New Titan Theory + Review: Honor Among Thieves

Engage tinfoil:

If you’re not familiar with Project: Titan, here’s a quick rundown. Titan is the codename given to a new massively multiplayer game being developed by Blizzard Entertainment. We’re not technically supposed to know about it, but enough info was leaked that Blizzard had to acknowledge its existence.

/tinfoilBut aside from the fact it’s an MMO, we still know only a few small things about it, such as the fact that it will involve product placement and/or in-game advertisements. This means it will likely be set in the modern day or maybe a near-future sci-fi setting.

Blizzard is also on record as saying it will be a new intellectual property — IE: not Warcraft, Starcraft, or Diablo.

But a new rumor challenges this notion. This rumor states that it is not entirely a new IP but instead occupies some strange gray area where it both is and isn’t a new franchise. It’s described as a “spin-off” of a current IP.

Now, it is just a rumor, but supposedly, the source is fairly credible. (Information on the source can be found here.) If true, this may be the final clue we need to figure out what Titan is, because I can think of only one thing in all of Blizzard’s lore that would fit everything we think we know about Titan.

I think Titan is set in the Starcraft universe, but takes place on Earth.

Earth is something of a non-factor in the Starcraft universe. The UED invasion in Brood War aside, Earth has been largely forgotten by the Koprulu Sector, and after what happened to DuGalle’s fleet, it’s doubtful the people on Earth want anything to do with Koprulu.

Furthermore, everything that makes Starcraft Starcraft is intrinsically linked to the Koprulu Sector. A game set on Earth would not involve the Zerg, the Protoss, the Xel’naga, the Dominion, Raynor, Mengsk, or Kerrigan. If Blizzard is true to their own backstory, there wouldn’t even be any telepathic humans.

Thus, Titan would technically be a part of the Starcraft universe, but it would be so different that it would, for all practical purposes, be a completely new game.

Think Portal and Half-Life. Technically, both those franchises take place in the same universe, but barring a few Easter eggs, there’s almost nothing to connect them.

Titan would also be set in a future version of our world, opening up the possibility for those in-game ads and product placements. Granted, it’s a little far-fetched for corporations from our time to still be running 500 years from now, but it’s not completely implausible.

There’s also no guarantee Titan would be set at the same time as the Starcraft games. It could take place closer to our own time, perhaps even before the launch of the super-carriers. In which case telepathy would be back on the table.

Because let’s be honest: if we can’t play as Nova clones, what the Hell is the point?

A banner based on the Nova Terra character of the Starcraft universeThis leaves us with a dystopian, over-crowded Earth lorded over by a totalitarian government possessed of a fanatical belief in “human purity.” That certainly seems like a concept with a lot of potential for interesting stories and gameplay.

Food for thought, at least.

Review: Honor Amongst Thieves:

“Honor Amongst Thieves” is the final installment of David Chandler’s “Ancient Blades” trilogy. It continues the story of Malden, the witty thief; Croy, the absurdly chivalrous knight of the order of Ancient Blades; and Cythera, whose most noteworthy personality trait is that she has a vagina.

Cover art for “Honor Amongst Thieves” picks up where the last book left off, with the barbarian hordes of the east poised to invade the kingdom of Skrae. Through a series of ludicrously improbably events — even by fantasy standards — Malden finds himself with the responsibility of saving the kingdom from the onslaught.

Meanwhile, Sir Croy struggles to regain his honor by protecting Skrae’s royal family, and Cythera tries to earn the award for Most Uninspiring Heroine in a Fantasy Series.

Unfortunately, David Chandler seems to have decided to shift gears and write this book as a serious fantasy epic. This was not a good move.

“The Ancient Blades” is a series with many flaws, but its wry humor and light-hearted sense of adventure made it fairly easy to overlook them. The books never seemed to take themselves terribly seriously.

Now I’m forced to wonder if Chandler meant this to be a serious trilogy, and not a self-parody, from the start. If true… yikes.

Without the books’ trademark humor, Malden is just a cliche do-gooder, Croy is just a pompous ass, and Cythera… Well, she always sucked.

Art of Cythera from At least Cythera stopped letting her life be entirely dominated by men in this book. Instead, she let it be entirely dominated by her mother.

I don’t think Cythera has any will of her own. Maybe it’s supposed to be some commentary on her being raised as a slave, but it sure doesn’t make for interesting reading. Good characters forge their own destinies; they don’t just let themselves be led around by the nose.

The ending of the book was very weak and inconclusive, too. Very little was resolved, and all in all, it felt more like an ad for the inevitable second trilogy than anything.

“Honor Amongst Thieves” isn’t totally without its strengths. It’s still very fast-paced and action-packed, and even despite all my complaints, I still found it to be very much a page-turner.

I’ll also grudgingly admit the villain was interesting. Normally, I don’t care for villains with more brawn than brains, but this guy was so evil and nuts I just had to appreciate him.

Overall rating: 5.7/10 Not completely without merit, but largely mediocre.

Is Fantasy Music a Thing?

Sometimes, I like to consult with my real life friends and family for ideas of what to talk about on my blog — you try coming up with 120 posts a year without any help. One conversation comes up a lot when I do this.

“Tyler, you should post about the bands you like! It’s your blog; it should be about your interests.”

Emi9ly Haines, leader singer of MetricAt which point I calmly explain, “The blog is about sci-fi and fantasy, my writing, and where those two intertwine. Music doesn’t have anything to do with sci-fi or fantasy.”

And it’s true, isn’t it? There’s no such thing as sci-fi/fantasy music. Sure, there’s soundtracks for sci-fi/fantasy works, and I have talked about them a bit, and then there’s filk, but… we’re not going to be talking about filk.

True fantasy music — serious, professional music on fantastical themes intended to be enjoyed on its own merits — isn’t something I ever thought existed.

But now, I’m not so sure.

So this band is pretty cool:

Lately, I’ve become quite enamored with the Icelandic folk group Of Monsters and Men. Aside from their music being quite pleasing to the ear, they fascinate me because they seem to be producing what can only be called high fantasy music.

Probably the best example of this, and not coincidentally my favourite of their songs, is King and Lionheart:

Howling ghosts they reappear
In mountains that are stacked with fear
But you’re a king, and I’m a lionheart
And in the sea that’s painted black
Creatures lurk below the deck
But you’re a king, and I’m a lionheart
And as the world comes to an end,
I’ll be here to hold your hand
Cause you’re my king, and I’m your lionheart

Fighting ghosts and sea monsters at the apocalypse. If that isn’t high fantasy, I don’t know what is. Heck, this song is basically the story of a couple from my own writing. I think my favourite thing about this song is just the nostalgia for my story.

I don’t seem to be the only one with this idea, either. Reading the comments on YouTube, this song appears to have been adopted by the community of Merlin/Arthur shippers. I didn’t even know there were Merlin/Arthur shippers, but I guess I shouldn’t be surprised.

While none of their other songs or so epic or badass as King and Lionheart, Of Monsters and Men does several other songs that seem quite in the realm of high fantasy. They’re just a bit more eccentric, more whimsical.

The next best example would be Dirty Paws. Its lyrics are probably just a metaphor I’m too thick to grasp, but taken at face value, it appears to be about a war between the animals in a magical forest:

The forest of talking trees,
They used to sing about the birds and the bees
The bees had declared a war
The sky wasn’t big enough for them all
The birds, they got help from below
From dirty paws and the creatures of snow

It took a while for this song to grow on me, and when I first heard it, I only listened through the whole thing because I wanted to hear how the story ended. “DID THE BIRDS WIN? I NEED TO KNOW!”

This is not a typical reaction to a song for me.

While I’m not so big a fan of it, the song From Finner is also a good example. My understanding is that From Finner is about a group of people living in a cottage on a whale’s back.

Even when their songs are not obviously fantastical, their music tends to have a certain power to them that feels very reminiscent of what I love about the fantasy genre.

Take, for example, Your Bones:

Troubled spirits on my chest
Where they laid to rest
The birds all left, my tall friend
As your body hit the sand
Million stars up in the sky
Formed a tiger’s eye
That looked down on my face
Out of time, and out of place

I don’t know about you, but this just makes me picture some tragic hero taking a moment to reflect before he draws his sword and charges into the maw of darkness.

Ultimately, it’s the stories this band tells that really suck me into their music. They’re not writing songs; they’re writing sagas.

I have mixed feelings on them in some ways — I don’t care for Ragnar’s voice overmuch, and I feel they can be a bit pretentious at times — but the stories they tell keep my interest. It feels like listening to an epic fantasy novel.

Late to the party again?

Now that I think about it, it does occur to me that Of Monsters and Men may not be a unique example of speculative (sci-fi/fantasy) music. Isn’t there a Rush song that’s supposed to be about being chased by giant robots or something?

There’s also that Iron Man song by Ozzy Osbourne, and as much as it pains me to say it, I must admit some of Led Zeppelin’s songs flirt with the fantastical.

Zeppelin. How I loathe thee.

Metric performing liveHeck, even my all-time favourite band, Metric, strayed into the speculative a little bit with Stadium Love, a song about everything living thing on Earth being herded into an arena and forced to fight to the death.

I never suspected Metric of substance abuse until I heard that song…

So maybe Of Monsters and Men isn’t as original as I thought. But they’re still pretty cool.

* * *

So what do you think? Is my theory of high fantasy music crazy like a fox, or crazy like Fox News?

…Also, I must sincerely apologize for subjecting you to my awful taste in music. You may commence mocking me at your leisure.