Review: StarCraft, Evolution

I tried really hard to give this book the benefit of the doubt.

Oh, there were warning signs early on. Little things that were wrong, that showed an author who hadn’t done their research. Since when does Valerian Mengsk of all fekking people use casual slang?

Cover at for StarCraft: Evolution by Timothy Zahn.Still, I didn’t want to judge too harshly out of the gate. This was Timothy Zahn’s first book in the StarCraft universe, and besides, a few hiccups here and there aren’t the end of the world. Knaak’s writing can be a little rough, too, but I usually end up enjoying his stuff all the same.

I did a double-take when I realized that most of the new characters had received little to no physical description, forcing me to conjure my own images of them out of whole cloth. (I decided Tanya has red hair because she’s a ghost and, y’know, Kerrigan and all.) That should have been a pretty big red flag right there.

But StarCraft has had a really good run over the past year or two. Everything that’s been released in-game has been excellent, pretty much without exception, and it’s felt like the franchise has entered a golden age, like it can do no wrong.

So I pressed on. And I kept pressing on, until the end of the book, at which point I had no choice but to admit the truth: Evolution is a sloppy, dull book written by someone who appears to have little to no understanding of the StarCraft universe or its characters.

Evolution presents a rather bizarre scenario. It involves an attempt at a peace conference between the Swarm, the Dominion, and the Daelaam Protoss. What’s even more shocking is that the conference was orchestrated by the Zerg, by Zagara herself.

Zagara claims she wants to usher in a new era of peace in the Koprulu Sector, and to prove her intentions she’s used the Zerg mastery of bio-engineering to bring life to a formerly dead world. She promises do the same on Terran and Protoss worlds, to heal the scars wrought by the End War.

To test the truth of her claims, Emperor Valerian sends a survey team to the surface, including a surprisingly chill reaper, an underachieving pyrokinetic ghost, a scientist, a mysterious Protoss exile, and Generic Meathead Marine Dude #24601. It soon becomes clear to the survey team that sinister forces are at work on the newly green world, and tensions run high on all sides as a new war seems increasingly likely.

It’s a pretty weird premise, and a bit hard to swallow at first, but ultimately it’s the execution far more so than the concept that drags Evolution down.

And to be fair, it’s not entirely bad. Some of the new creatures and concepts introduced are pretty cool from a strictly sci-fi perspective, and if these plot threads are ever revisited (hopefully by a different author), they could go interesting places.

Some of the new characters aren’t bad, either. They’re no R.M. Dahl or Mike Liberty, but they’re not without their charm. Tanya, the ghost, is kind of cool, and I love the nickname the other ghosts gave her: Pyrokeet.

The pre-existing characters, though, are a mess. I’ve already said that Valerian’s speech pattern was all wrong, and Horner displayed basically zero personality through the whole thing.

Abathur, though, is the real travesty here. The author does not understand Abathur at all. He acts so wildly, absurdly out of character in this book that it’s just intolerable. I clearly remember dialogue in Heart of the Swarm that directly and completely contradicts all of Abathur’s behaviour in this book.

Artanis feels right, but really, how hard is it to write for Artanis? The man isn’t exactly complicated.

And there’s no shortage of things that are far-fetched, or just straight up don’t make sense. Like how an interstellar transport takes about eight hours just to cross one planet for some fekking reason.

The only real silver lining here is that Evolution doesn’t seem that relevant to the ongoing story. Normally this would be a bad thing, but this book is such a mess I’m glad it’s not super likely to have a lasting impact of the course of the StarCraft universe.

I wouldn’t mind seeing more stories about the adostra, but please, Blizzard, get Christie Golden to write them.

In the end, Evolution is a wreck, but it’s a pretty self-contained wreck. It’s not enough to spoil StarCraft’s current golden age.

Some of the StarCraft novels have been truly excellent, and are among the best sci-fi books I’ve ever read. This isn’t one of them.

At least it was better than Speed of Darkness.

Overall rating: 4.1/10

Review: Fantastic Beasts and Where to Find Them

I’ve been pretty harshly critical of the Harry Potter films over the years. Mostly they’re adequate at best, and just bad at worst. However, I maintained a minimal interest in the Fantastic Beasts and Where to Find Them spin-off. My logic was that with nothing to compare it to, there was less potential for disappointment.

Eddie Redmayne as Newt Scamander in Fanatstic Beasts and Where to Find ThemEven so, I wasn’t expecting a lot. I went in anticipating a popcorn movie with some pretty special effects, and no more.

Boy was I off.

Fantastic Beasts and Where to Find Them turned out to be a far deeper, more mature, and more powerful story than I expected.

Fantastic Beasts begins with Newt Scamander, author of the book the film is named for, as he arrives in New York with an enchanted trunk full of magical creatures. This is a rather illegal thing to do, given the American wizarding government thinks rather poorly of fantastical creatures and general prefers to hunt them rather than preserve them.

And it doesn’t take long for him to run into trouble. When several of his creatures break free, Newt runs afoul of disgraced auror Tina Goldstein, who apprehends him for endangering the secrecy of magic. Along the way, he also becomes entangled with Tina’s sister, a boisterous mind-reader named Queenie, and Jacob Kowalski, a local muggle (or “no-maj” as the Americans like to call them) who has seen far too much.

Newt’s mishaps couldn’t have come at a worse time, either, as a string of magical calamities throughout New York have inflamed the already high tensions between the magical and mundane worlds. It doesn’t take long for the authorities to blame Newt and his animals, but he knows they can’t be to blame, and he and his newfound allies must work fast to recapture them and prove their innocence.

The cast of Fanatstic Beasts and Where to Find ThemIf I have a complaint about Fantastic Beasts, it’s that there’s this weird disconnect between the whacky and whimsical quest to wrangle Newt’s critters and the surprisingly intense geopolitical/magical concerns that end up forming the real meat of the story. It’s sort of two movies at once, and the one it advertised itself — the one about Newt and his animals — is a lot less interesting than the other one.

Similarly, Newt himself is kind of weak compared to Tina’s pure-hearted determination, Jacob’s humble lovability, and Queenie’s flirtatious charm.

There is something to be said for a hero who solves problems with knowledge, understanding, and compassion rather than brute force, and intellectually I appreciate what Newt represents, but the fact is he just doesn’t have the charisma or charm of the rest of the cast.

Come to think of it, this is kind of a hallmark of J.K. Rowling’s work. Harry himself was one of the least interesting characters in the Harry Potter books. Even in the Cormoran Strike novels, I like Robin and Shanker a lot more than I like Cormoran.

But I said Fantastic Beasts is like two movies at once, and it’s the other one, the one about the friction between magic and mundane in New York, that’s special.

What really impressed me about Fantastic Beasts is how incredibly heavy a lot of the themes it deals with are: segregation, conservation, religious extremism, child abuse, bigotry and what it does to people.

Newt Scamander and one of his animals in Fanatstic Beasts and Where to Find ThemIn retrospect, I maybe shouldn’t be surprised. I’m always telling people how smart and mature the Harry Potter books are. I just didn’t expect Fantastic Beasts to follow in that tradition.

Part of it is probably down to the fact I didn’t follow the movie’s production very closely. I was of the impression J.K. Rowling had simply tossed out some general ideas and then gone home to cash her cheque while the movie studio did the rest. I didn’t realize she’d written the entire screenplay herself. That explains a lot.

I want to be even more careful with spoilers than I usually am here because I think Fantastic Beasts is one of those stories that’s much better if you go in fresh and watch it evolve naturally. I will say that it’s a very powerful movie, and that what the threat actually turns out to be is both conceptually brilliant and genuinely terrifying.

I also think the villain of this series has the potential to be much more interesting than Voldemort was. Not so much due to anything inherent to the character as the way the series is showing the rough edges of where the magical and mundane worlds meet in Rowling’s universe. Voldemort just felt evil for evil’s sake, but this character reminds me more of X-Men’s Magneto — someone with legitimate anger over the world’s injustices who has taken that anger too far.

The ending of the film is a little underwhelming in some ways — it’s what we in my family liked to call a “Voyager Ending” in honour of Star Trek: Voyager’s ability to always resolve any crisis in the last five minutes, logic be damned. But it’s not enough to spoil an otherwise excellent experience.

Overall rating: 8.9/10 Vastly better than I expected.

Also, now I’ve dug out my copy of Fantastic Beasts and Where to Find Them to read more about the critters in the movie.