Review: Into the Badlands, Season One

Into the Badlands is something my father discovered while perusing Netflix and then recommended to me. Without much else to watch between episodes of iZombie, I decided to give it a try.

The logo for Into the BadlandsIt’s a strange show. It’s some sort of post-apocalyptic Western kung fu… thing, set in a far-flung future where the civilization we know is a distant memory. The land is ruled by ruthless barons, aided by their armies of “clippers,” which are sort of like samurai without the honour.

The story focuses on Sunny, a weary veteran clipper in service to a cruel baron, and M.K., an orphan boy with a mysterious power. Fate causes their paths to repeatedly cross as Sunny’s master prepares for war with his rival, a revolutionary known as the Widow.

It’s a pretty unique mash-up of genres, and certainly the concept holds a lot of potential, but the problem with Into the Badlands is that it isn’t very good.

That’s pretty much it. It’s mediocre in almost every way imaginable. None of the characters are all that interesting or likable. The plot’s pretty unsurprising. It’s often silly and illogical — I like how they were able to preserve the technology for cars and X-rays, but not guns.

All the absurdity of the show would be fine if it weren’t determined to take itself so deadly seriously. Into the Badlands has all the ingredients for a fun, light-hearted action-adventure, but it’s trying to be a serious drama. It has no whimsy, no self-awareness, and no sense of humour.

The Widow in Into the BadlandsThe shortness of its season doesn’t help matters. Season one is just six episodes, and it’s a pretty complicated story, so I’m not sure there’s really time to develop anyone or anything enough. On the other hand if the season had been any longer I might not have made it to the end. At just six episodes there wasn’t much to lose by sticking it out.

I suppose the acting is not bad — I actually rather like the guy who plays Sunny; he’s got some gravitas — but the writing is so weak that the cast’s talent is largely wasted.

Really the only thing it’s got going for it is that it’s a very visually appealing show. If all you want is to see good-looking people in really cool costumes doing extravagant wire fu moves in front of pretty backdrops, this is the show for you.

If you want anything more than that, move on.

Overall rating: 5.9/10

As an aside, has it occurred to anyone how inaccurate the show’s title is? The story is about trying to get out of the Badlands, and the “Badlands” appear to actually be quite fertile and clement.

iZombie Season Three Is Still the Best

Are you watching iZombie yet? If not, start.

An official promo image for iZombieSeason three of the show has begun, and while I’m still going to avoid doing formal reviews on it because it is my favourite show for relaxation and I don’t want it to feel like work, I did want to take the opportunity to once again sing its praises.

We may only be two episodes in, but so far iZombie season three continues to delight. If anything this might even be a little better than past seasons.

Of course, it’s still hilariously off the walls. I missed a lot of lines of dialogue in episode two because I was laughing too hard at the preceding line. Ravi’s eyes while Liv and Major were bickering… my sides…

Liv and Ravi have always been a joy, but Clive and Major are really starting to come into their own, too. I always liked them, but season three is giving them much more freedom to shine than ever before. The guy who plays Major is a better actor than I’ve given him credit for, and one gets the impression he’s immensely enjoying the role he’s been given.

It’s not just funny, though. So far season three seems to be taking the show in a bit of a new direction, and the implications are intriguing.

Without spoiling too much, the scale of the show seems to be broadening. No longer is it just about the trials and tribulations of Liv and those close to her. iZombie is beginning to think on a more cultural scale as the battle lines are slowly drawn between humans and the undead.

Major, Liv, and Clive in iZombie season threeIt’s different, but so far, I really like it. The show is going down a darker path — while somehow still maintaining its off the walls comedy — and I’m starting to see a certain sophistication in the writing. Maybe it won’t ever be quite as cerebral as Continuum, but iZombie is getting smarter.

*Insert brain joke here.*

Anyway, I’m thoroughly enjoying myself, and I can only reiterate that if you haven’t tried iZombie yet, you totally should, because it’s excellent.