Review: Dark Matter, Episode One

Being a fan of the Stargate television shows, I was curious about Dark Matter, the new sci-fi series from producers Joseph Mallozzi and Paul Mullie, and I made sure to give the first episode a try.

This proved to be a wise decision.

The cast of Dark MatterDark Matter opens with a group of six individuals awakening from cryogenic sleep aboard a badly damaged starship. They have no memory of who they are or how they got there, but they do retain skills that let them operate the ship. This causes the drama and friction one would expect, but they’re forced to work together as they soon find themselves under attack by a hostile security android, and then an enemy starship.

From there, the mission is to determine who they are and what has happened to them. Early indications have them as some sort of freedom fighters, and there are hints of some sort of Continuum-esque corporate dictatorship.

The crew’s amnesia makes for an interesting experiment in characterization as their identities must be established without any back story. It’s the ultimate example of show, don’t tell, and it works pretty well. After just an hour, I already have a pretty strong impression of the personalities of most of the characters and opinions of them all — I am reminded that the characters were always a strong suit of the Stargate shows.

Five is definitely my favourite right now by a significant margin, though I grant this is likely not entirely down to her character. I always did like girls with oddly coloured hair.

On the downside, a lot of the characters do seem fairly cliche just now, but perhaps they will evolve in time.

On the whole, Dark Matter’s pilot is surprisingly smart and engaging. It manages to provide a fast-paced and exciting experience without resorting to gratuitous sex and violence or forced drama as sci-fi pilots so often do.

Jodelle Ferland as Five in Dark Matter And the twist at the end was great. Didn’t see that coming at all.

One other note is that I find the cast’s eclectic pedigree somewhat interesting. Roger Cross (Six) I know from Continuum, and it’s nice to see him in a very different role. He’s actually pretty charismatic when he’s not playing a psycho. Good range.

Jodelle Ferland (Five) voiced the Little Sisters in BioShock 2, which is some serious nerd cred.

And holy crap, Melissa O’Neil (Two) has really grown up. I saw her name in the credits, and I still didn’t recognize her at all.

Yes, I used to watch Canadian Idol. Don’t judge me.

Overall rating: 7.7/10 Lacking most of the opening jitters most sci-fi shows suffer from, it’s a strong start.

Review: Mad Max: Fury Road

My past familiarity with the Mad Max franchise is what I will generously call minimal — a few minutes here or there while channel-surfing. Near as I can tell the movies are about a dark future where spikey shoulder pads are the height of fashion. Also there’s this guy named Max and apparently he’s rather upset about something.

Tom Hardy as the title character in Mad Max: Fury RoadBut the new movie, Fury Road, has been getting tons of praise, and it’s been a while since I could just go to the theater on a whim, so I decided to give it a shot.

It was an okay way to waste an afternoon, but I’m not sure what all the fuss is about.

The strange and interesting thing about this movie is that, despite the fact his name is on it, Max plays a pretty small role. He’s basically a sidekick at best, and he doesn’t have much in the way of meaningful contribution to the plot.

The real star is a woman with the rather absurd name of Furiosa, played by Charlize Theron. Furiosa is the servant of a brutal warlord, but she betrays him to free his stable of concubines and lead them to safety. Max just sort of ends up along for the ride, and Furiosa is by far the more developed character, as well as the main driver of the plot.

I really like Tom Hardy, and I’m a little disappointed he didn’t get to show off his acting chops beyond a lot of monosyllabic responses and brooding stares, but overall I’m glad Furiosa was the focus. She proved by far the more compelling and likable character.

And there just isn’t much to say about the movie beyond that, I’m afraid. There’s little pretense at plot, and there’s no serious effort made to develop any characters other than Furiosa. Fury Road mostly boils down to a two hour chase sequence full of screaming shirtless men and explosions.

Charlize Theron as Imperator Furiosa in Mad Max: Fury RoadThe action is well done, but these days viewers are spoiled, and I found Fury Road’s endless explosionfest failed to stand out compared to the other endless explosionfests of recent memory, bar a brief but spectacular sequence inside a sandstorm.

The bland scenery was a large contributor to this issue. I gather endless wastelands are sort of Mad Max’s thing, but when nearly every shot looks the same, it sucks a lot of the flavour out, especially with a movie whose appeal is mainly based on visuals.

So, yeah, it’s fun enough, but not especially memorable.

Overall rating: 6.5/10