Review: Wonder Woman

I’m not the biggest super hero fan to begin with, and Wonder Woman ranks near the top of the list of super heroes that I’m just not interested in, alongside Superman, Captain America, and Aquaman. But the trailers looked surprisingly good, and the buzz has been excellent, so I decided to take a chance.

Gal Gadot as the title character in Wonder WomanFor or better or for worse, Wonder Woman has become an icon of feminism to the point where it’s impossible to discuss the movie without also discussing its significance as such. This is troublesome because any criticism of the movie could potentially be viewed as sexism — and I have no doubt that there are plenty of people criticizing it purely for its feminism — but at the same time it would also not be fair to avoid criticizing it.

I understand why my feminist friends are so in love with this movie, but I can’t bring myself to fully share their enthusiasm. Allow me to explain, and as always I will say that I am a guy and that you have every right to dismiss my views on women’s issues as worth less than nothing at all.

So basically Wonder Woman is a power fantasy. Diana is infallible in every conceivable way. She has nothing resembling flaws of any kind, she embodies every virtue you can possibly imagine, and she’s pretty much omnipotent.

My knowledge of the character is minimal, so going in I wasn’t entirely sure what all her super powers actually were. Based on this movie, the answer appears to be “all of them.” She’s indestructible and seems to be able to do basically anything. She effortlessly defeats every challenge she encounters throughout the entire movie.

Here’s where it comes down to perspective. This kind of power fantasy story is not  uncommon in our culture, but it rarely if ever features a woman. It’s always a guy who has the privilege of being this perfect and unstoppable. Superman is the best example I can think of — this does feel very much like a Superman movie.

Gal Gadot as the title character in Wonder WomanSo from that perspective I totally get why so many women are over the moon about this movie. It must feel incredibly refreshing to be able to see yourself in that kind of larger than life heroic role, and if we are to have a fair and equal society, then women should be able to indulge in power fantasies, too.

So in that way, it is a win for feminism, and I respect what this means to people.

But the thing is I’m just not a fan of this kind of power fantasy, regardless of gender. This is why Superman is one of my least favourite super heroes. He’s totally infallible, so there can never be any real drama.

In the same way, the Wonder Woman movie has no real drama, because Diana is simply perfect in every way, and there are no limitations on her power whatsoever. Never for a moment does it seem remotely possible that she could fail.

I’ll also mention that Wonder Woman is a bit of a role reversal in that the male characters are often forced into the kind of reductive roles women usually get. They tend to be quite incompetent and rarely contribute meaningfully to the plot, and Chris Pine’s character in particular is pretty much the archetypal shallow girlfriend boyfriend character that’s always shoehorned into these movies, gratuitous skin scene and everything.

There are lots of movies where men get to be the heroes, so it’s not the end of the world for us guys to get a taste of how women are so often ill-served by writers, though — maybe that was even the point. Maybe it was meant to be an education in how women feel when female characters are just props in stories.

A shot from the Wonder Woman movieNow, all that being said, this still isn’t what I’d call a bad movie. There is a lot to like, despite its flaws.

Something I absolutely was not expecting was the ruminations on the dual nature of humanity, our potential for both incredible tenderness and shocking brutality. For all that it can be quite mindless in some areas, Wonder Woman can also be incredibly smart in others.

I was also greatly impressed by how the film pulls no punches on showcasing the tragedy and brutality of war. In addition to being smart, this movie can also be very powerful.

And despite their sometimes poor writing — Diana’s over-perfection and everyone else’s incompetence — the characters still manage to be pretty likable and draw you in, helped in part by strong acting from pretty much every cast member. The quieter moments when the cast is at its most human are often the highlight.

Aesthetically, Wonder Woman is also excellent. The fight choreography, while wildly unrealistic, is gorgeous, and the special effects, art design, soundtrack, and cinematography are top notch.

As a mythology fan, I was worried I’d end up cringing over the film’s treatment of Greek myths, but while it heavily departs from the original mythology (unsurprisingly), it doesn’t do so in a way that feels cheap or disrespectful, which is more than can be said for many similar movies. My one complaint would be that in a movie about Greek gods and badass warrior women, there was somehow not a single mention of Athena. Missed opportunity there.

The Amazons in Wonder WomanFinally, I think the best part of the movie for me was the villain. Hard to say too much without getting into spoiler territory, but he is charismatic and surprisingly nuanced, and a major contributor to the surprisingly smart social commentary within the film.

As a comic book movie, I’d say Wonder Woman is okay but not great. As a milestone for women’s portrayal in the media, I’d say it’s a step in the right direction but that feminism deserves better champions in the long run.

Overall rating: 7/10

Review: Dark Matter, “Welcome to the Revolution” + PvE Survival Sandboxes

One of the things I love about Dark Matter is that it’s incredibly consistent. Maybe not every episode will blow your mind, but it’s always solid. In its entire run, there’s been just one bad episode: that fembot mess from season one.

A promotional image for Dark Matter season threeThat is, only one bad episode, until now. I fear it’s time to add another to the list.

“Welcome to the Revolution” has a lot of cool ideas, and some scenes are very good, but it’s trying to do way too much, and the end result is confusing, half-baked, and downright damaging to the series going forward.

While attempting to meet up with Tabor, their handler, the crew of the Raza once again finds themselves embroiled in corporate intrigue, as the local miners foment rebellion against their corporate overlords.

It’s a story that’s eerily — and I believe intentionally — similar to the series premiere, but this time it’s far less black and white. The corporate soldiers aren’t all brutal tyrants, and the rebels aren’t entirely guiltless, either. At times they seem more villainous than their oppressors, in fact.

And that part I liked. They managed to cram a lot of moral complexity into just one episode, and it once again shows that the Raza crew’s efforts to reinvent themselves as heroes will never be easy or simple. Again, being better is so much harder.

Things get even more interesting when a late twist ties the conflict into bigger plot arcs from Dark Matter’s past, but unfortunately, that’s also when things start to go off the rails.

Five (Jodelle Ferland) and Six (Roger Cross) in Dark Matter“Welcome to the Machine” is a complicated story, and there’s not nearly enough time to do it all justice. This needed to be a two-parter at least. But it isn’t, and so it feels rushed and unfinished, and the resolution honestly just doesn’t make sense given past context (this is a very hard episode to review without violating my spoiler policy).

Ultimately, the goal of “Welcome to the Machine” seems to have been to provide another cast shake-up, and that’s the worst thing about it. The show has now lost one of its best characters, who has always been essential to its core themes, not to mention arguably its most talented actor.

In exchange, the cast seems to have picked up two new characters. One has already proven himself finger-nails-on-a-chalkboard irritating, and the other could potentially be interesting but has yet to do much or display any real personality.

This is not a good trade.

In general I am now growing frustrated with the extent to which Dark Matter hemorrhages cast members. I was never the biggest One fan, so I didn’t mind his death (though it’s disappointing that mystery was never solved), and the senselessness of Devon’s end was sort of the whole point of it, but Nyx and the latest loss are just examples of wasting potential. The show is worse for their loss.

These losses are beginning to undermine the core themes of Dark Matter. It’s about the crew, about the unique family they’ve created with each other. The more those bonds are broken, the more the show loses its heart and soul.

Left to right: Alex Mallari Jr. (Four), Roger Cross (Six), Anthony Lemke (Three), and Melissa O'Neill (Two)This has to stop.

Overall rating: 5.2/10

New articles:

In other news, I’ve had some more articles published on MMO Bro.

First, I imagine the possibility of a purely PvE survival sandbox, and how it could perhaps be superior to the PvP focused games currently dominating the genre.

Interestingly I wrote this article before the Fortnite reveals at E3, but Fortnite seems pretty close to the PvE survival sandbox I was imagining (though smaller in scale than my hypotheticals). There’s still a lot of unanswered questions about Fortnite, but I gotta say the trailer made it look really fun, and it’s now on my radar.

My main concern is that it seems like a game that’s really meant to be played with friends, but I don’t have a lot of gamer friends. It doesn’t seem like a good game for PUGing, and it’s not clear to me if playing solo is even an option, let alone an enjoyable playstyle.

But I’m definitely going to keep an eye on it.

Also at MMO Bro, I list off six ways World of Warcraft still has the rest of the MMO world beat. WoW is really showing its age these days, but there are a few specific areas it’s still trouncing the competition.