Review: Star Trek: Discovery, “The Wolf Inside”

Well, this is better than last week’s disaster, even if that’s not a high bar to clear.

The official logo for Star Trek: Discovery“The Wolf Inside” sees Burnham continue to struggle to maintain her cover in the Mirror Universe. When she’s ordered to massacre a group of rebels, she seeks alternate solutions, seeing the multi-racial insurgents as a pale shadow of the Federation of her own reality.

I really enjoyed this hopeful, idealistic Burnham. I wonder if she’s met the Michael Burnham who started a war with the Klingons out of blind racism.

This is another episode that hearkens back to Star Trek’s traditional identity — full of adherence to an idealistic morality — and it’s nice to see, but it’s starting to just feel like paying lip service. It’s like every few episodes the writers are like, “Oh, right, this is a Star Trek show. Better throw in a couple quick lines of moral pontificating.”

Because there isn’t a whole lot of depth here. The Mirror Universe is too much a cartoon parody of evil for this philosophizing about the potential for darkness within us to have any real resonance. One or two instances of the protagonists demonstrating basic decency does not a profound message make. Any claims to diversity or inclusiveness have been rendered moot by Discovery’s consistently shabby treatment of anyone who isn’t white or Burnham.

Also, the Tyler/Voq arc is still a mess. They’ve really painted themselves into a corner here. They can’t wrap it up too fast because it’s too integral to the both the main plot and the character arcs, but I really find nothing at all appealing about it, for all the reasons mentioned in my last review.

The titular ship in Star Trek: DiscoveryA betrayal story works best when the traitor is someone who should know better. Someone who was once good, or appeared that way, but fell from grace. Their bonds with the other characters need to be real for severing those bonds to mean anything.

There was never anything decent in Voq. It was all just smoke and mirrors. The stolen memories of a dead man. He’s just a monster. He can’t truly betray the Discovery crew because he was never really one of them. Emotionally, it all falls flat.

Once again, the highlight comes from Tilly. Oh, her story is boring and predictable in the extreme, but Mary Wiseman plays it so well.

She is too good for this show.

It occurs to me this reads as another very critical review, despite the fact “The Wolf Inside” was really a pretty decent episode. But that’s the risk in an arc-based series like this. If the entire arc is based on fundamentally weak premises, it kind of sucks the fun out of everything.

Other Star Trek shows had rocky first seasons, too, but in those cases you could just shrug and move on after every bad episode. Each week brought a fresh start.

Cadet Tilly's Mirror Universe counterpart, "Captain Killy"Discovery doesn’t have that luxury. Its stumbles just keep accruing, threatening to sabotage the whole series. To paraphrase the great Sir William Talent, Discovery dug a hole so deep it’s going to drown in its mistakes.

Overall rating: 7/10

Review: Star Wars: The Last Jedi

It is by now well established that I am not much of a Star Wars fan, my time in SWTOR notwithstanding. But I did see the last movie, so now I’m kind of invested in the new trilogy, and it’s such a huge franchise I kind of feel like I have to keep watching, if only so I can enjoy the inevitable memes and parodies.

So, okay, let’s do this.

A promotional image for Star Wars: The Last JediI found The Force Awakens hard to rate, and The Last Jedi is harder still. I can see why the reviews are so mixed. This is a weird, inconsistent movie.

For one thing, there are, like, three climaxes. More than once you’ll think you’re watching the end of the movie, and then it will keep going for another hour. They’re all pretty powerful “endings,” but it does get a little overwhelming after a while.

This being Star Wars, logic is often left by the wayside. This time the most egregious act of dumbery is the fact that the First Order has somehow overthrown the Galactic Republic overnight, reducing its entire military is down to just four hundred people.

What.

The writers also still have no concept of linear time. Rey’s story appears to be take place over the course of many days, perhaps even weeks, while all the other action — which is clearly happening concurrently — is explicitly established to be taking place over the course of about twenty-four hours.

I really wish it didn’t have problems like this, because in a lot of other ways this is closer to a good movie than Star Wars has ever been, but it’s just so hard to get into the story when the bedrock of it just fundamentally doesn’t make sense.

Finn battles the First Order in Star Wars: The Last JediIt’s just simple laziness. These problems would have been so easy to fix. Give me a short montage of the Republic falling, a little exposition on how the First Order got so big so fast, and a few dialogue tweaks so the timeline actually works, and it would have been a much better movie.

I also would have liked to see more of Rey. She was by far the best thing about Force Awakens — really she was the only thing that saved that movie — but here she’s just a vector for Kylo Ren’s story. She’s in a decent number of scenes, but she doesn’t actually do much of anything.

Also, Poe is now suddenly a complete asshole for some reason.

On the other hand, there is a fair bit that I did like.

My favourite thing about The Last Jedi is that it surprised me, more than once. It’s not a predictable movie, and it’s not just a retread of what’s come before. It’s charting its own course, telling a new story, and offering some genuine and enjoyable twists.

Surprisingly — unbelievably — Kylo Ren turned out to be a highlight of the movie. He’s been fleshed out a lot more and now has a reasonable and compelling motivation beyond just “rawr evil.” Frankly I think he’s probably seeing things clearer than any of the other characters, though his methods for achieving his goals are still… less than ideal.

Kylo Ren in Star Wars: The Last JediI suppose in a way he has taken the Sith Code to its ultimate conclusion, its purest form. “The Force shall set me free.”

It’s hard to get past his prior portrayal, though. I love the story they’ve given Kylo Ren, but I’d love it much more if they’d given it to a better character. The fact remains he spent all of the last movie acting like a spoiled emo child, and it’s hard to take him seriously in the face of that, even with his portrayal so much improved.

Meanwhile, Finn continues to be a lot of fun, and this time he managed to find a balance where he has a lot of personality, but is no longer so hammy about it. His new companion, Rose, is also a real delight.

I was happy to see a film finally acknowledge the failures of the Jedi, but I don’t think it did enough in that regard. Too much time was spent on Luke’s personal regrets and not enough on how fundamentally flawed the entire Jedi system is.

And of course, this is an absolutely gorgeous movie. Not just in the quality of the special effects, but they’re used with some real artistry, too. That moonlit chase scene was breathtaking, as were the bright colours of the final battle.

Oh, man, how I wish SWTOR could capture just some of the beauty and spectacle of the movies. Or the movies could be half as smart as SWTOR.

Daisy Ridley as Rey in Star Wars: The Last JediThey’re such opposite extremes. The Last Jedi was — at least for me — the most powerful Star Wars movie to date by far, but it’s still nothing compared to confronting the Star Cabal or the showdown with Valkorion at the Eternal Throne.

On the other hand, SWTOR is ugly to look at and bland to play. It has no sense of spectacle. It’s emotional, it’s thoughtful, and it’s smart, but it has no flair, no style.

If I have to choose, I’ll still prefer The Old Republic. It has twice the heart and a thousand times more brains than the Star Wars films. But boy I wish there could be a happy medium.

But back on topic, The Last Jedi is, like its predecessor, a mixed movie with a lot to like, but also serious flaws. I’m a big defender of numbered reviews, but this is one case where just slapping a number on something is never going to capture the complexity of it all.

However, for consistency’s sake…

Overall rating: 7/10