Review: Starcraft: Flashpoint + New Article

Review: Flashpoint

“Flashpoint” is the latest Starcraft novel by Christie Golden. Intended to bridge the gap between Starcraft II: Wings of Liberty and the upcoming Heart of the Swarm expansion, it picks up immediately after the final scene of Wings of Liberty and depicts Jim Raynor’s rescue of Sarah Kerrigan and her subsequent recovery.

Cover art for It’s a solid book, and if it doesn’t necessarily have any mind-blowing moments, it doesn’t give one a lot to complain about, either.

The first thing you’ll notice about “Flashpoint” is that it hits the ground running, and it rarely lets up its breakneck pace in its three hundred or so pages. It almost starts to feel a little rushed at times, but stops just short of that.

The other main thing that is immediately apparent when reading this book is that Christie Golden has once again perfectly captured the game’s characters. When Raynor speaks, I can hear his fringe world drawl in my mind. Even minor characters like Egon Stetmann feel like they stepped right out of the game and onto the page.

But while many minor characters get their moment in the sun, “Flashpoint” is ultimately the story of Raynor and Kerrigan before all else.

Sarah Kerrigan moments before being captured by the ZergOne thing I am very grateful for is that, while it is clear that Kerrigan is once again Sarah and not the Queen of Blades, it’s also clear that she is not the same woman she was before she was infested. How could she be? She has billions of lives on her conscience.

Sarah finds herself lost in depression and self-recrimination, and as time goes on, these feelings give way to endless rage…

But I don’t want to give too much away.

In addition to the aftermath of Sarah’s return to humanity, “Flashpoint” also features a number of flashbacks (No pun intended?) to the early days of her relationship with Jim Raynor, and these flashbacks are one of my few complaints about this book.

I’m not overly fond of the revelations/retcons about Jim and Sarah’s earlier relationship — they’re not bad; I just found my own “head canon” more impactful — and they don’t really add that much to the story, making the plot feel a little disjointed.

If I had to find something else to complain over, it’s that there aren’t really a lot of “wow” moments in this book. It’s consistently good throughout, but I didn’t often find myself thinking, “OMFG this is so awesome.”

Sarah Kerrigan battling the ProtossI’m reaching to try to maintain a balanced review. The truth is that “Flashpoint” gives one very little cause to complain.

While not necessarily a criticism, something else that should be noted is that this book is very clearly the bridge between two games. It’s not entirely fair — or accurate — to call it filler, but don’t go expecting any conclusive story resolutions. This is a piece of a story; it’s not a complete story in its own right.

Overall rating: 8.8/10 Not ground-breaking, but a very solid read that I would recommend to any and all Starcraft fans.

New article:

My latest WhatMMO article is Top 6 MMO Features That Would Enrich Reality. Here’s an excerpt:

“Although there could be downsides. It would be a bit awkward if everyone you know one day received the message, ‘Bill has earned the achievement: [World First! Best Friend’s Sister].'”

Review: Battlestar Galactica: Blood and Chrome

Review: Blood and Chrome

The webisodes have finished. We have now seen the fullness of the backdoor pilot to the new Battlestar Galactica spin-off, Blood and Chrome.

I don’t even know where to begin. Words like “appalling,” “train wreck,” and “unnecessary” come to mind, but none of them seem to do justice.

I have only two good things to say about this show, so I guess I’ll just get them out of the way first.

The first is that I feel Battlestar Galactica already jumped the shark pretty thoroughly in the fourth season, so Blood and Chrome can’t really ruin my fond memories of the show. That’s already been done.

The second is that Bear McCreary is still one of the best soundtrack composers around. Blood and Chrome is almost worth watching for the music alone. Almost.

The rest of the show is utter dreck.

I’ve said it before, but it bears repeating: Luke Pasqualino is horrifically miscast as William Adama. This pretty boy is not even remotely reminiscent of the gravitas of the Old Man. That kid from Caprica was more of a badass than this guy.

The rest of the cast is little better. Coker actually feels like he belongs in the Battlestar Galactica universe, but his writing near the end got increasingly erratic until it was almost impossible to take him seriously as a character.

Dr. Obligatory Eye-Candy never seemed to display a lot of personality, and her character was overall badly underdeveloped. I’ve heard some people say the actress isn’t very good, but I’m more inclined to blame the writers. I don’t see how she could have made her lines interesting.

The plot is nonexistent. It’s just a spree of explosions and gunfights and people randomly acting crazy just for the sake of drama. It’s everything that was wrong about Battlestar Galactica and none of what was right.

They seem to have simply tried to dump a lot of pew pew on the viewer in the hopes it would distract us from the fact that nothing is actually happening most of the time.

We learn nothing of relevance about the Cylon War or Adama’s character. I’ve got nothing against prequels when they actually add to the universe they take place in, but this was just a blatant attempt to milk a dry teat.

Say what you will about Caprica, but at least it expanded the mythos. For all its mistakes, we learned a lot about the origins of the Cylons and the society of the Twelve Colonies, and it had the potential to do much more if it had continued.

Moving on…

The virtual sets are inconsistent. Some look okay, but the ice planet looked so fake I could have seen more realistic snow effects by logging into World of Warcraft and flying to Dragonblight.

Cylon snow snakes. Cylon snow snakes. I just… I don’t even… Why?

At best, the show feels like an ill-planned fan film. Only the flashy special effects give any indication that this is a professional production.

I could go on and on. It’s not worth my time or effort. Not since JJ Abrams got his hands on Star Trek has a franchise been so thoroughly abused.

Overall rating: 2/10 Please, Syfy. Let it die.