Mass Effect: Andromeda Second Playthrough Complete

I think it says something that even after spending almost 100 hours on my first playthrough of Mass Effect: Andromeda, I was still left chomping at the bit for more.

Meridian in Mass Effect: AndromedaThus, while it took me months and a couple excellent DLCs to convince to play Inquisition a second time, I started on my second playthrough of Andromeda quite quickly.

At times I regretted doing it so soon, as the game was still quite fresh in my mind. It did feel like a bit of a grind at times.

But more often than not I continued to enjoy myself. Andromeda is a truly special game the likes of which we are rarely privileged to see. I still have trouble fully articulating in rational terms exactly what I love so much about it — most likely it’s a confluence of factors — but regardless it’s a game that clicks for me in a way few others do.

I made it easier on myself by skipping most optional content and focusing almost entirely on the essentials: main story, crew missions, finding Arks, and of course Ryder Family Secrets. It only took me about half as long as the original playthrough.

I tried to make a lot of different choices, which allowed me to examine just how much your choices actually matter in Andromeda. It seems to depend on the choice, sometimes unpredictably so.

My second Ryder fighting alongside Cora and Jaal in Mass Effect: AndromedaIt does seem to be well and truly impossible to permanently sour your relationship with any particular character. Having been buddies with Jaal the first time, I resolved to do everything in my power to piss him off this time, but while he spent a lot of the game giving me the silent treatment, he nonetheless ended the game by telling me I felt like family. In this context it seemed bizarrely out of the blue.

On the other hand, I did somehow get a totally new (to me) scene with Drack at the end of the game this time. I’m guessing this is because I made more choices he liked?

Also, be prepared for a surprising amount of heartbreak if you don’t convince Avitus to become a Pathfinder.

Overall, I’d say choices in Andromeda are more meaningful than they seemed to be the first time I played, but there’s still definitely room for improvement on that front.

On the subject of choices, I opted to romance Cora this time around. It’s much less of a disappointment than Suvi’s romance, though I have seen better. It’s a lot of flirting and very little actual relationship stuff, which is a bit strange, but on the plus side it does make Cora feel a lot more three-dimensional by allowing her to show a softer side, and I think that’s the best thing an in-game romance arc can accomplish.

FeelingsI was going to complain that Scott feels rather flat as a character, but then I remembered I felt the same about Sara. I still think I’d prefer her a little, if only because she takes up a lot less screen space. Scott is surprisingly huge, and it was quite a jarring adjustment after playing exclusively female characters in my Mass Effect career to date.

One other thing I want to address is the new game plus mode in Andromeda. It’s fantastic.

The only thing of any significance that doesn’t carry over is AVP, and that hardly makes any difference anyhow. Your inventory, your skill choices, your credits, your strike teams, your Nomad upgrades, your research data… it’s all carried over.

You can continue with the same character, design an entirely new Ryder, or swap to the opposite Ryder twin while keeping the same custom appearances of both. The last is what I did this time, meaning my Sara from the original playthrough was an NPC this time. That felt a little strange at times.

This playthrough saw me hit the gear cap of level eighty. I farmed up a trove of crafting materials and proceeded to craft myself a final set of optimized gear.

Not only did I make all the items I need for my current build, but I constructed weapons and armour to support every build I can ever see myself attempting. On any subsequent playthroughs — and oh, there will be more — I won’t have to bother with crafting, or picking up mineral nodes, or scanning every little thing, or mining with the Nomad, or hunting down those stupid hidden caches, or even looting enemy corpses. I never have to worry about items or resources again. I can simply focus on the story.

Scott Ryder and Vetra Nyx in Mass Effect: AndromedaI am free from the tyranny of loot.

My only complaint is that it took one and a half playthroughs to get to this point. This is how the game should have been from the start.

Review: Dark Matter, “All the Time in the World”

Time for that old sci-fi tradition: the time loop. It’s Groundhog Day for Three as he relives the same twenty-four hours over and over again. In his efforts to break the loop, he discovers a deadly plot by Ryo to kill the crew and retake the blink drive.

The logo for Dark MatterAnd then things get really weird.

“Busy” doesn’t begin to describe this episode. There’s so much going on I’m having trouble keeping it all in my mind, and I literally just watched it. I may forget a subplot or two.

The sheer volume of things at play here is kind of a good news/bad news situation. The good news is there’s so much going on you’re bound to enjoy at least some of it. The bad news is the opposite is also true. There’s way too much going on for it all to be good.

First, Three’s initial trials with the time loop. Not my favourite part of the episode, but not the worst part, either. Perhaps not surprisingly considering this is Three we’re talking about, it’s played for laughs more often than not. Dark Matter has always had a healthy sense of humour, but this is probably the silliest it’s ever been. All things being equal, I’d prefer a more serious plot, but I won’t lie: I laughed.

Things suddenly get a lot more serious when Three discovers the assassin lurking on board. This plot was very good, and I wish it had been given a lot more attention. It could easily have been the focus of a full episode. That assassin’s genuinely scary.

But he got pretty short-changed by how overcrowded the story in “All the Time in the World” is. I’m still not even sure how he got on the ship.

Anthony Lemke as Three in Dark MatterSimilarly, the actual cause of the temporal loop is very poorly explained, and in particular there doesn’t seem to be any explanation for why Three is the one affected, unless I missed something (which is possible in an episode so scattered).

Speaking of Three, I’m less than thrilled by his tribulations over the return of “Sarah.” I’m not a big Three fan, and his relationship with Sarah was always one of the weak points of the series for me. It’s just so at odds with the rest of the character. I understand the idea is supposed to be that his gruff exterior masks his inner pain, but he’s just so much more believable as an asshole than as a romantic. The mask feels more real than what’s underneath.

On top of all that, we’re also still getting used to the new characters. The new guy — I refuse to expend the effort necessary to learn his name — is still proving himself to be a waste of oxygen. He’s the Jar Jar Binks of Dark Matter. Yay.

Solara, the other newcomer, is growing on me, though. Still a bit early to be drawing any firm conclusions about her, but I like the cut of her jib. I really want to know her backstory. How did someone as badass as her find her fate shackled to such an imbecile?

And then there’s the mind-frack of an ending, which gives us some tantalizing glimpses of what might be coming. I’m still digesting it all.

Overall rating: 7.2/10