Review: The Lotus War, Book Two: Kinslayer

For the last little while, life has been too hectic to afford me much time to read. Now, I’ve finally managed to get into some books again, and the first one I dove into was the second book of Jay Kristoff’s Lotus War series, which I had been looking forward to since I finished the slightly flawed but mostly impressive first book.

Cover art for "The Lotus War, book two: Kinslayer" by Jay KristoffIt wasn’t worth the wait.

Kinslayer wastes no time in establishing a new set of problems for the heroes to deal with. Still consumed with grief from the loss of her father, Yukiko finds the Kenning, her ability to telepathically commune with animals, is growing agonizingly strong, her mind and body breaking under the strain, and she and the gryphon Buruu fly far into the north in search of a cure.

Bereft of Yukiko’s protection, the renegade Lotus Guildsman Kin finds himself increasingly unwelcome among Shima’s rebels, and when another Guild renegade joins their cause, bloodshed is inevitable.

Meanwhile, the Tiger Clan and the Lotus Guild scramble to prevent civil war following the shogun’s assassination by Yukiko. They settle on Hiro, Yukiko’s treacherous former lover, as a replacement ruler, having brought him back from the brink of death with the aid of Guild machinery.

I noticed almost immediately that the author seemed to be trying too hard to be dark and gritty. The constant and often overwrought descriptions of Yukiko’s endless physical and emotional torment quickly became wearing. And that was just the beginning.

Book one wasn’t exactly cheery. This is a dystopia, after all. But it still had some moments of levity and humour, and some very endearing characters.

Art of Yukiko and the gryphon Buruu from "The Lotus War, book one: Stormdancer"Kinslayer has largely lost that. It’s just an unrelenting spree of pain and misery from beginning to end, and it is equal parts depressing and repetitive. You can only cram so much rape, torture, and tragedy into a single book before it stops being entertainment and becomes an endurance test.

Kinslayer also leaves one with few people to root for, few characters to pin their hopes to. It is made abundantly clear that the rebels Yukiko has signed on with are not in any way better than the corrupt culture they seek to bring down.

I appreciate a story where the line between the good guys and the bad guys is blurry, but there’s a difference between some moral ambiguity and just not caring about anyone, hoping that they all just kill each other. Stormdancer stayed on the good side of that line, but Kinslayer most definitely does not.

Even on the level of individual characters, there’s little to inspire. Yukiko devolves into a ball of anger, bitterness, and pain, only overcoming this very late in the book and with no real explanation given as to how or why. Kin is twisted from an idealist to a cold-blooded killer, though at least in his case it’s hard to blame him. Buruu remains likable, but is given a disappointingly small role.

Overall rating: 4.7/10 Rarely have I seen a series go from so promising to so disappointing so quickly.

Review: Dark Matter, Episode One

Being a fan of the Stargate television shows, I was curious about Dark Matter, the new sci-fi series from producers Joseph Mallozzi and Paul Mullie, and I made sure to give the first episode a try.

This proved to be a wise decision.

The cast of Dark MatterDark Matter opens with a group of six individuals awakening from cryogenic sleep aboard a badly damaged starship. They have no memory of who they are or how they got there, but they do retain skills that let them operate the ship. This causes the drama and friction one would expect, but they’re forced to work together as they soon find themselves under attack by a hostile security android, and then an enemy starship.

From there, the mission is to determine who they are and what has happened to them. Early indications have them as some sort of freedom fighters, and there are hints of some sort of Continuum-esque corporate dictatorship.

The crew’s amnesia makes for an interesting experiment in characterization as their identities must be established without any back story. It’s the ultimate example of show, don’t tell, and it works pretty well. After just an hour, I already have a pretty strong impression of the personalities of most of the characters and opinions of them all — I am reminded that the characters were always a strong suit of the Stargate shows.

Five is definitely my favourite right now by a significant margin, though I grant this is likely not entirely down to her character. I always did like girls with oddly coloured hair.

On the downside, a lot of the characters do seem fairly cliche just now, but perhaps they will evolve in time.

On the whole, Dark Matter’s pilot is surprisingly smart and engaging. It manages to provide a fast-paced and exciting experience without resorting to gratuitous sex and violence or forced drama as sci-fi pilots so often do.

Jodelle Ferland as Five in Dark Matter And the twist at the end was great. Didn’t see that coming at all.

One other note is that I find the cast’s eclectic pedigree somewhat interesting. Roger Cross (Six) I know from Continuum, and it’s nice to see him in a very different role. He’s actually pretty charismatic when he’s not playing a psycho. Good range.

Jodelle Ferland (Five) voiced the Little Sisters in BioShock 2, which is some serious nerd cred.

And holy crap, Melissa O’Neil (Two) has really grown up. I saw her name in the credits, and I still didn’t recognize her at all.

Yes, I used to watch Canadian Idol. Don’t judge me.

Overall rating: 7.7/10 Lacking most of the opening jitters most sci-fi shows suffer from, it’s a strong start.