The World Spectrum, Book Three: Human Again

If you’ve been following my posts on the World Spectrum series for any length of time, you’ve probably heard the name “Human Again” come up. Human Again is my tentative title for the third (and final?) book of the series.

Books of the World Spectrum bannerI’ve finished writing it, though it still needs a few passes of editing and proofreading. So when is it going to be released? That really depends on you, the readers.

Unfortunately, self-publishing a novel tends to be very costly in terms of both time and money, and freelancers tend to live on fairly tight budgets. Before I can release Human Again, I need to know that it will be worth the expense. That means it all depends on how well the first two books do.

Now, I’m not requiring that the World Spectrum make it onto the bestseller list. The level of success needed to justify releasing book three is fairly modest. I’m not looking for massive profits; I just want to know I can break even. But self-publishing is always an uphill battle, so I’ll need all the help I can get.

If you enjoy the series and want to see the next installment, I encourage you to support the books any way you can. Recommend them to friends. Review them on your blogs, on Amazon and other retailers, and on your social media profiles. Give them to friends and family as gifts, or just buy extra copies as a way of showing your support.

One little way you can help is to make sure to buy directly from Smashwords. This ensures the highest percentage of the price you pay goes to me, the author.

I don’t say this to manipulate you (well, okay, maybe a little), but simply to make you aware that there are practical considerations to this as well as artistic ones.

But enough dry discussions of the economics. You want to know what’s next for the world spectrum.

“I just want to feel human again.”

I don’t want to give away too much about Human Again — especially since it’s hard to talk about the plot with massively spoiling the first two books — but I can tell you it’s a different kind of story than Rage of the Old Gods or Children of the Gods.

Human Again still has the level of action and adventure you’d expect from something I wrote, but ultimately, it’s a more personal and intimate story. It’s about Leha dealing with the psychological scars of the events of the previous books.

It reaches into the sci-fi toolbox and uses one of the genre’s more popular tropes to analyze Leha’s past choices and the consequences thereof. The end result is a story that feels a little smaller and less epic, but is also more character-driven and emotionally rich.

The way I like to put it is that the first two books were about Leha trying to save the world, whereas Human Again is about the world trying to save Leha.

It’s also significantly shorter than the first two books.

World SpectrumI won’t say that Human Again is the best book in the series — that’s for readers to decide — but I think it may be the most emotionally powerful, and I will say it’s the only book I’ve written that I also enjoy reading. I sometimes bring up the file and read a few pages just because I like the story. I don’t do that with any of the other books I’ve written.

Other features of the story include new revelations on the First Ones and the true origins of humanity and the Old Gods, a sci-fi reimagining of Yggdrasil, a glimpse of the spectrum above Tyzu, and Drogin doing an awesome thing.

It is my sincere hope that you’ll get to read it someday.

Rage of the Old Gods Soundtrack, Part One

It’s a fairly common practice for authors to come up with “soundtracks” or playlists for their novels, lists of songs that fit the story. I’ve decided to hop right on this bandwagon, and I’ve dug into my favourite soundtracks from movies, TV, and video games to create complete soundtracks for both Rage of the Old Gods and Children of the Gods.

I’ll be releasing the songs in installments over the coming weeks, roughly paralleling my readers’ journey through the stories.

These first four songs cover the events up to and including chapter six, “No Sleep in the City.” I’m going to try to avoid posting any big spoilers for anyone who hasn’t read that far yet, but a few vague hints about the story are bound to slip through.

1: The Fall of Eastenhold

If you’re putting together an epic soundtrack and you don’t include Bear McCreary’s iconic Prelude to War from Battlestar Galactica, you are doing it very, very wrong.

Honestly, this song could have easily fit just about any part of this book, or anything else I’ve written. Rather than agonize over which part of the book to tie it to, I decided to simply throw it out at the beginning.

I think it’s a good fit for the fall of Eastenhold, though. It’s epic, and it’s intense, and it fits that terrible conflict very well, but it also hints of greater struggles to come. The fall of Eastenhold is just a shadow of the true cataclysm that will befall Barria — just a prelude to the true war.

2: The Other Worlds

Sy’om and Tyzu are surreal, alien places. Even the fundamental laws of reality don’t function normally on these long forgotten worlds. For the theme of these places, I chose the music of Tanaris from World of Warcraft’s Cataclysm expansion.

The haunting vocals and eerie ambiance capture a spirit of mystery and adventure. This song fits especially well with the lonely glacier fields of Sy’om. I’ll admit it doesn’t capture Tyzu quite as well, but the soundtrack would have been too cluttered if I’d given it its own song, I feel. And this does capture the exoticism and alien feel of Tyzu very well, if it not its frenetic intensity.

3: Wrath of the Old Gods

When I came up with the Old Gods, I designed them to be as bombastic and over the top as possible. They’re like a force of nature — terrible, vast, uncaring, and unconquerable. Few pieces of music could capture the raw terror of facing the Old Gods in combat, but Druids of the Flame, from World of Warcraft’s Firelands content, manages it.

Listen to this song while reading the Battle of Heart, and understand why “wrath of the Old Gods” is a curse spoken in only the most dire situations.

4: Night in Marlhem

When you’re writing an epic story with lots of intense violence and emotion, I believe it’s also important to include moments of peace every now and then. It allows characters and readers alike to sit back, catch their breath, and remember what’s at stake.

The night in Marlhem depicted in chapter six is one such moment. Terrible things have happened by that point, and the Old Gods are closing in, but at that moment, all is relatively calm.

To capture the fragile peace of that cold Tor night, I’ve picked a song from the MMORPG The Secret World. It’s most commonly heard in London, but it appears in other parts of the game, as well. It’s a gentle, slightly sad song that captures the shaky calm of that night where Leha stood upon the battlements and looked up at the stars.

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I hope you’ve enjoyed the first installment of the book soundtrack, and stay tuned for more updates in the future!