidental. J.R.R. Tolkien, who gave birth to the modern fantasy genre, made extensive study of Norse mythology and based his works on it.

There’s one story out of the Norse myths in particular that’s stuck with me over the years, and the more I think on it, the more it strikes a cord in me.

It deals with Odin, the god of wisdom. Also known as the All-Father, Odin was the king of the gods and the creator of the world. One of the most famous stories of him is how he came to learn the secret of runes.

Odin had to sacrifice dearly to prove himself worthy of the power of runes. So he impaled himself on his own spear, tore out his own eye, and hung himself from the branches of the World Tree — still impaled — for nine days and nine nights.

Art of Odin, the All-FatherOnly after he survived this ordeal was he granted the knowledge of runes, which he then shared with the peoples of the nine worlds.

This, to me, is a very telling story. It shows how highly the Norse valued knowledge, that their chief god would torment himself in this way simply so that people could learn to read and write. It is yet another thing that proves the Norse were far from the brutish savages popular culture paints them as.

It speaks to me as a writer. It paints written language as something sacred, something meaningful, something powerful.

And when you think about it, language is humanity’s greatest invention.

Humans are the dominant species on Earth for one reason: We work together better than anything else. Sure, we’re really smart, but none of that intellect would mean anything if we couldn’t pass our knowledge on to each other. So what if one of our ancestors learned to make fire if that knowledge had died with them?

Language is what allows us to share plans with each other, to strategize, to pool our knowledge and become greater than we could ever be as individuals. It lets us learn and teach, study and collaborate.

The Norse runic alphabetAnd written language gives us the greatest ability to communicate. It allows us to share knowledge across time and space. I can write this blog in my living room in Ontario, and you can read it in your office in New York, or your bedroom in London. Ancient scholars can inscribe the tale of Odin’s sacrifice on stones, and it can survive the centuries to eventually inspire me.

Language is power, and artistry, and life, and wisdom. It is the soul of what makes us human. And that is why I love the story of Odin’s quest to learn the secret of runes. It acknowledges just how important words are, and how grateful we should all be that we have this wondrous ability. It shows you how wise my Nordic ancestors truly were.

Praise be to the One-eyed God.