Reviews: Defiance, “The World We Seize/The Last Unicorns” + Dark Matter, Episode Two

Defiance Season Premiere:

Suddenly they’ve decided to go full Battlestar Galactica dark. I normally try to keep spoilers to a minimum, but there will be some this time. It just can’t be avoided.

A promotional image for DefianceThe confusingly titled first episode of Defiance’s third season is billed as two episodes but is really just a single, two-hour episode. It takes place seven months after the destruction of the Kaziri and Defiance is once again a very changed place.

The gulanite mine has collapsed, crippling the town’s economy. As a result, the Earth Republic has abandoned the town, and Amanda is mayor once again.

This surprises me. After all the development given to the E-Rep and Pottinger, it’s a bit jarring to have them just gone. On the other hand, I never really liked Pottinger or his ilk. Would have been nice to see them violently ejected rather than just gone, though.

Things get going again with the arrival of the last two survivors of a heretofore unknown Votan race known as the Omec, a word is synonymous for “devil” in Casti. True to their nightmarish reputation, the Omec are a violent and predatory people who see other races as little more than food sources.

They’ve come for the gulanite, and their technology can get the mines running again, but Defiance’s Votan residents are incensed by this deal with the devil, and with good cause.

The town of DefianceI question the wisdom of adding yet another alien race to the mix, especially since most of the current races are still underdeveloped. Two seasons in, we still know next to nothing about the Sensoth, the Liberata, the Gulanee, or the Volge. The Volge, in particular, already fill the niche of evil conqueror race, and are one of Defiance’s bigger mysteries.

Along the way, the Omec survivors also free Nolan and Irisa from their stasis pod, and it soon becomes clear Irisa has greatly changed. Her killer instinct is gone, and she’s become downright pacisfistic. The world’s view of her has also changed greatly. To many, she’s a celebrity, a folk hero. Berlin, however, is less welcoming.

I am rather surprised Berlin stuck around when the E-Rep left. I suppose events at the end of last season must have dampened her patriotism, but she doesn’t have any particular ties to Defiance, either. If nothing else, I would have liked to have seen her disillusionment play out firsthand.

Meanwhile, the Tarrs and Rafe McCawley continue their pursuit of Pilar and the kids. Along the way, they encounter a band of Votanis Collective soldiers led by a Castithan general named Rahm Tak. Their goal is to destroy Defiance, and it’s here the episode gets really crazy Dark, as Tak is sufficiently ruthless and sadistic to make Datak and Stahma look positively saintly by comparison.

Hell, I think even Nim Shondu would be like, “Whoa, slow your roll, dude.”

Putting the Votanis Collective in the spotlight is something I’ve wanted for ages, but I was hoping for insights into Votan culture and intricate politics. A band of sadistic war criminals isn’t as interesting. Perhaps the insights will come later.

Graham Greene as Rafe McCawley in DefianceI’m also not sure why they’re after Defiance. With the mine collapsed, the Kaziri gone, and the E-Rep departed, the town has no strategic value that I’m aware of.

But the most memorable part of the episode — and that’s not a compliment — is undoubtedly the near total extinction of the McCawley clan.

Quentin and Christie are no great loss, but it’s hard to imagine the show will ever be the same without Rafe.

Rafe was always one of the highlights of the series, but perhaps the greatest loss is his relationships with other characters, especially Datak. The rivalry and then grudging friendship between those two was one of the great joys of Defiance. You just can’t have Datak without Rafe. It’s like the Road Runner without the Coyote, Homer without Marge, Starbuxk without Apollo.

The show is less without Rafe, and worst of all, his death doesn’t serve any purpose that wasn’t already accomplished by the deaths of his children.

Later story developments may redeem this episode, but right now, this is an uninspiring start to the season.

Overall rating: 6.8/10

Dark Matter, episode two:

The cast of Dark MatterMy experience has been that the second episode of a series is almost always a bit weak, and this is no exception.

Mostly this episode deals with the crew’s attempts to defend the mining colony from corporate forces. Which isn’t bad; it’s just not especially memorable.

What made the first episode interesting was learning about the characters and the mystery of what happened to them. There’s not much of that this time. We get a little bit of the characters dealing with the revelation of their true identities — or the continued lack of an identity in Five’s case — but it feels like an afterthought.

We do once again have hints that Five has some kind of psychic powers, but her revelation that the crew is dangerous is a bit redundant given what we already know.

There were also some fairly cliche bits. Obligatory antihero torture scene. Obligatory breathless girl begs dashing space hero to stay with her scene.

Again, not a bad episode. Just a forgettable one.

Overall rating: 6.9/10

Review: The Lotus War, Book Two: Kinslayer

For the last little while, life has been too hectic to afford me much time to read. Now, I’ve finally managed to get into some books again, and the first one I dove into was the second book of Jay Kristoff’s Lotus War series, which I had been looking forward to since I finished the slightly flawed but mostly impressive first book.

Cover art for "The Lotus War, book two: Kinslayer" by Jay KristoffIt wasn’t worth the wait.

Kinslayer wastes no time in establishing a new set of problems for the heroes to deal with. Still consumed with grief from the loss of her father, Yukiko finds the Kenning, her ability to telepathically commune with animals, is growing agonizingly strong, her mind and body breaking under the strain, and she and the gryphon Buruu fly far into the north in search of a cure.

Bereft of Yukiko’s protection, the renegade Lotus Guildsman Kin finds himself increasingly unwelcome among Shima’s rebels, and when another Guild renegade joins their cause, bloodshed is inevitable.

Meanwhile, the Tiger Clan and the Lotus Guild scramble to prevent civil war following the shogun’s assassination by Yukiko. They settle on Hiro, Yukiko’s treacherous former lover, as a replacement ruler, having brought him back from the brink of death with the aid of Guild machinery.

I noticed almost immediately that the author seemed to be trying too hard to be dark and gritty. The constant and often overwrought descriptions of Yukiko’s endless physical and emotional torment quickly became wearing. And that was just the beginning.

Book one wasn’t exactly cheery. This is a dystopia, after all. But it still had some moments of levity and humour, and some very endearing characters.

Art of Yukiko and the gryphon Buruu from "The Lotus War, book one: Stormdancer"Kinslayer has largely lost that. It’s just an unrelenting spree of pain and misery from beginning to end, and it is equal parts depressing and repetitive. You can only cram so much rape, torture, and tragedy into a single book before it stops being entertainment and becomes an endurance test.

Kinslayer also leaves one with few people to root for, few characters to pin their hopes to. It is made abundantly clear that the rebels Yukiko has signed on with are not in any way better than the corrupt culture they seek to bring down.

I appreciate a story where the line between the good guys and the bad guys is blurry, but there’s a difference between some moral ambiguity and just not caring about anyone, hoping that they all just kill each other. Stormdancer stayed on the good side of that line, but Kinslayer most definitely does not.

Even on the level of individual characters, there’s little to inspire. Yukiko devolves into a ball of anger, bitterness, and pain, only overcoming this very late in the book and with no real explanation given as to how or why. Kin is twisted from an idealist to a cold-blooded killer, though at least in his case it’s hard to blame him. Buruu remains likable, but is given a disappointingly small role.

Overall rating: 4.7/10 Rarely have I seen a series go from so promising to so disappointing so quickly.