Retro Review: Once Upon a Time, Season Three: Episodes 1-6

We now embark on the third season of Once Upon a Time. It’s once again a hit and miss situation, with some very good episodes and some not so good episodes.

The logo for Once Upon a Time“The Heart of the Truest Believer”:

Well, we’re only one episode in, but so far this is an improvement over last season.

Season three picks up immediately after the end of season two, with the search for Henry in Neverland. While Henry himself tries to escape the Lost Boys, Rumpelstiltskin strikes off on his own, and the party from Storybook battles both the hostile environment of Neverland and each other.

Meanwhile, Baelfire awakens in the Enchanted Forest and tries to find his way back to Emma.

I quite like Neverland so far. It’s an embodiment of the darker side of fairy tales, a strange and capricious place, and Pan himself is a shockingly ruthless twist on the traditional story.

I also quite enjoyed seeing Greg and Tamara get their just deserts. Though on the downside, Hook is still breathing.

Also, Mulan is back in the picture. Huzzah!

Peter Pan in Once Upon a TimeMy only complaints are that I don’t buy Emma endangering herself as a good way to get the team to work together — why do Hook and Regina care? — and the way Neverland keeps jumping between being a jungle, a deciduous Forest, and British Columbia.

Overall rating: 7.8/10

“Lost Girl”:

Peter Pan likes to play games. Head games, specifically.

He gives Emma a map that will supposedly lead her to Henry, but only if she accepts who she really is. Clearly some soul-searching is in order — not something Emma is very good at.

Meanwhile, we have a series of flashbacks showing a time when Snow had similar problems.

I’m starting to wonder if the flashbacks have outlived their welcome. I wouldn’t say they’ve become a detriment to the show, per se, but they also don’t seem to be adding much. There was a time they were essential to understanding the story and its characters, but that seems to be rarely true, if ever, these days.

Neverland in Once Upon a TimeOtherwise, this is about as good as an Emma episode ever gets. I still like how strange and creepy Neverland and Pan are.

Overall rating: 7.1/10

“Quite a Common Fairy”:

At Hook’s suggestion, Emma and company seek the aid of the one resident of Neverland who might help them track down Pan: Tinkerbell.

But Tink and Regina have history, so it’s not going to be easy.

Meanwhile, Baelfire tries to talk Robin Hood into helping him with a risky scheme to reach Neverland.

The main storyline of this episode was pretty weak, honestly. What Regina did wasn’t even that bad, by Regina standards, so that robbed the plot of much of its power.

Lana Parilla as Regina Mills in Once Upon a TimeOn the other hand, a lot of the side plots and nods to the future were intriguing. Not sure whether to believe Pan about Henry being the saviour of magic; it makes sense, but Pan is a bloody sociopath, and it’s hard to believe anything he says.

Also, apparently Robin Hood is Regina’s soulmate. That’s… unexpected. Does seem to give lie to Tinkerbell’s comment, though. I don’t get the impression Robin’s life is all sunshine and lollipops, but it definitely doesn’t look “ruined,” either.

Also, remember how I said Mulan and Aurora were another goldmine for femslash fans? Heh, funny how things work out.

For my part, I think Mulan can do much better, though.

I do hope Baelfire’s departure doesn’t mean we have to wait another season to see Mulan again. She’s just far too badass to be as much of a background element as she is.

Overall rating: 7/10

Mulan in Once Upon a Time“Nasty Habits”:

Proving themselves to have more sense than the Bush administration, Emma’s party decide they need to have an exit strategy before they confront Pan. They seek out the cave Baelfire inhabited when he lived in Neverland in search of clues, but without Baelfire, they can make no sense of what they find.

Meanwhile, Rumpel and Baelfire have a family reunion, but it doesn’t end well, and a series of flashbacks shows Rumpel and Pan have history — who doesn’t have history with Rumpel?

This is one of those weird episodes where a lot happened, but nothing really happened. The pacing was fast and we had all kinds of confrontations and reversals, but in the end, nothing has really changed. Emma and co. are still up a creek without a paddle when it comes to rescuing Henry, Rumpel is still struggling to do the right thing but will probably fail, and Henry is still Pan’s prisoner.

In the end, it just seems like filler.

Overall rating: 6.8/10 I miss Mulan already.

Robert Carlyle as Rumpelstiltskin in Once Upon a Time“Good Form”:

There’s a good little plot nestled in this episode about Emma’s party trying to get a message to Henry. Seeing them stoop to Regina’s dark magic was quite a nice piece of drama and a needed justification for Regina’s presence in this journey.

However, most of the screen time goes to Hook, and by now, my feelings on him are clear. What’s amazing, though, is that they managed to make this even worse than a Hook-heavy episode ought to be.

The general message of “Good Form” is that Hook isn’t such a bad guy after all.

I call BS.

Hook has, from the very beginning, been consistently portrayed as selfish and craven in the extreme. This is someone who was willing to do anything, hurt anyone, in order to satisfy his own petty need for retribution. This is the guy who was a good friend of Cora’s. He’s deceitful, cruel, and selfish. That’s the character they’ve established.

Captain Hook in Once Upon a TimeSo the idea that he was once a noble soldier for the king, that there’s a man of honour buried underneath all that roguishness, is laughable.

Emma beginning to fall for him was also cringe-inducing, though at least that makes a certain kind of sense. Emma has long been shown to be fairly lacking in both intelligence and good judgment.

Overall rating: 5/10 Very poor form indeed.

“Ariel”:

Snow White isn’t very good at keeping secrets. As a result, Emma soon learns that Baelfire is, in fact, alive and in Neverland, and the party sets off to find him. Setting him free will require more secrets to come to light, as each party member must utter their darkest and most terrible secret to unlock his prison.

Meanwhile, Regina strikes off to join forces with Rumpel against Pan, and in the Enchanted Forest’s past, a mermaid named Ariel — yes, that Ariel — becomes entangled in the conflict between Regina and Snow.

Ariel the mermaid in Once Upon a TimeThis is another of those episodes I hate reviewing because it lacks both major blunders and notable stand-out moments. It’s neither great nor terrible — merely adequate.

I found Ariel a bit insipid, but as a link between worlds, she could serve an interesting role in the plot. I’m also a bit curious if Ursula the sea goddess will play any role going forward, or if that’s just something the writers threw in for fun.

And Emma confessing her feelings for Baelfire was a bit nice purely because it makes Hook unhappy.

I really don’t like him.

Overall rating: 7/10

…Why do they call it the Little Mermaid, anyway? I’ve never actually seen it, but in the photos, she looks normal-sized. Not really sure what normal size is for a mermaid, though, I guess.

Reviews: Defiance, “Upon the March We Fittest Die” + Dark Matter, Episodes 12 and 13

Defiance, “Upon the March We Fittest Die” (season finale):

A promotional image for DefianceAs Defiance’s third season comes to a close, Nolan and company rush to defeat the Omec before their invasion can spread beyond the town of Defiance. Freeing Doctor Yewll has cut off their supply of food and left them temporarily weakened. The time to strike is now.

Yewll hatches a scheme to repeat history and destroy the Omec ship from within, and Nolan, Irisa, and Datak accompany her on her mission of sabotage.

Meanwhile, Stahma attempts to bury the hatchet with Amanda.

If I was to describe “Upon the March We Fittest Die” in a word, I’d go with “adequate.” It’s got enough intensity and excitement to be satisfying as a season finale, but it doesn’t particularly excel. The final confrontation with Kindzi is fairly by the numbers and doesn’t especially thrill.

The ending doesn’t make a lot of sense, either. Irisa’s plan is just ridiculous within the context of what has been established about the Omec so far, and Nolan going along within it is even more confusing. I can’t imagine them writing Nolan out of the show permanently, so I have to wonder what the point is.

I did like Stahma’s scene with Amanda, though.

Overall rating: 7.1/10

The Omec in DefianceAll in all, I would say that Defiance’s third season was still significantly better than its weak first season, but also significantly less interesting than the excellent second season.

Season three suffered from two major flaws, the first of which was that it tried too hard to be dark. I enjoy dark storytelling, and Defiance was never exactly a show full of rainbows and candy-canes, but season three was just relentless grim, to the point where it became more wearing than entertaining. Even Battlestar Galactica knew to give the characters a break once in a while.

I’ve heard a lot of people say the writers were trying to turn the show into Game of Thrones, and one does get the impression there’s some truth to that. The writers often did seem to value shock value over good storytelling. Did we need the Omec incest? Did Rafe need to die?

I don’t think so.

The other issue was the Omec. I’ve said it before, but they’re just not interesting. The Defiance world is so rich in cultures, history, and mysteries that have yet to be explored, all of which would have been more compelling than the Omec. Instead of expanding on pre-established but underdeveloped things like the Votanis Collective, Liberata and Sensoth culture, the Gulanee, or the Volge, we get this totally random out of nowhere new race that turns out to be little more than one-dimensional villains.

General Rahm Tak in DefianceOn the other hand, the Rahm Tak story was far more entertaining. Still too brutally dark at times, but on the whole very strong, culminating in the utter brilliance of “My Name Is Datak Tarr and I Have Come to Kill You,” which was undoubtedly the highlight of the season and one of the best parts of the series to date.

Unfortunately, after that, the season lost momentum, and the following episodes are far less memorable.

So the end result is a fairly mixed season with some incredible highs, but also a lot of lows.

Dark Matter, episode twelve:

In what is by now a familiar pattern, the crew of the Raza accepts a dangerous job out of a desperate need for allies, only for it to turn out to be a set-up.

In this case, it was all a trap to lure out Two so she could be abducted by her mad scientist creator, played by Will Wheaton. The facility is heavily defended, and only Sally the android has a chance to infiltrate it and free Two.

The logo for Dark MatterThis was on the whole a pretty underwhelming episode. For one thing, it’s pretty much just filler. In theory we learned a bit about Two’s past, but none of it’s terribly substantive. We still have more questions than answers.

Filler isn’t terribly welcome at the best of times, but this is the second last episode of the season, and given the luck of sci-fi television these days, very possibly the second last episode ever. By now they should be building to a climax. There should be shocking twists and major reveals.

The ending hints at that a bit, but it’s just a tease. Not enough to make this a memorable episode.

Also, the fact is Will Wheaton just isn’t that intimidating. Despite being all Bond villian-y and doing weird, creepy stuff the whole episode, he never stopped being Will Wheaton the lovable nerd. The other doctor working on Two was far more frightening.

I did like getting to see the android play a larger role, though.

Overall rating: 6.9/10

One and Two aboard the Raza in Dark MatterDark Matter, episode thirteen (season finale):

There is a saboteur on the Raza, and the android is just the first victim. As more and more crew members fall prey, the remaining crew members begin to turn on each other, suspicion destroying the trust they worked so hard to build.

One and Three of course immediately turn on each other, while Five takes a page from my book and suspects Two, and Six and Four prove surprisingly blase about the whole thing.

It’s another very tense episode, and one that will keep you guessing. I certainly didn’t see the twist at the end coming. It does make sense in retrospect, though.

It also trickles out a few more answers to the mysteries of Dark Matter, though still not the full reveal I’ve been hoping for. We do theoretically know who wiped their memories now, though why is still not entirely clear.

It’s a solid episode, and on paper it does tick all the boxes for a good season finale — mounting tension, a nail-biting cliff-hanger, significant reveals and unexpected twists — but it doesn’t quite hit the heights I expect from a great sci-fi season finale. I should be scraping my jaw off the floor, but I’m not.

One, Five, and Six in Dark MatterPerhaps I’ve been spoiled by how stellar the last few Continuum season finales have been.

On the plus side, Dark Matter has already been renewed for a second season, so this isn’t the end. There’s plenty of time for the story to continue to grow and evolve.

On the whole, the first season of Dark Matter has been pretty strong. It’s had a few stumbles, and the last two episodes were somewhat underwhelming, but mostly it’s been a very fun ride, and considering that sci-fi shows usually need a season or two to fully find their voice, I look forward to what is to come.

Overall rating: 7.2/10