Children of the Gods Soundtrack, Part Two

We now come to the second installment of my soundtrack for Children of the Gods. These songs will take us on a rollercoaster ride of hope and despair, covering events up to and including chapter fourteen, “The Promise.”

There will be spoilers. I’m trying to keep them vague, but there’s only so much I can do.

5: The Predator:

“The greatest tragedy of war is that it debases all it touches.”

As the war progresses, Leha finds herself slipping into the darkest aspects of her personality. She becomes a predator consumed by the need to slaughter all who stand in her way. To accompany her fall into this dark persona, I’ve chosen the intro music for Myth II’s “Landing at Whitefalls” mission. Grim and menacing, it captures Leha’s methodical brutality.

6: Redemption:

In humanity’s darkest hour, there comes one single source of hope. A man who could offer a chance of redemption not only for the monsters created by the Arcanids, but for the rest of humankind, as well.

I chose the Elwynn Forest soundtrack from World of Warcraft: Cataclysm as Zuruk’s theme. It’s a tranquil song that gives one the feeling there’s always hope for a better tomorrow, even in the darkest times.

7: Humanity Falls Silent:

But just as there seems to hope after all, disaster strikes. With one terrible miscalculation, the human cause is crushed, and the Arcanids stand triumphant.

Though it’s used for what is theoretically a happy scene, I’ve always found An End Once and for All from the Mass Effect 3 soundtrack to be an incredibly tragic-sounding piece, so it’s my choice for the moment when all of humanity falls silent.

8: The Promise:

All is lost. It’s all over. Humanity has fallen.

Only a handful remain free, Leha among them. She wishes to end her life, and the pain with it. But she cannot shirk her duty. And so she and her few remaining companions make one promise, one pledge to press on for the human cause no matter how hopeless it seems.

My choice of song for this moment is the intro music for “Gate of Storms” from Myth II. It’s a bleak and morose song, but there’s the subtle hint of hope at the end. The battle is lost, but the war goes on.

* * *

Stay tuned for the final installment of the Children of the Gods sountrack, featuring a number of songs from World of Warcraft and a bonus track all the way from Iceland.

Children of the Gods Character Bio: Prince Tyrom

Back at Worldspectrum.net, I did a series of character bios for the main cast members of Rage of the Old Gods. I’m now going to do a similar series on some of the new characters introduced in the sequel, Children of the Gods. We’ll start with Prince Tyrom, the ruler of Pira.

WARNING: By necessity, this will contain some significant spoilers for Rage of the Old Gods. There will not be any spoilers for Children of the Gods.

Tyrom (tie-rahm):

“Our pride is all we have left.”

Tyrom, crown prince of PiraPrince Tyrom is the young ruler of Pira, the last remnant of the Jansian Empire. Though his title is prince, he is the sole monarch of the nation. The title is a relic of the old days of Jansia, where each province was ruled by a prince. No kings were permitted to threaten the authority of the emperor.

Tyrom lives every day under the crushing weight of history. Jansia once dominated all of Barria, but now Pira is one of the least influential human nations. His overriding goal in life is to ensure his people do not lose their pride.

But recent events have brutally humbled the Piran people. When the Automatons revolted, Pira was all but destroyed, its ancient history and culture ground to dust beneath metallic feet.

Tyrom had the choice of saving his people’s lives and fleeing to the coastal islands, where the machines could not pursue, or preserving their dignity and fighting to the bitter end. For some, this might have been an easy choice, but for the Pirans, losing one’s dignity is almost worse than death.

Ultimately, Tyrom chose retreat, but it was a crushing blow to his people’s identity, and by extension, to Tyrom. This sense of humiliation was only worsened when they discovered that the other human nations had been fighting and dying to free the world of machine rule while he and his people cowered in their island shanty towns.

Tyrom’s every thought goes to restoring his people’s faith in themselves. He has refused most offers of aid from the rest of the world, and he has prioritized the reconstruction of landmarks such as his palace. He does this not out of personal vanity, but because he knows his people need something to inspire them.

Tyrom tries his best to be the Piran ideal. He is a handsome man, with flawless skin and jet black hair, and he dresses and grooms impeccably. He has studied song since boyhood, and in addition to being Pira’s monarch, he is also one of its most accomplished singers, with a voice capable of moving one to the heights of joy or the depths of sorrow.

Tyrom, crown prince of PiraBut Tyrom knows none of his efforts can ever hope to give the Piran people back what they’ve lost. Before the war, Pira was but a pale shadow of old Jansia, and now Pira is just a pale shadow of what it was before the war.

Now, war is brewing again, and Pira bears the brunt of the threat. Once again, the Piran people are at risk of losing everything, but this time, Tyrom is determined to fight, to do everything in his power to preserve his ancient culture and its proud heritage.