Children of the Gods Character Bio: Prince Tyrom

Back at Worldspectrum.net, I did a series of character bios for the main cast members of Rage of the Old Gods. I’m now going to do a similar series on some of the new characters introduced in the sequel, Children of the Gods. We’ll start with Prince Tyrom, the ruler of Pira.

WARNING: By necessity, this will contain some significant spoilers for Rage of the Old Gods. There will not be any spoilers for Children of the Gods.

Tyrom (tie-rahm):

“Our pride is all we have left.”

Tyrom, crown prince of PiraPrince Tyrom is the young ruler of Pira, the last remnant of the Jansian Empire. Though his title is prince, he is the sole monarch of the nation. The title is a relic of the old days of Jansia, where each province was ruled by a prince. No kings were permitted to threaten the authority of the emperor.

Tyrom lives every day under the crushing weight of history. Jansia once dominated all of Barria, but now Pira is one of the least influential human nations. His overriding goal in life is to ensure his people do not lose their pride.

But recent events have brutally humbled the Piran people. When the Automatons revolted, Pira was all but destroyed, its ancient history and culture ground to dust beneath metallic feet.

Tyrom had the choice of saving his people’s lives and fleeing to the coastal islands, where the machines could not pursue, or preserving their dignity and fighting to the bitter end. For some, this might have been an easy choice, but for the Pirans, losing one’s dignity is almost worse than death.

Ultimately, Tyrom chose retreat, but it was a crushing blow to his people’s identity, and by extension, to Tyrom. This sense of humiliation was only worsened when they discovered that the other human nations had been fighting and dying to free the world of machine rule while he and his people cowered in their island shanty towns.

Tyrom’s every thought goes to restoring his people’s faith in themselves. He has refused most offers of aid from the rest of the world, and he has prioritized the reconstruction of landmarks such as his palace. He does this not out of personal vanity, but because he knows his people need something to inspire them.

Tyrom tries his best to be the Piran ideal. He is a handsome man, with flawless skin and jet black hair, and he dresses and grooms impeccably. He has studied song since boyhood, and in addition to being Pira’s monarch, he is also one of its most accomplished singers, with a voice capable of moving one to the heights of joy or the depths of sorrow.

Tyrom, crown prince of PiraBut Tyrom knows none of his efforts can ever hope to give the Piran people back what they’ve lost. Before the war, Pira was but a pale shadow of old Jansia, and now Pira is just a pale shadow of what it was before the war.

Now, war is brewing again, and Pira bears the brunt of the threat. Once again, the Piran people are at risk of losing everything, but this time, Tyrom is determined to fight, to do everything in his power to preserve his ancient culture and its proud heritage.

Children of the Gods Soundtrack, Part One

Having finished my soundtrack for book one of the World Spectrum, it’s now time to move on to Children of the Gods. It’s a grim soundtrack for a grim book, but as in the story, there are occasional flashes of hope for better times.

The first four songs will cover events up to and including chapter seven, “At the Foot of Keonum.” Once again, I’ll keep the spoilers as rare and vague as possible, but some are still going to slip through.

1: The Arcanids:

The Arcanids are a race as cruel as they are bizarre. Ruthless and calculating, they have designed themselves with the ideals of selfishness, greed, and ruthless domination in mind.

For their theme, I’ve picked the intro music from the mission “River of Blood” from Myth: The Fallen Lords. It’s a strange, exotic, and ominous song that sets the tone for the downward spiral that is Children of the Gods.

2: Beautiful Things Lost Forever:

Prince Tyrom is a tragic figure. Even before Pira fell the first time, he bore the heavy burden of living up to an ancient legacy he couldn’t hope to equal. His country had barely begun to recover before it was imperiled a second time, and he was forced to swallow his pride — the only thing he had left — and accept aid from the rest of humanity.

Early on, we see Tyrom vent his pain, singing on the ocean cliffs in the night. To accompany this scene, I’ve chosen Gaeta’s Lament — also known as the Stump Serenade — from Battlestar Galactica. This could easily have been the song Tyrom sung on that night.

As an aside, if these books ever get put to film, I think Alessandro Juliani would make a fantastic choice to play Prince Tyrom. Hmm… Anyone out there good enough with Photoshop to put together a movie poster with Ellen Page and Alessandro Juliani as Leha and Tyrom?

3: The Automaton Reborn:

The most terrible thing about the Arcanids is not the physical threat they represent, but that the only way to survive their onslaught is to sink to their level, to betray your own ideals and embrace violence.

Nothing symbolizes this better than the decision to rebuild Automatons. This is a moment of utter horror for the people of Barria, and for Leha especially. To fight monsters, they had to create their own monsters.

I find that An Ancient Enemy from the soundtrack to The Hobbit: An Unexpected Journey is a good match for this event. It’s a song of pure dread, pure menace.

4: At the Foot of Keonum:

A pivotal battle in the war with the Arcanids comes at the foot of Mount Keonum in Pira. But this is not the Battle of Tallatzan. This is no noble uprising of humans against their oppressors.

This is a massacre. Thousands of lives are wasted at the foot of that mountain. That it is necessary in no way diminishes the tragedy of it.

It was difficult to find a song that fit both the epic excitement and grim brutality of this event, but I eventually settled on the Battle of the Hornburg from The Two Towers soundtrack.

Bonus track:

This is a song that always reminded me of Leha, and particularly her struggles in Children of the Gods. I won’t pretend it’s a perfect match, and I’m probably misinterpreting the lyrics badly, but there seems to be a certain resonance there. It’s a very bright, happy-sounding song — which suits Leha’s charismatic persona — but if you pay attention to the lyrics, it’s actually a pretty sad song — just as Leha’s is a sad story.

When I’m gone,

I’ll know

What I’ve done

I’ll go

Where I don’t belong

 

It’s all, not one

I love everything

No sleep

I lose everything

Oh, don’t tell me again

I won’t see you again

* * *

That concludes part one of the Children of the Gods soundtrack. Stick around for the next installment, which will take us from despair, to hope, to despair, to hope again with songs from World of Warcraft, Mass Effect, and Myth II: Soulblighter.