TV: What I’ve Been Watching

Been watching a bunch of different shows in the sci-fi/fantasy vein lately. Rather than spamming my blog with half a dozen different review posts, I thought I’d throw together a list of my quick and dirty thoughts on each. Presented in no particular order:

The cast of Glitch season twoWu Assassins, season one:

Cheesy kung fu show that’s fun if you don’t think about it too hard. I mostly enjoyed it, but it did falter a lot in the later episodes.

I’m really getting fed up with how ridiculously short most TV seasons are becoming these days. Among other problems, it leads to very rushed stories, and Wu Assassins is a particularly egregious example.

There’s about three seasons of good story here, but it’s all crammed into ten episodes, and it just becomes a mess. Stuff just happens without any explanation of how or why. Characters change sides or evolve into completely different people without any foreshadowing or natural development. Interesting new plot threads are over before they start.

The fight scenes are good, and it’s got a certain kitschy charm, so I’d probably watch a second season if it gets made, but boy this show wasted so much of its potential.

Killjoys, season three:

Dutch and D'avin in KilljoysIt had been so long since I watched Killjoys that I’d forgotten most of the plot, but it doesn’t really matter because there isn’t much of a plot to begin with. Upon being reacquainted with the show, I was once again reminded of how spectacularly mediocre Killjoys is.

The last two seasons are available for me to stream, but I’m not sure I’ll bother. It’s clear by now this show is never going to get any better. In fact it’s slowly getting worse as they continue to gradually write out all the secondary cast members, which were the only thing memorable about the show.

The fact Killjoys survived and Dark Matter didn’t is just tragic.

Disenchantment, part two:

I was a bit disappointed with part two of Disenchantment.

The trade-off of Disenchantment is that it’s got fewer jokes than The Simpsons and Futurama, but it makes up for that with an engaging ongoing plot and good character development. But fully half of this season is standalone episodes that don’t contribute to either. They’ve very forgettable.

A promotional image for Netflix's DisenchantmentOn the plus side, the episode in hell is great, and the cliffhanger is pretty good. Also Jerry is the best.

Glitch, season three:

It had been so long since season two of Glitch that I kind of assumed it had been cancelled. Then one day boom there’s season three on Netflix. I didn’t realize until the last episode this is also the final season of the series.

The good news is that season three is more akin to the second season than the first. It’s well-paced and advances the plot at a good clip, without wasting too much time on soap opera style angst. The acting and character development continue to be outstanding, with Kirstie once again being a particular standout.

The bad news is that it’s a great season right up until the ending, which is a serious disappointment. Glitch’s ending is a complete copy of the ending of a fairly famous video game, and I didn’t like that ending the first time, let alone the second.

The Dark Crystal: Age of Resistance, season one:

I remember enjoying the original Dark Crystal movie when I was a kid, but I’d all but forgotten about it as an adult. I rewatched it before jumping into Age of Resistance, but I have to say it didn’t really hold up from a grown-up perspective.

A promotional image for The Dark Crystal: Age of ResistanceFortunately, Age of Resistance is a more mature take that preserves the brilliant world-building of the original movie while fleshing out the story and characters into something much more meaty and satisfying.

It is not without its stumbles. Like Wu Assassins, it suffers from trying to cram way too much story into just ten episodes, leading to a lot of rushed and unsatisfying story-lines and character arcs. In particular a lot of wins by the heroes come too soon and feel unearned.

While I’m usually a defender of prequels, in this case I do feel knowing how the story ends hurts Age of Resistance. We know the Gelfings ultimately lose, so it’s hard to get excited about their budding revolution. I think it would have been better to sell this as a reboot rather than a direct prequel to the original movie.

On the other hand, the depth of the world-building and the visuals to support it are spectacular, the characters are mostly endearing (Deet is a treasure and she deserves all of the hugs), it hits a nice balance of being both heartwarming and tragic, and the season finale is one of the most spectacular bits of television I’ve seen in a long time.

I definitely want to see a second season, hopefully sooner rather than later.

Limetown and Night Vale: From Audio to Print

There seems to be a lot of crossover between the world of audio and the world of print. Both of the podcasts I’ve become a fan of in recent times — Limetown and Welcome to Night Vale — have put out tie-in novels, and I figured it was time I gave them a read.

An official banner for the podcast drama LimetownWhen it comes to the podcasts, I think I still enjoy Limetown a little more than Night Vale (though it’s a very close race). But when it comes to the books, Night Vale is the decisive champion.

To be honest, I didn’t much enjoy Limetown’s novel at all. It doesn’t provide much insight into the conspiracies and intrigue that are the setting’s focus; instead, it mostly provides backstory for Lia Haddock and her uncle, Emile.

That’s not the worst idea in theory. A character study could still be interesting, even if it’s not necessarily what I’m looking for in a Limetown story. But it’s not even a very good character study.

In the podcast, Lia comes across as fierce and determined, but also warm and human. In the book, her determination comes across more as obsessiveness. She wants to solve mysteries not because she cares about the people involved — the book makes it very clear that Lia doesn’t care about anyone, at all — but simply because she has a deranged need to poke at any unanswered questions she finds.

Not only does it not make for an enjoyable book, it dampens my interest in the podcast, too. Part of what hooked me into Limetown was how much I loved Lia as a character, but the book kind of made me hate her.

By contrast, the Night Vale novel — while not without a few hiccups of its own — is a much better experience.

Official art for the audio drama Welcome to Night ValeShifting focus away from Cecil, Night Vale’s print incarnation focuses on two ordinary citizens of Night Vale: Diane Crayton, PTA member and single mother of a teenage shapeshifter, and Jackie Fierro, a pawn shop operator who has been nineteen years old for an indeterminate number of decades.

The more detailed perspective of a book makes the surrealism of Night Vale a bit harder to swallow at times, but once you readjust to an even greater sense of weirdness than the podcast provides, it’s a good read. It’s got the same humour as the podcast, and I found myself audibly cracking up on nearly every page.

The thing that’s really impressive about this book — that’s also true of the podcast to some extent — is how real the characters and their struggles can feel. Once you get past the carnivorous insectoid librarians and wheatless deconstructed croissants, this is a very down to earth story of family struggles that is deeply relevant to our own world. Having dealt with some of the issues this book brings up in my own life, I can confirm that the characters and their struggles feel very authentic and relatable.

I do think the ending could have been more conclusive, and you definitely have to be careful about when you read this book relative to where you are in the show (I unintentionally spoiled myself, as I read the book before I’d caught up to when it was released), but even so the Night Vale novel definitely gets my recommendation.

I wouldn’t bother with the Limetown one. It’s not worth your time.