Review: Dark Matter, “Welcome to Your New Home”

It seems Space is no longer putting up Dark Matter episodes on its website. That or they’re just being exceptionally slow, but I wasn’t willing to wait. To make a long story short, I had to download iTunes and watch it that way, having exhausted every other conceivable option.

The logo for Dark MatterYou made me give money to Apple, Space. I hope you’re happy with yourself.

Ugh.

That frustration aside, it gives me great pleasure to say that Dark Matter is back. Last year’s best surprise for sci-fi fans has returned with a new season — and honest to goodness episode titles.

Season two begins shortly after Six’s shocking betrayal at the end of season one. The crew of the Raza has been captured by the Galactic Authority, and their ship impounded.

Two, Three, and Four are thrown into the galaxy’s highest security prison, where their brutal inmates and corrupt guards soon make life a living Hell.

One, being a member of the privileged elite*, manages to get off scot-free and proceeds to begin looking into the truth behind the murder of his wife.

*(Hmm, I wonder if him being One is meant to be a play on the idea of the “one percent”? How did I not think of that before now?)

The crew of the Raza is inducted into prison in the season two openingThe android I have unilaterally decided to name Sally is interrogated, but offers nothing but history’s most well-mannered defiance. Go Sally.

Five is caught in limbo. There’s not much legal ground to hold her, but she knows far too much for the GA to let her go free. Also, apparently her real name is Emily, which makes this the second recent sci-fi series where my favourite character has been named Emily and continues my streak of positive associations with the name.

Finally, the man formerly known as Six desperately tries to convince himself he’s done the right thing, even in spite of ever-mounting evidence to the contrary.

The thing I like about Dark Matter is how consistent it is. You can always count on it to provide an hour (well, forty-odd minutes) of pure entertainment, and “Welcome to Your New Home” is no exception. Action, suspense, mystery, emotion, character development — the season premiere has it all.

And in the finest tradition of Dark Matter, there’s one Hell of a twist at the end.

I’ve heard it said that this season will focus more on world-building and exploring the geopolitical (astropolitical?) intrigues in the Dark Matter universe, and you can already see some hints of that in the premiere. Even as the crew struggles to survive prison, there are clues of something greater at work behind the scenes.

The Hyperion VIII prison in Dark MatterSeason one had a laser focus on the characters, so we didn’t learn very much about the greater setting. It will be interesting to see the show’s mythology expand.

My only complaints about this episode are incredibly minor. It seemed a bit odd to me that One didn’t seem to put any effort into helping his friends. I realize there likely wasn’t much he could do, but for all his flaws, he doesn’t strike me as the sort to give up without a fight. I could see him abandoning Four and Three to their fate, but not Two.

I also would have liked to see the characters take Six to task a little more for what he’s done. Five yelling at him was nice; I wanted to see more of that. He was pretty much the only person on the Raza who was on good terms with everyone. He is the last person anyone expected to turn coat. That should have cut the other characters deep, and we just don’t see that.

Also, more of Sally being awesome, please.

But it’s still a great episode either way.

One other thing worth noting is that “Welcome to Your New Home” has appearances by some memorable sci-fi veterans. Mike Dopud, who played Varro on Stargate: Universe, appears as a gang leader, and Trenna Keating — better known as Meh Yewll to Defiance fans — plays One’s lawyer.

Overall rating: 8.2/10 Damn, I have to wait a whole week to watch the next one.

Review: X-Men: Apocalypse

As a long-time fan of the X-Men movies, I had hoped to see Apocalypse before now, but, well, life.

Apocalypse, Psylocke, and Magneto in X-Men: ApocalypseAlso as a long-time fan of the series, I had kind of mixed feelings going into the movie. On the one hand, yay, new X-Men. On the other, Apocalypse honestly didn’t look all that interesting compared to most of the past movies.

I was right to be concerned, but the good news is it’s still a decent movie all told.

In case you’re somehow unfamiliar with the story, X-Men: Apocalypse deals mainly with the titular character, the first and most powerful mutant. Apocalypse is an immortal being who has achieved nearly limitless power by absorbing the abilities of dozens of other mutants over many centuries. Entombed beneath the earth for thousands of years, Apocalypse has now been unleashed, and he plans to destroy human civilization as we know it and rule over what remains as a god.

Apocalypse is one of the main problems with the movie. Despite his vast power, he is ultimately an incredibly dull villain. He has no nuance, no motivation the viewer can sympathize with.

And honestly he’s just not that crucial to the story, strange as that may sound. If you removed Apocalypse from the movie that bears his name, not all that much would change.

Really the story is about Magneto. Again. It’s pretty much a retread of Magneto’s story to date, especially his arc in Days of Future Past. He’s angry at humans and wants to destroy the world, but Charles and the X-Men still believe he can be redeemed.

Jean Grey, Nightcrawler, and Cyclops in X-Men: ApocalypseIt’s a powerful story, and Michael Fassbender is a fantastic actor, so if you’re going to retread a story, you could do a lot worse than this one. I feel very torn because we have seen all this before, but it’s still such a compelling story.

The other big problem with Apocalypse (the movie, not the character) is that it spreads itself incredibly thin. It introduces over half a dozen new mutants, and also reintroduces Moira McTaggert… for some reason. Seriously, Moira spends the entire movie just standing in the background and looking shocked. She does nothing.

Moira is the most egregious example of a character included just for the sake of saying they’re present, but she’s far from the only one. Other than Magneto, none of Apocalypse’s “horsemen” (half of which are actually more horsewomen) get any real development, and a lot of the good-side mutants are about as undercooked.

I think a particular missed opportunity was not delving more into Nightcrawler’s spirituality. His faith is so important to him, and Apocalypse is pretty much the definition of a false idol. You’d think they could have made something out of that. But no, he’s another character who’s just kind of there.

Also, did anyone really want to see a young Cyclops? Does anyone actually like him at all, come to think of it? I think we pretty much all agree he’s the lamest of the X-Men by far.

Quicksilver saves the day in X-Men: ApocalypseOn the other hand, there are some pleasant surprises here. Quicksilver has gone from a character I usually remember exists to possibly one of my favourite mutants. He’s basically just nothing but awesome and ass-kicking through the whole movie.

There are also some surprise cameos by a couple of old favourites that add some real spice to the movie.

While they don’t get as much attention as they should due to the bloated cast, the core X-Men cast members — Xavier, Beast, Mystique — all put on strong performances again. Xavier, in particular, has some truly spectacular scenes this time around. I’ve never seen that character properly angry before. It’s terrifying.

Finally, something else that impressed me about Apocalypse was its special effects and cinematography. Not just the technical quality of the effects, but the creativity and artistry with which they’re used. This is a beautiful movie to look at.

So Apocalypse is one of those weird movies that’s kind of crappy in some ways but also really good in others. It’s all over the map, but on balance, I’d say it’s more good than bad.

It’s definitely not on par with the last couple of X-Men films, though.

Overall rating: 7.4/10