Star Trek: Prodigy Is Shockingly Good

I have not, as a rule, been terribly impressed with the newer crop of Star Trek shows. Discovery starting out appallingly bad, and after years of improvement has only clawed its way to “watchable, just barely.” Picard had some very high highs, but also some major lows, and overall it felt too bleak and cynical to really feel like Star Trek. I watched one episode of Lower Decks, and that was one too many.

A promotional image for Star Trek: ProdigyI’m also not generally a fan of shows aimed at younger audiences. I can make occasionally exceptions, but usually I find them dull.

So it goes without saying that I had pretty low expectations for Star Trek: Prodigy, a new cartoon aimed at bringing a new generation of kids into the franchise. It’s perhaps a bit surprising that I even gave it a chance at all.

But what’s even more surprising is how incredibly good it turned out to be. As of the mid-season finale, I think I’m ready to declare it the best Star Trek show since Enterprise.

It’s not perfect, of course. There is a lot of very forced humour aimed at young kids that I find just plain cringe-worthy, and the half-hour format does leave some of the stories feeling a bit rushed (though somehow still less rushed than most of Discovery). It also tends to play fast and loose with the continuity of the Star Trek universe — not to an extent that really bothers me, but I know some people are off-put by the show’s fuzzy chronology and geography.

But despite these flaws, it still manages to be a very strong show.

Alone of all the new Trek shows, Prodigy feels like it’s hit a balance of being both fresh and faithful to what’s come before. The fact that none of the characters are Starfleet — none of them had even heard of the Federation before stumbling upon a derelict ship — gives us some fresh perspective on the universe, and allows us to have a more fractious and flawed cast, as opposed to the squeaky clean Starfleet crews we’re used to.

The Diviner, villain of Star Trek: Prodigy's first season.At the same time, we see the crew learning to come together and triumph despite their differences, and nothing could be more true to Star Trek than that. Prodigy is bringing back the franchise’s trademark optimism in a way that feels natural and earned.

I will also make another bold claim: Of all Star Trek shows in the franchise’s long history, Prodigy is doing the best job of balancing episodic stories with ongoing arcs. Every episode feels like its own satisfying adventure and advances the meta-plot in at least some small way. It’s neither the breathless sprint to the finish of Discovery and Picard, nor the “reset button” formula of The Next Generation and its spin-offs. I’m not sure even Enterprise struck this balance so well.

And to all that an endearing and diverse cast of characters, lots of action, and truly alien worlds courtesy of the animation format, and you have a formula for a thoroughly enjoyable show.

I even like Janeway now! I never liked her before. Turns out she’s a solid character when she has consistent writing.

I don’t do reviews on this blog much anymore, but Prodigy deserved some gushing. I’m not ready to declare it the best Trek series ever or anything; it still has a ways to go before I rank it alongside The Next Generation or Enterprise.

But I can say this much: Counting the Abramsverse movies, Prodigy is the fifth new installment of Star Trek since Enterprise was cancelled, but it’s the first time out of all of those I’ve found myself thinking, “Yes! Star Trek is back!”

Pacific Rim: The Black Is Solid Gold

I emerge from my blogging hiatus because I have something nerdly I need to gush about, and I just can’t keep it in.

A promotional image for Netflix's Pacific Rim: The Black.Pacific Rim is a franchise I want to like more than I do. The fantasy of giant robots punching alien kaiju appeals intensely to my inner six year old boy, but the films somehow never managed to be as fun as that premise should be. They’re decent time-wasters, but largely forgettable.

I’m also not a big anime guy, so when I saw Netflix had produced a Pacific Rim anime, my reaction wasn’t exactly feverish excitement. But there really isn’t a lot to watch right now (I’ve been watching Resident Evil let’s plays on YouTube for lack of anything more interesting), so I figured I’d give it a shot.

The first episode of Pacific Rim: The Black is a bit shakey, but it showed enough potential for me to try another episode. It was then that the show really took off, and my low expectations were completely shattered. This show turned out to be incredibly good.

The Black takes place in the ruins of Australia after the events of both films (though prior knowledge of the films isn’t really required). The continent has been abandoned and left to the kaiju, but pockets of survivors remain.

Among these survivors are teenagers Taylor and Hailey, children of jaeger pilots who left to find help but never returned. Early on, they discover an abandoned jaeger, and… y’know, shenanigans ensue.

The jaeger Atlas Destroyer in Pacific Rim: The Black.In a lot of ways, the arc of the show follows what you’d expect, but there’s enough surprises and twists to keep things interesting, and it’s in the execution of the show’s concepts more so than the concepts themselves where The Black really shines.

Going in, I saw that all the main characters were kids and assumed this was going to be a very sugar-coated, family friendly series.

It is not. The Black is a very intense, dark, and often brutal story that does not pull its punches.

But what really makes it special is that The Black doesn’t fall into the trap so much grimdark media does these days. It’s not all horrible, all the time. It’s not a show where every character is an unlikable monster. The challenges faced by the characters may be harrowing, but the characters themselves are good people who are worth cheering for.

The Black hits the exact tone I want in fiction. It’s dark, but it’s not cynical.

Not much else I can say without spoilers, but I will mention that I love how this show handles issues of abuse and PTSD. There’s some fantastic character work in this series.

My one major frustration with The Black is it’s yet another example of TV seasons becoming ever shorter. Seriously, seven twenty-minute episodes isn’t a TV season; it’s a movie with a bunch of credit sequences jammed into the middle.

Taylor, Hailey, and Boy in Pacific Rim: The Black.I will say, though, that as much as I’m hungry for more of this show, its quality doesn’t really suffer from the shortness of the season, unlike most shows these days. They somehow managed to cram an incredible amount of plot, action, and character development into very little time without it feeling rushed.

I’m just glad season two is on the way. I’m struggling to even remember the last time a new show impressed me this much.

I haven’t been doing numbered reviews as much lately, but this is definitely 9/10 territory. There are a few weird choices here or there, and the short season is disappointing, but there’s so much to love that faults like that are easily overlooked.