Is Fantasy Music a Thing?

Sometimes, I like to consult with my real life friends and family for ideas of what to talk about on my blog — you try coming up with 120 posts a year without any help. One conversation comes up a lot when I do this.

“Tyler, you should post about the bands you like! It’s your blog; it should be about your interests.”

Emi9ly Haines, leader singer of MetricAt which point I calmly explain, “The blog is about sci-fi and fantasy, my writing, and where those two intertwine. Music doesn’t have anything to do with sci-fi or fantasy.”

And it’s true, isn’t it? There’s no such thing as sci-fi/fantasy music. Sure, there’s soundtracks for sci-fi/fantasy works, and I have talked about them a bit, and then there’s filk, but… we’re not going to be talking about filk.

True fantasy music — serious, professional music on fantastical themes intended to be enjoyed on its own merits — isn’t something I ever thought existed.

But now, I’m not so sure.

So this band is pretty cool:

Lately, I’ve become quite enamored with the Icelandic folk group Of Monsters and Men. Aside from their music being quite pleasing to the ear, they fascinate me because they seem to be producing what can only be called high fantasy music.

Probably the best example of this, and not coincidentally my favourite of their songs, is King and Lionheart:

Howling ghosts they reappear
In mountains that are stacked with fear
But you’re a king, and I’m a lionheart
And in the sea that’s painted black
Creatures lurk below the deck
But you’re a king, and I’m a lionheart
And as the world comes to an end,
I’ll be here to hold your hand
Cause you’re my king, and I’m your lionheart

Fighting ghosts and sea monsters at the apocalypse. If that isn’t high fantasy, I don’t know what is. Heck, this song is basically the story of a couple from my own writing. I think my favourite thing about this song is just the nostalgia for my story.

I don’t seem to be the only one with this idea, either. Reading the comments on YouTube, this song appears to have been adopted by the community of Merlin/Arthur shippers. I didn’t even know there were Merlin/Arthur shippers, but I guess I shouldn’t be surprised.

While none of their other songs or so epic or badass as King and Lionheart, Of Monsters and Men does several other songs that seem quite in the realm of high fantasy. They’re just a bit more eccentric, more whimsical.

The next best example would be Dirty Paws. Its lyrics are probably just a metaphor I’m too thick to grasp, but taken at face value, it appears to be about a war between the animals in a magical forest:

The forest of talking trees,
They used to sing about the birds and the bees
The bees had declared a war
The sky wasn’t big enough for them all
The birds, they got help from below
From dirty paws and the creatures of snow

It took a while for this song to grow on me, and when I first heard it, I only listened through the whole thing because I wanted to hear how the story ended. “DID THE BIRDS WIN? I NEED TO KNOW!”

This is not a typical reaction to a song for me.

While I’m not so big a fan of it, the song From Finner is also a good example. My understanding is that From Finner is about a group of people living in a cottage on a whale’s back.

Even when their songs are not obviously fantastical, their music tends to have a certain power to them that feels very reminiscent of what I love about the fantasy genre.

Take, for example, Your Bones:

Troubled spirits on my chest
Where they laid to rest
The birds all left, my tall friend
As your body hit the sand
Million stars up in the sky
Formed a tiger’s eye
That looked down on my face
Out of time, and out of place

I don’t know about you, but this just makes me picture some tragic hero taking a moment to reflect before he draws his sword and charges into the maw of darkness.

Ultimately, it’s the stories this band tells that really suck me into their music. They’re not writing songs; they’re writing sagas.

I have mixed feelings on them in some ways — I don’t care for Ragnar’s voice overmuch, and I feel they can be a bit pretentious at times — but the stories they tell keep my interest. It feels like listening to an epic fantasy novel.

Late to the party again?

Now that I think about it, it does occur to me that Of Monsters and Men may not be a unique example of speculative (sci-fi/fantasy) music. Isn’t there a Rush song that’s supposed to be about being chased by giant robots or something?

There’s also that Iron Man song by Ozzy Osbourne, and as much as it pains me to say it, I must admit some of Led Zeppelin’s songs flirt with the fantastical.

Zeppelin. How I loathe thee.

Metric performing liveHeck, even my all-time favourite band, Metric, strayed into the speculative a little bit with Stadium Love, a song about everything living thing on Earth being herded into an arena and forced to fight to the death.

I never suspected Metric of substance abuse until I heard that song…

So maybe Of Monsters and Men isn’t as original as I thought. But they’re still pretty cool.

* * *

So what do you think? Is my theory of high fantasy music crazy like a fox, or crazy like Fox News?

…Also, I must sincerely apologize for subjecting you to my awful taste in music. You may commence mocking me at your leisure.

Reasons I’m Grateful for WoW + Pointless Speculation

I’ve been pretty down on World of Warcraft lately. Burnout on my part and bad decisions on Blizzard’s part have combined to dredge up every problem I’ve ever had with WoW, and it’s a long list. If nothing else, there will always be a part of me that feels betrayed by Blizzard’s decision to turn one of the most iconic RTS franchises into an MMO.

A kypari tree in the Townlong SteppesBut I don’t like to dwell on the negative. There was a time when I wished the Warcraft franchise had ended with with Warcraft III, but that’s no longer the case. WoW has done some great things, despite its stumbles, and I’m grateful the universe has continued in this manner.

Most of these things are going to be lore-related, I’m afraid. That’s just how I am.

Fall of the Lich King:

If you didn’t play the strategy games before WoW, it’s difficult to communicate just what a big deal the Lich King is. The Lich King is not the most powerful villain in WoW lore, nor the most important, nor even necessarily the most interesting, but he is the most storied from a real world perspective.

A sepia tone image of the Lich KingThe Lich King’s story began in the 90s, during Warcraft II’s Beyond the Dark Portal expansion. This introduced us to the Orc elder shaman Ner’zhul, who conducted a blitz campaign against the Alliance and then destroyed Draenor, creating Outland, in pursuit of new worlds to conquer.

Along came Warcraft III years later, and we learned that Ner’zhul had been captured by Kil’jaeden and turned into a necromantic spirit known as the Lich King. But the Lich King was a prisoner of the Legion’s will, so he sought a champion…

Enter Arthas Menethil. I think Arthas is a bit overrated as a character, but I do think that the way his story played out was masterful. Arthas was introduced as the stereotypical, clean-cut Alliance hero. There was an early quest that even had him saving Little Timmy from gnolls.

As the missions progressed, we watched as Arthas broke under the pressure of expectation. It crept up on the player so unexpectedly that you were left reeling by each twist.

And then, of course, this happened:

I really can’t overstate what a shock this was at the time. Nothing like this had happened in Warcraft before then.

Over the course of Warcraft III and its expansion, we watched Arthas fall deeper into corruption, until he merged himself with Ner’zhul to form the modern Lich King.

Wrath of the Lich King was the culmination of a decade of story-telling, including numerous arcs across multiple games and novels. The anticipation was vast. It had no right to meet my expectations.

But somehow, it did. I won’t claim Fall of the Lich King was perfect, but it satisfied me. And considering the height of my expectations, that’s amazing.

The conclusion of the Blood Elf arc:

An image of the shindu Sin'dorei, the failing Children of BloodBurning Crusade was pretty much entirely the Blood Elves’ story. Considering that, it says something to how bad the plot in that expansion was that I still hated it.

But it wasn’t all bad. The very ending events surrounding the Sunwell were a fairly satisfying end to the arc of the Blood Elves. They weren’t perfect, but all things considered, it worked out well. The prophecy of Velen and the whole M’uru thing were quite brilliant.

They may have limped across the finish with this story, but they made it. Beats being left hanging like I was at the end of WC3.

The Wrynns:

Varian Wrynn is actually one of the oldest Warcraft characters in real world time, introduced as a child king in Warcraft II. However, he was little more than a historical footnote prior to WoW.

Art of King Varian WrynnBut he burst onto the scene in a big way with Wrath of the Lich King and its associated literature, and after the bitter disappointment of BC, he went a long to restoring my faith in Blizzard’s abilities as story-tellers.

Varian is like every defining aspect of the Alliance condensed into one man. He’s a self-righteous bigot, but he’s also fearless and noble, and he would give his life for his people without hesitation.

And let’s be honest: Varian has good cause to be a jerk. Virtually every person he’s ever cared about has died violently, and all of those deaths are connected to the Horde in some way. I don’t condone his racism, but I understand it.

Anduin is also an incredibly cool character. In stark contrast to his brash father, he’s a man of peace and faith.

These two are a fascinating yin-yang pair. Each tempers the other, and while they clash often, their love for each other allows them to endure things that would have broken lesser men.

The Old Gods:

The Old Gods were introduced in Warcraft III and its accompanying novels, but we knew little about them. WoW expanded them in a big way, creating a vast and terrifying mythology.

I’d go so far as to say the Old Gods have supplanted the Legion as Warcraft’s greatest villains. If only because the Legion’s been sort of neutered over time.

Varok Saurfang:

More than a silly meme,* Saurfang is also a fantastic character.

An election banner for Varok Saurfang and Vol'jin*(Saurfang can do that while stunned.)

Saurfang is a bit like Varian in that he embodies both the good and the bad of Orcs. He has a dark past — he’s overseen massacres, genocides, and hideous atrocities — but he has freed himself from that madness.

He is forever haunted by the crimes he committed, but he doesn’t let his guilt break him. He is determined to atone, to bring himself and the Orcish people back to their past honour.

Saurfang’s spirit is indomitable. This is best displayed in the utterly heart-wrenching scene in Icecrown where he confronts what was once his son. You’ll note that he talks about Dranosh in the third person, because he refuses to acknowledge this Scourge monster is his son. He won’t allow the Lich King even that small psychological victory.

Because he’s Saurfang, and he dual wields Chuck Norris.

The Battle of Angrathar:

There’s already been so much written about the Battle of Angrathar that there’s no need to repeat it. Suffice it to say, it’s probably the greatest moment in the Warcraft franchise — even greater than the highlights of Warcraft III.

The Music:

Nuff said.

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Pointless speculation:

Recently, Blizzard’s been acquiring ownership of several domain names, and this has, of course, triggered rampant speculation.

Some are Warcraft-related — warcraftbattles.com and heroesofwarcraft.com — and probably just examples of Blizzard protecting their IP, though they could be signs of a new game. They sound a bit like names for a DOTA or MOBA game, but we already have Blizzard All-Stars, so that’s unlikely.

I hope for Warcraft IV, but…

The more interesting one is projectblackstone.com. This is not obviously related to any known Blizzard project. Could this be the true name of the MMO code-named Titan? Could its official announcement finally be imminent?

Some speculation has Project Blackstone — whatever it is — as a continuation of Blackthorne, a game so far back in Blizzard’s library that even I am unfamiliar with it.

What do you think it could be? Give in to your desire for baseless speculation!