Recommended Reading for World Spectrum Fans

The World Spectrum series is finished (for now, anyway). But perhaps some of you are still hungry for more — I hope you are; shows I’ve done my job right. If that’s the case, you might want to check out some other books with similar concepts and themes to my science fantasy epics.

Books of the World Spectrum bannerThis is one of the the nice things about being an author. I’m not really in direct competition with other writers. You’ve got plenty of time to read books from a variety of people.

The following is a list of books I’ve greatly enjoyed that also are similar to and/or served as inspiration for my World Spectrum novels.

And if you’re already fan of some or all of these but haven’t yet read the World Spectrum, maybe this is a sign you should give it a try. It’s free, after all.

The Three Worlds Cycle by Ian Irvine:

Ian Irvine is my favourite modern writer, and my literary idol. I can only aspire to one day be half the writer he is, and he is one of my greatest sources of inspiration.

If you read his Three Worlds Cycle, you’ll immediately notice similarities to my own work. A major plot element of the first quartet, The View From the Mirror, is a mysterious magical barrier separating the three worlds. The worlds themselves bear a certain resemblance to mine, as well: an Earth-like world where most of the action takes place (Barria/Santhenar), an icy world (Sy’om/Aachan), and a heavily forested world (Tyzu/Tallallame).

Cover art for "The Well of Echoes, book one: Geomancer" by Ian IrvineIrvine spent most of his life as a scientist, and that shows in his writing. He has a very realistic and logical approach to fantasy that’s routed more in science than mysticism. I’m a huge fan of this as it makes the universe feel much more grounded and believable, without sacrificing the wonder and exoticism of high fantasy, and I tried to replicate this as much as possible with the World Spectrum novels.

The second quartet of the Three Worlds Cycle, The Well of Echoes, takes the science fantasy angle even further with many wondrous and terrible magical devices. Most notably, the massive war machines known as Clankers were a major inspiration for my own Automatons.

The Dragon Age by James Maxey:

When I think of science fantasy, James Maxey’s Dragon Age series is always one of the first thing that comes to mind. The reason why constitutes something of a spoiler, so if you like to go into books fresh, just skip ahead to the next entry on this list and take my word for it that the series is worth reading.

The Dragon Age novels start out seeming like fairly standard high fantasy fare. They are set in a world of dragons and magicians, where ordinary humans are nothing but slaves and prey.

But it is eventually revealed that it is not a fantasy setting at all, but a work of post-apocalyptic sci-fi. The dragons are the result of a Jurassic Park-esque genetic engineering experiment gone horribly wrong, and the “magic” is actually nano-technology left over from the fallen human civilization.

Cover art for "Dragon Age, book one: Bitterwood" by James MaxeyIt makes for a pretty interesting setting, and it gets pretty strange (in a good way) as the series goes on and the sci-fi angle becomes more pronounced. If you’re someone who likes to mix and match sci-fi and fantasy, this a series worth your time.

Shadows of the Apt by Adrian Tchaikovsky:

You want a good steampunk story with fantasy elements? You want Shadows of the Apt. It’s just that simple.

This is another series that interestingly blends the scientific with the fantastical. Much of the story, especially in the early novels, focuses on steampunk technologies and fictional science. Most of the main characters don’t even believe in magic.

But as the series advances, more and more elements of the fantastical slip in. Unlike Ian Irvine’s realistic take on magic, Tchaikovsky’s magic is rooted in mysticism and the unknowable. It’s a stark contrast to the gritty technology of the rest of the setting, and the utterly disparate forces of science and magic make for a very compelling and unusual universe.

Genesis of Shannara by Terry Brooks:

Terry Brooks’ massive Shannara series is in many ways a typical high fantasy, but it does have one major twist. Rather than being set in an alternate world or the distant past, it’s actually set on Earth in the distant future. For the most part, this is a background element of the story that doesn’t come up much, but the Genesis of Shannara trilogy puts the idea front and center.

Cover art for "Genesis of Shannara, book one: Armageddon's Children" by Terry BrooksGenesis of Shannara tells the story of how the modern world we know was destroyed, and how it gave birth to the fantastical world of the other Shannara books. It’s a brilliant genre mash-up combining elements of urban fantasy, post-apocalyptic sci-fi, and high fantasy.

This is a series that has pretty much everything. Burned out cities. Hordes of zombie-like Once-men. Mutants. Two kinds of demons. Elves. Magical artifacts. A wizard driving a weaponized Hummer. A spirit dog named after the most Sith-like vice president in U.S. history.

A combination of so many disparate elements might seem scattered or ridiculous, but somehow, Terry Brooks makes it all work together beautifully, without ever forgetting the importance of emotion or character.

While Genesis of Shannara is both a prequel to the other Shannara novels and a sequel to Brooks’ Word and Void novels, you don’t need much knowledge of either series to appreciate it. Even if you’ve never read anything by Terry Brooks before, I’d highly recommend this series.

Retro Review: Genesis of Shannara

Retro Review: Genesis of Shannara:

If you’re a fan of fantasy literature, you’ve probably at least heard of Terry Brooks, if not read some of his books. He’s one of the biggest names in the fantasy field, a bestseller and author of no less than three large fantasy series: the high fantasy Shannara, the urban fantasy the Word and the Void, and the satirical the Magic Kingdom of Landover.

The Genesis of Shannara trilogy–“Armageddon’s Children,” “The Elves of Cintra,” and “The Gypsy Morph”–is both a prequel to the other Shannara books and a sequel to the Word and the Void. That said, it doesn’t draw too heavily on the other series, and you could easily read it and enjoy it even if you’ve never read a Terry Brooks book before.

Set in the late 21st century, Genesis of Shannara depicts a world utterly destroyed by war and environmental disaster. Diseases and radiation blight the landscape, creating various strains of mutants, and armies of nightmarish Once-men ravage all in their path. Worse still, Demons lurk in the shadows, working tirelessly to extinguish what life remains in the name of the Void. The few survivors that remain are forced to cram into tiny, Spartan fortress-cities where the weak and infirm are cast off, lest they divert resources from the more worthy, or eek out a meager existence on the streets, where disease, Once-men, and other gangs are a constant threat.

It’s hammered home early in the series that our world is dead. Not dying. Dead. Those few who still survive know they won’t for much longer.

It’s this bleak feeling–even more so than it’s utterly different setting–that sets this apart from the other Shannara books, which had frankly become rather dull and formulaic up until Genesis. Whereas the other recent Shannara books had tended to be lacking in character and emotion, Genesis is haunting, rich with feeling, and has a stellar cast of characters.

Most memorable of these for me are the Ghosts, a gang of street children trying to survive in the ruins of Seattle. They sum up the books’ sorrowful feeling perfectly with the ritual greeting they give when meeting other gangs: “We are the ghosts. We haunt the ruins of the world our parents destroyed.”

Every Ghost came to their little family with a tale of tragedy. But it’s not all misery with them. There are lots of quiet little moments of peace that contrast wonderfully with the horror that occupies the rest of the books. Some of the best scenes in Genesis are the more familial moments, such as Owl, the “mother” of the family, reading bedtime stories to the younger children.

And that’s what really makes Genesis of Shannara so brilliant. If it were all sadness and doom, it would simply be depressing. But remember this is a prequel. It’s not just about the death of our world; it’s about the hope that a new world might rise from its ashes. It’s this mix of hope and sorrow that makes these books so special.

Now, the series does a lag a bit in the middle with “The Elves of Cintra.” Brooks’ Elves have never been anything special–they always just come across as humans with pointy ears, and the parts of Genesis that focus on them feel as tired as his previous Shannara books. And if I have to read about the Blue Elfstones one more time, I’m going to punch Terry Brooks in the face.

Luckily, the story picks up again in “The Gypsy Morph,” and overall, the books maintain a high level of quality.

One other nit to pick is that it is somewhat confusing that this series features two largely unrelated groups of creatures that are both referred to as Demons. It makes a little more sense if you’ve read his other books, but only a little. But once you figure out which Demons are which, it’s not much of an issue.

Genesis of Shannara combines a lot of different elements in very unique ways: fantasy and science fiction, high fantasy and urban fantasy, hope and despair, epic scale and intimate character moments. It’s a very moving and intriguing series that I highly recommend to anyone with an interest in science fiction or fantasy.

Overall rating: 9.4/10

You can buy the Genesis of Shannara books on my Amazon Affiliate.