Review: X-Men: Apocalypse

As a long-time fan of the X-Men movies, I had hoped to see Apocalypse before now, but, well, life.

Apocalypse, Psylocke, and Magneto in X-Men: ApocalypseAlso as a long-time fan of the series, I had kind of mixed feelings going into the movie. On the one hand, yay, new X-Men. On the other, Apocalypse honestly didn’t look all that interesting compared to most of the past movies.

I was right to be concerned, but the good news is it’s still a decent movie all told.

In case you’re somehow unfamiliar with the story, X-Men: Apocalypse deals mainly with the titular character, the first and most powerful mutant. Apocalypse is an immortal being who has achieved nearly limitless power by absorbing the abilities of dozens of other mutants over many centuries. Entombed beneath the earth for thousands of years, Apocalypse has now been unleashed, and he plans to destroy human civilization as we know it and rule over what remains as a god.

Apocalypse is one of the main problems with the movie. Despite his vast power, he is ultimately an incredibly dull villain. He has no nuance, no motivation the viewer can sympathize with.

And honestly he’s just not that crucial to the story, strange as that may sound. If you removed Apocalypse from the movie that bears his name, not all that much would change.

Really the story is about Magneto. Again. It’s pretty much a retread of Magneto’s story to date, especially his arc in Days of Future Past. He’s angry at humans and wants to destroy the world, but Charles and the X-Men still believe he can be redeemed.

Jean Grey, Nightcrawler, and Cyclops in X-Men: ApocalypseIt’s a powerful story, and Michael Fassbender is a fantastic actor, so if you’re going to retread a story, you could do a lot worse than this one. I feel very torn because we have seen all this before, but it’s still such a compelling story.

The other big problem with Apocalypse (the movie, not the character) is that it spreads itself incredibly thin. It introduces over half a dozen new mutants, and also reintroduces Moira McTaggert… for some reason. Seriously, Moira spends the entire movie just standing in the background and looking shocked. She does nothing.

Moira is the most egregious example of a character included just for the sake of saying they’re present, but she’s far from the only one. Other than Magneto, none of Apocalypse’s “horsemen” (half of which are actually more horsewomen) get any real development, and a lot of the good-side mutants are about as undercooked.

I think a particular missed opportunity was not delving more into Nightcrawler’s spirituality. His faith is so important to him, and Apocalypse is pretty much the definition of a false idol. You’d think they could have made something out of that. But no, he’s another character who’s just kind of there.

Also, did anyone really want to see a young Cyclops? Does anyone actually like him at all, come to think of it? I think we pretty much all agree he’s the lamest of the X-Men by far.

Quicksilver saves the day in X-Men: ApocalypseOn the other hand, there are some pleasant surprises here. Quicksilver has gone from a character I usually remember exists to possibly one of my favourite mutants. He’s basically just nothing but awesome and ass-kicking through the whole movie.

There are also some surprise cameos by a couple of old favourites that add some real spice to the movie.

While they don’t get as much attention as they should due to the bloated cast, the core X-Men cast members — Xavier, Beast, Mystique — all put on strong performances again. Xavier, in particular, has some truly spectacular scenes this time around. I’ve never seen that character properly angry before. It’s terrifying.

Finally, something else that impressed me about Apocalypse was its special effects and cinematography. Not just the technical quality of the effects, but the creativity and artistry with which they’re used. This is a beautiful movie to look at.

So Apocalypse is one of those weird movies that’s kind of crappy in some ways but also really good in others. It’s all over the map, but on balance, I’d say it’s more good than bad.

It’s definitely not on par with the last couple of X-Men films, though.

Overall rating: 7.4/10

Review: Warcraft, Illidan

It’s been quite a while since the last Warcraft novel was released. They seemed to pretty much skip having any tie-ins for Warlords of Draenor and go straight to Legion stories. Given what a debacle WoD has been, that may have been the wisest choice.

Cover art for Warcraft: Illidan by William KingBut Warcraft literature has come roaring back with the simply titled Illidan, written by franchise newcomer William King.

Illidan, naturally enough, focuses on the story of Illidan, essentially serving to fill in the blanks of everything we didn’t see of his story in the games, especially during the Burning Crusade era.

It also does a lot to flesh out the story of the demon hunters, granting the reader a glimpse of how desperately driven one has to be to choose such a life, and the terrible price they pay for their power.

There is also much attention given to Maiev Shadowsong and her never-ending need to take vengeance upon Illidan.

What struck me most about this book is how incredibly dark it is. William King pulls no punches when it comes to either the brutality of combat or the tortured mental states of the characters.

Nobody in this book is sane. That much is clear early on. You can clearly see how ten thousand years of solitary confinement have warped Illidan’s mind. A nice touch is that Illidan will often pace for exactly nine paces — the length of his cell. Even after achieving his freedom, he can’t break the habit.

Yet despite all he’s suffered, all his narcissism and his ruthlessness, Illidan is ultimately the most sane character in the story.

The demon hunters amount to a sanitarium population given weapons and trained to kill without mercy. I’m sure you’re picturing a very bizarre, very frightening bunch, but trust me, they’re weirder and scarier than you’re imagining.

But no one’s madness can equal that of Maiev Shadowsong. King takes every possible opportunity to showcase how every waking moment of Maiev’s life is defined by naught by rampant paranoia and unquenchable hatred. How other people can never be anything but tools to her in her endless quest for vengeance.

Illidan’s imprisonment has warped him, yes, but Maiev also spent ten thousand years in darkness, and she did so willingly. She built a cage of her own hatred and locked the door behind herself.

I’ve never liked Maiev, but Illidan has really shown me what a monster she truly is.

The dark, twisted nature of Illidan is what makes it memorable, though. This was never going to be happy story, but King makes it not just dark but gloriously dark. It is a gripping, if sometimes horrifying, story, and much as I admire the previous Warcraft authors, King’s macabre style is a welcome change of pace from Christie’s Golden’s emotive stories or Knaak’s rollicking adventures.

Illidan is also the first time in quite a while that the Burning Legion has actually seemed scary, and that is long overdue. Seeing them through Illidan’s eyes — almost literally — illustrates just how horrific they are, how hopeless it is to oppose them.

And that shows you just how amazingly strong, how utterly determined and cunning, Illidan must be to oppose them even still.

All that said, the book does still have its rough edges.

By necessity given the amount of time it covers, the story jumps around a lot and is therefore somewhat disjointed. No one who hasn’t played the games would be able to make sense of it all.

Art of Illidan StormrageInevitably, the ending is quite a downer, and it paints players as villains almost as much as Mists of Pandaria did. That may not have been possible to avoid given the existing lore, but what could have been avoided was how incomplete the ending is. It amounts to a giant neon “BUY LEGION TO SEE HOW IT ENDS” sign.

It does increasingly feel as if the Warcraft novels are being used as advertisements for the game as much as tools to expand the lore. That’s a worrying trend, and Illidan is the most egregious example to date.

Finally, the story of the main demon hunter character, a Night Elf named Vandel, could have been handled better. It offers some good insights into the demon hunters themselves and how they become what they are, but once that’s done, his story doesn’t really go anywhere. It has no climax or satisfying conclusion.

Still, on the whole, Illidan was a pretty enjoyable read.

Overal rating: 8.3/10