Review: X-Men: Days of Future Past

I may not be the biggest fan of comic books or superheroes, but I love me some X-Men. I’ve enjoyed every movie to date, and the most recent, First Class, was one of the best. When I started learning about Days of Future Past and realized it would combine the casts of First Class and the original movies, I knew I’d be in for a Hell of a ride.

A promotional image for X-Men: Days of Future PastDays of Future Past didn’t turn out to be what I expected, but I am not at all disappointed.

In case you live under an even bigger rock than I do, the premise for Days of Future Past goes something like this:

Despite the best efforts of Professor Xavier and the X-Men, the hatred for mutants boils over, and humanity unleashes on army of unstoppable killing machines called Sentinels to exterminate all mutants. This sparks an apocalyptic war that leaves mutants all but extinct and humans little better off.

In this bleak future, the few remaining X-Men take a desperate gamble to set everything right. They send Wolverine’s consciousness back in time fifty years to the 1970s in the hopes he can rally the X-Men of the day and prevent the murder that forever soured humanity’s view of mutants.

Most of the movie takes place in the past focusing on the First Class cast (plus Hugh Jackman as Wolverine), but there are also flash forwards to the future as the survivors of the X-Men, played by the cast of the original movies (including Patrick Stewart, Ian McKellen, Halle Berry, and Ellen Page), as they fight to protect Wolverine’s unconscious body from the Sentinels.

The movie got off to a slow start at first. I wouldn’t call it boring, but I wasn’t on the edge of my seat, either. But then things changed in a big way. I won’t give away specifics, but there’s a scene early on where things go very wrong, and that’s when things start to get interesting.

And that gets to the heart of what is most compelling about Days of Future Past: Things go wrong. Spectacularly, and often.

Professor Xavier, Hank "Beast" McCoy, and Wolverine in X-Men: Days of Future PastThe problem with superheroes is that they’re, well, super. It’s all too easy to turn them into divine figures, invincible and infallible. They cease to be identifiable as characters at that point, and there’s no drama when they’re too powerful to be defeated.

What I like about Marvel superheroes in general, and the X-Men in particular, is that they’re not like that. They’re not perfect, or unstoppable. They have great powers, but they’re still essentially people. They have flaws and fears, and they make mistakes.

And that fallibility is on full display in Days of Future Past. We see Charles Xavier at his lowest end, rejecting his powers and consumed with regrets over what he’s lost, and as he goes, so go the X-Men. It doesn’t take long for Wolverine’s plan of a simple resolution to history’s mistakes to go wildly wrong, and things just spiral downward from there.

Days of Future Past isn’t nearly as action-packed or epic as I expected it to be. There’s still plenty of action, but I was expecting a cosmic war and pew pew from start to finish. At times, it almost doesn’t feel like a superhero movie, even as the super powers are on full display. There isn’t even a supervillain, really.

Instead, Days of Future Past is a much more emotive and character-driven tale, and you know what? I’m not complaining.

The unveiling of the Sentinels in X-Men: Days of Future PastThe clever thing about Days of Future Past is that it takes full advantage of the personal, not quantum, implications of time travel. It’s a movie about regrets, and trying to set right the wrongs of the past.

This ties into what I said earlier about the X-Men being more human and approachable than other superheroes. It doesn’t matter if you don’t have blue skin or can’t read people’s minds. If you’ve ever felt regret, you can identify with the characters in this movie.

The emotional weight of the film is further helped along by the once again excellent acting of the cast. I apologize for the small spoiler, but there is a scene in which both the past and future versions of Professor Xavier have the chance to interact, and thanks to the mighty acting chops of both Patrick Stewart and James McAvoy, it is amazing.

(As an aside, this movie has banished any doubts I might have had about James McAvoy playing Yarnig in the hypothetical World Spectrum movie.)

I think I may have actually admired Days of Future Past as a writer more than I enjoyed it as a viewer. It’s a very inspirational tale of redemption, but it never comes across as preachy or sugar-coated.

That’s not an easy balance to achieve.

A Sentinel pounces on Storm in X-Men: Days of Future PastI have only two complaints about this movie, and they’re both very minor.

One is that this is another case of continuity being thrown out the window. For instance, the elder Professor Xavier appears in Days of Future Past, despite being killed in the third movie. This is not explained in any way. But comic books and continuity have never really mixed, and it doesn’t bother me that much.

The other is that I can’t see how the next movie is ever going to live up to this one.

Overall rating: 9.4/10 Almost certainly the best X-Men movie to date, and one of the best superhero movies of all time. Even if you haven’t seen the previous X-Men movies, even if you’re not into superheroes, you should see Days of Future Past.

Retro Review: Orphan Black, Episodes 4-6

Despite misgivings, I’m continuing my binge watch of Orphan Black’s first season. After three more episodes, my opinion of the show has improved significantly, but there’s still a lot to take issue with.

The many and sundry clones of Orphan Black“Effects of External Conditions”:

For me, this is the episode where the series really starts. The first three episodes were clogged with filler and could have easily be condensed into a single episode without losing anything important, but with “Effects of External Conditions,” things finally start moving forward.

This episode focuses on Sarah and the police attempting to track down Helena, the clone who has been killing all the other clones.

Yo dawg, we heard you had too many clones, so we sent a clone to kill some of your clones.

Ahem.

Cosima identifies religious iconography on Helena’s dagger and theorizes that Helena represents a group of fanatics who see the existence of the clones as an affront to God. Sarah comes to believe that Helena is under the impression she was the original of them all, and is trying to eliminate those whom she sees as perverse copies of herself.

Interestingly, Sarah notices that the symbol on Helena’s dagger matches a tattoo on the body of Maggie Chen, the woman Beth gunned down before her suicide.

Tatiana Maslany as Cosima in Orphan BlackThere are still a fair few aspects of this episode that feel unnecessary. There’s still too much of what feels like filler involving Sarah’s life as a pretend cop and her relationship with Paul, Beth’s husband.

I’m on the fence about Sarah’s troubles with her daughter. It is an important part of Sarah’s arc as a character, but on top of everything else, it’s another distraction from the only interesting thing about this show: the clone mystery.

The best part of this episode is that it apparently puts an end to Orphan Black’s existence as a pseudo cop show. The clone story can now get the full attention it deserves.

Overall rating: 6.9/10

“Conditions of Existence”:

“Conditions of Existence” begins with Sarah realizing that doctors have been coming to examine her in her sleep, further reinforcing the idea that the clones are all part of some bizarre and far-reaching scientific experiment.

Helena the killer clone in Orphan BlackThis is, unfortunately, another prominent example of how far-fetched this show can be. We’re expected to believe that all of those clones have been being regularly examined in their sleep for God knows how long, and none of them have noticed it before now.

Orphan Black tries to present itself as an intelligent thriller, but it’s just not. It’s one of those shows that’s only good if you do your very best not think about anything.

“Conditions of Existence” also sees the very unwelcome return of Vic, Sarah’s deranged ex-boyfriend. While Orphan Black has by this time done a lot to cut down on unecessary side plots, Vic clings on with all nine of his fingers. It’s just not an interesting story, and the sooner he’s gone for good, the better.

But it’s not all bad news by any stretch of the imagination. For the most part, “Conditions of Existence” puts the clone mystery front and center, and that makes this the best episode of the series to date.

Sarah’s discovery of the nocturnal experiments causes Cosima to speculate that every clone has a monitor in their life whose purpose it is to observe them and report the results of the experiments to whoever is behind them.

Sarah impersonating Beth in Orphan BlackSuspicion immediately falls on Beth and Allison’s husbands, Paul and Donnie. Meanwhile, Cosima encounters a new student at her school, Delphine, who seems eager to become fast friends. There is a conspicuous lack of plausible options for Sarah’s monitor.

The race is then on to determine who these monitors are working for, while trying not to arouse suspicion.

Despite still suffering from significant problems already mentioned, this is an example of Orphan Black starting to live up to its potential. This episode is full of intrigue, mystery, and suspense, and the closing scene is downright intense.

Overall rating: 7.3/10

“Variations Under Domestication”:

This is a really weird episode.

Orphan Black suffers from this constant clash where it seems to be trying to be an intelligent thriller, but it’s actually quite ridiculous a lot of the time. “Variations Under Domestication” is a great example of this — I honestly can’t tell if I’m laughing with this episode, or at it.

Much of this episode deals with Allison as her paranoia boils over. Convinced her husband, Donnie, is her monitor, she proceeds to duck tape him to a chair and torture him with a glue gun in an attempt to get him to confess.

Allison tortures her husband in "Variations Under Domestication"Of course, she happens to pick the day she’s supposed to be hosting the neigbourhood potluck. She has to enlist Sarah to help her keep order, while desperately hoping no one notices there’s two of her running around or that her husband is screaming for help in the basement.

Cue insanity.

Then add to that appearances by Paul and Vic, and things just get increasingly screwed up.

I don’t quite know how to rate this episode. It’s not bad, and it’s got a lot of interesting story developments, but it’s a complete farce, and it feels way out of place with the deadly serious tone Orphan Black seems to be shooting for.

I will grudgingly admit that Paul is starting to get pretty interesting as a character. I didn’t like him at first as he wasn’t contributing much, and I find the actor a bit stiff, but his role is getting increasingly ambiguous, and that’s interesting. Just whose side is he on? Even he doesn’t seem to know anymore.

Also, while I’m still utterly sick of Vic, at least he didn’t feel like such a distraction from the important story this time.

And it is a bit amusing how much he’s become the show’s whipping boy. He’s had his face bashed in by Sarah, he lost a finger to a drug dealer, Allison tasered and maced him, and Paul beat the snot out of him and nailed his hand to a chair. How much more punishment can this guy take?

Tatiana Maslany as Sarah Manning in Orphan Black“Variations Under Domestication” is also noteworthy for giving Cosima by far her biggest role to date, but unfortunately, this had the effect of her losing her crown as the only clone capable of common sense or good judgement.

Cosima is not only aware of monitors, she’s the one who suggested they existed in the first place. So when some mysterious stranger suddenly comes along to sweep her off her feet, you’d think she’d be suspicious. Not only does she not see anything odd about Delphine’s behavior, she becomes very testy when Sarah suggests something fishy might be going on.

What is going on with these clones? Donnie’s obviously not a spy, and Delphine couldn’t be a more obvious spy if the 007 theme played every time she walked on screen, but yet it’s the former who finds suspicion falling on him.

As an aside, I think the writers are playing with fire a little by making Cosima a lesbian when the other clones all appear to be heterosexual. That seems to be making a firm statement on the nurture side of the nature versus nurture debate, and that’s treading dangerously close to saying being gay is a choice.

It doesn’t bother me. I don’t think the writers had any ill intent in mind — I don’t think they even think that hard. But I could see some people getting pretty offended by it, rightly or wrongly.

Overall rating: 7/10

* * *

I’m starting to enjoy Orphan Black, and I’ll probably keep watching, but I can’t say I’d recommend it to others. It takes entirely too long to get started, and even once the plot is rolling, there’s a lot that just doesn’t hold up under any kind of scrutiny.