Warcraft Movie: New Director and Pointless Speculation

New director signed for Warcraft motion picture:

After months of silence, there’s finally been some news on the Warcraft film that’s been in development hell for the better part of a decade now. They have signed Duncan Jones to direct, replacing Sam Raimi after his departure from the project.

A photo of director Duncan JonesDuncan Jones is the son of rock icon David Bowie and the director of the critically acclaimed sci-fi movies Source Code and Moon.

I’m cautiously optimistic about this choice. Source Code had its flaws, but overall, it was quite a good movie. I haven’t seen Moon, but I’ve heard it was brilliant.

Based on his comments thus far, Jones seems to be on the warpath to make this the movie that legitimizes video game films, so hopefully that passion will pay off on-screen.

What I find really interesting about this choice is that Duncan Jones is a director primarily known for cerebral, thought-provoking science fiction. On paper, he’s not the sort you’d expect to be helming a Warcraft movie. Makes me wonder what kind of story they’re planning to tell…

Of course, this news has opened the floodgates of rumor and explanation.

The movie itself:

Official logo for World of WarcraftWe know very little about this movie other than the fact it’s a Warcraft movie. We know it will be live action, which is not a notion that has been well-received by fans.

I personally think an animated movie would make much more sense — be it CGI or a traditional cartoon. But I think technology has progressed to the point where live action could be made to work, even if it’s not my first choice.

Metzen has also gone on record as saying it will be a fairly violent and intense movie and is not necessarily intended to be family-friendly.

According to its WoWPedia page, the plot will be set between Warcraft III and World of Warcraft, will focus on the Alliance, and will star a “kick-ass” human who isn’t Arthas or Varian. Canon may be bent to accommodate the new plot.

Interestingly, concept art of Teldrassil for the movie has been leaked, so the Night Elves might have a prominent role.

I suspect it may be not so much a direct adaption of the game and more a separate and distinct storyline based on the same universe — similar to comic book movies. While I’d obviously prefer a direct adaption, I’d be okay with this as long as it stays true to the general feel of the Warcraft universe.

Casting:

And there’s the issue of casting, where rumors have already begun to fly. While I wouldn’t put much stock in the idea, Johnny Depp has been mentioned as a possible star.

I think this is just a wild rumor, and I suspect nothing will come of it. But with that being said, Johnny Depp would be perfect as Medivh. He’s got exactly the right mix of intensity, gravitas, and quirkiness to pull off the Last Guardian.

Also, he can rock an epic goatee, which is a requirement for the role of Medivh.

It occurs to me that we don’t really know what happened to Medivh after Warcraft III…

The other possibilities I’ve heard are just pure fan speculation, but they’re interesting to think about. Among the better ideas I’ve heard are Michael Fassbender as Arthas Menethil, Anna Paquin as Jaina Proudmoore, and Hugo Weaving as Illidan Stormrage.

And then there also some… not so good suggestions. Among the more egregious offenders are WWE wrestler HHH as Arthas Menethil, Dwayne “The Rock” Johnson as Thrall, and Angelina Jolie as Alexstrasza.

Yeah, no.

Then there’s talk of the actors who are known to be Warcraft fans. Might they seek out a role within the film? For example, Vin Diesel is known to be a big World of Warcraft player. I’m no fan of his, but I could see him in a minor role — he’d make a decent Nazgrim, Nazgrel, or Garrosh Hellscream.

Mila Kunis is also known to be a pretty big WoW fan. I could see her as some spunky young Blood Elf girl, perhaps.

Honestly, I’m sure none of this speculation will come to anything. If it does, it’s only because so many possibilities have been speculated about that statistically some are bound to hit the mark.

But it’s fun to imagine what could be.

What do you think the Warcraft movie will be like? Who do you see in its cast?

New article:

My latest WhatMMO article is 6 Most Outrageous Cash Grabs.

I do believe Star Wars: The Old Republic will go down in the annals of free to play history under the category of “This is what you should not do, so let this be a lesson to you.”

Fantasy Cliches I Could Do Without

I don’t think it’s an exaggeration to say I’m one of the biggest fantasy fans you’re ever going to encounter. I eat, sleep, and breath fantasy. I watch the movies, play the games, and read the books. I also write the books.

A high fantasy-themed image created for a graphics contest at GalacticaBBS.comBut that doesn’t mean I think the genre is perfect. While I love almost everything about high fantasy, there are still a few common cliches, tropes, and plot elements I really wish would just go away.

Black magic is bad, mkay?

There’s a perception in fantasy that using certain dark types of magic — like necromancy, for example — will instantly and permanently stain your soul, automatically turning you into a bad person.

There seems a certain logic to this, but a lot of stories take it to illogical extremes. If you’re raising the dead to shake down people for cash, well, yeah, that’s bad.

(Hmm, has anyone done a necromantic gangster novel yet?)

But this cliche states that even if you were raising the dead to stop a rampaging band of brigands who are coming to slaughter the women and rape the cattle, that still makes you evil.

Now, I’m not talking about a slippery slope argument. A slippery slope is something I’d happily accept. This cliche paints it as a cliff: if you use any dark magic at any time for any reason, you automatically become a villain.

Art of a necromancerI’m sorry, but that makes no sense.

Magic is power, and people have free will. They can use that power for good or for ill. The idea that using even one spell from the bad side of the magical spectrum, even with the best of intentions, will somehow rob you of any moral compass doesn’t make sense logically, and it doesn’t do anything to make a story more interesting. It takes choice away from the characters and makes both them and the plot bland.

I think the Warcraft universe has perhaps the most interesting take on magic in the fantasy genre. In Warcraft, all magic is dark. It is always corrupting and addictive, and it attracts Demons like a candle attracts moths.

Many cultures in Warcraft believe using certain kinds of magic — or any magic at all — will invariably corrupt you and lead you down the path to darkness, but it’s just that: a belief.

Despite the fact that Warcraft’s magic is an innately corrupting force, we still have many protagonists who use magic, even the darkest magic, for good ends — from Jaina Proudmoore to Illidan Stormrage.

Art of Illidan Stormrage at the Black TempleBecause they have free will, and they can resist the dark temptations of magic.

Bowing to the inevitable:

Fate is an extremely common concept in fantasy. As a plot element, I’m fairly indifferent to it. It’s over-used and rarely adds much to the story, but it can be quite interesting when some creativity is applied.

What bothers me is when fate in a story is not only unalterable, but something characters fatalistically surrender to. They simply gave up in the face of whatever horror is coming their way.

The essence of drama is conflict. So where, pray tell, is the drama in a story where the “heroes” simply lie down and wait for the end?

Particular offenders for this would be “The Ancient Blades” and Frank Herbert’s “Dune” series. I remember coming to despise Paul Atreides because he just stood there and accepted it as terrible things happened to himself and those he loved.

Paul Atreides from the movie DuneThat’s not a hero. That’s a coward.

Now, maybe it’s realistic that people would just give up in the face of a fate that cannot be changed. But as we’ve discussed, true realism isn’t always the best choice in fiction.

Unrealistic or not, I want to see characters fight against fate. Even if they fail, I want the struggle.

To wield power, you must give up your humanity:

There’s a perception in a lot of fantasy and science fiction that to wield power effectively, without being corrupt, you need to divorce yourself from your humanity. You cannot allow yourself to love, to be ruled by compassion, or to feel anger — even righteous anger.

A prominent example of this would be the Jedi in the Star Wars universe. They forbid their members to marry and counsel against all passionate feeling.

This concept is offensively illogical, and frankly a little disturbing. Does anyone out there really believe that the only way to do good in the world is to rip out all that makes you human? Even anger and hate have their place and can do good when directed to righteous ends.

Ewan McGregor as Obi-Wan KenobiThis kind of logic is how holocausts get justified.

Getting back to Star Wars, I always viewed Darth Vader as a creation of the Jedi, not the Sith. Anakin was a man of great passion and furious emotion, and the Jedi tried to extinguish that spark. How could he not turn to the Sith in such circumstances?

By trying to force a square peg into a round hole, the Jedi created the very monster they were trying to prevent. They treated Anakin like someone who was more machine than man, so that’s exactly what he became.

Of course, Star Wars is far too simple-minded to acknowledge such complexities, and I’ve probably just put more thought into the prequels than Lucas did.

Royal protagonists:

Fantasy books about princes and princesses are a dime a dozen. Honestly, I don’t think there’s anything wrong with making your main characters royalty. The problem is that writers rarely apply creativity to the concept.

Art of Llane Wrynn, king of StormwindThe ironic thing, and the main thing that irritates me, is that fantasy writers will almost invariably bend over backwards to make their royal characters as un-royal as possible.

They always hate the trappings of court, they always wish they didn’t have such great responsibilities, and they always prefer to spend their days doing unrefined things like hunting and sword-fighting.

There was a probably a time where this idea was daring and original, but that time is long since past.

I would like a fantasy writer to create some royal protagonists who embrace their royal status. They like the fancy clothes, the pompous ceremonies, and everyone kissing their ass. You can be a hero and still be an arrogant jerk. There’s nothing wrong with protagonists being less than perfect.

In fairness, it should be noted I, too, have frequently written about royalty, but at least I didn’t go out of my way to make their royal status as small a part of their personality as possible.

Art of Eversong Woods from World of Warcraft* * *

I could probably think of some more, but those are the most ubiquitous fantasy concepts that get under my skin.

What are some fantasy cliches that you wish would just go away?

New article:

My latest WhatMMO article is 6 MMO Concepts That Should Be Banned.

Seriously, if I have to play one more game about rampaging dragons…