Review: Dark Matter, “All the Time in the World”

Time for that old sci-fi tradition: the time loop. It’s Groundhog Day for Three as he relives the same twenty-four hours over and over again. In his efforts to break the loop, he discovers a deadly plot by Ryo to kill the crew and retake the blink drive.

The logo for Dark MatterAnd then things get really weird.

“Busy” doesn’t begin to describe this episode. There’s so much going on I’m having trouble keeping it all in my mind, and I literally just watched it. I may forget a subplot or two.

The sheer volume of things at play here is kind of a good news/bad news situation. The good news is there’s so much going on you’re bound to enjoy at least some of it. The bad news is the opposite is also true. There’s way too much going on for it all to be good.

First, Three’s initial trials with the time loop. Not my favourite part of the episode, but not the worst part, either. Perhaps not surprisingly considering this is Three we’re talking about, it’s played for laughs more often than not. Dark Matter has always had a healthy sense of humour, but this is probably the silliest it’s ever been. All things being equal, I’d prefer a more serious plot, but I won’t lie: I laughed.

Things suddenly get a lot more serious when Three discovers the assassin lurking on board. This plot was very good, and I wish it had been given a lot more attention. It could easily have been the focus of a full episode. That assassin’s genuinely scary.

But he got pretty short-changed by how overcrowded the story in “All the Time in the World” is. I’m still not even sure how he got on the ship.

Anthony Lemke as Three in Dark MatterSimilarly, the actual cause of the temporal loop is very poorly explained, and in particular there doesn’t seem to be any explanation for why Three is the one affected, unless I missed something (which is possible in an episode so scattered).

Speaking of Three, I’m less than thrilled by his tribulations over the return of “Sarah.” I’m not a big Three fan, and his relationship with Sarah was always one of the weak points of the series for me. It’s just so at odds with the rest of the character. I understand the idea is supposed to be that his gruff exterior masks his inner pain, but he’s just so much more believable as an asshole than as a romantic. The mask feels more real than what’s underneath.

On top of all that, we’re also still getting used to the new characters. The new guy — I refuse to expend the effort necessary to learn his name — is still proving himself to be a waste of oxygen. He’s the Jar Jar Binks of Dark Matter. Yay.

Solara, the other newcomer, is growing on me, though. Still a bit early to be drawing any firm conclusions about her, but I like the cut of her jib. I really want to know her backstory. How did someone as badass as her find her fate shackled to such an imbecile?

And then there’s the mind-frack of an ending, which gives us some tantalizing glimpses of what might be coming. I’m still digesting it all.

Overall rating: 7.2/10

Review: Wonder Woman

I’m not the biggest super hero fan to begin with, and Wonder Woman ranks near the top of the list of super heroes that I’m just not interested in, alongside Superman, Captain America, and Aquaman. But the trailers looked surprisingly good, and the buzz has been excellent, so I decided to take a chance.

Gal Gadot as the title character in Wonder WomanFor or better or for worse, Wonder Woman has become an icon of feminism to the point where it’s impossible to discuss the movie without also discussing its significance as such. This is troublesome because any criticism of the movie could potentially be viewed as sexism — and I have no doubt that there are plenty of people criticizing it purely for its feminism — but at the same time it would also not be fair to avoid criticizing it.

I understand why my feminist friends are so in love with this movie, but I can’t bring myself to fully share their enthusiasm. Allow me to explain, and as always I will say that I am a guy and that you have every right to dismiss my views on women’s issues as worth less than nothing at all.

So basically Wonder Woman is a power fantasy. Diana is infallible in every conceivable way. She has nothing resembling flaws of any kind, she embodies every virtue you can possibly imagine, and she’s pretty much omnipotent.

My knowledge of the character is minimal, so going in I wasn’t entirely sure what all her super powers actually were. Based on this movie, the answer appears to be “all of them.” She’s indestructible and seems to be able to do basically anything. She effortlessly defeats every challenge she encounters throughout the entire movie.

Here’s where it comes down to perspective. This kind of power fantasy story is not  uncommon in our culture, but it rarely if ever features a woman. It’s always a guy who has the privilege of being this perfect and unstoppable. Superman is the best example I can think of — this does feel very much like a Superman movie.

Gal Gadot as the title character in Wonder WomanSo from that perspective I totally get why so many women are over the moon about this movie. It must feel incredibly refreshing to be able to see yourself in that kind of larger than life heroic role, and if we are to have a fair and equal society, then women should be able to indulge in power fantasies, too.

So in that way, it is a win for feminism, and I respect what this means to people.

But the thing is I’m just not a fan of this kind of power fantasy, regardless of gender. This is why Superman is one of my least favourite super heroes. He’s totally infallible, so there can never be any real drama.

In the same way, the Wonder Woman movie has no real drama, because Diana is simply perfect in every way, and there are no limitations on her power whatsoever. Never for a moment does it seem remotely possible that she could fail.

I’ll also mention that Wonder Woman is a bit of a role reversal in that the male characters are often forced into the kind of reductive roles women usually get. They tend to be quite incompetent and rarely contribute meaningfully to the plot, and Chris Pine’s character in particular is pretty much the archetypal shallow girlfriend boyfriend character that’s always shoehorned into these movies, gratuitous skin scene and everything.

There are lots of movies where men get to be the heroes, so it’s not the end of the world for us guys to get a taste of how women are so often ill-served by writers, though — maybe that was even the point. Maybe it was meant to be an education in how women feel when female characters are just props in stories.

A shot from the Wonder Woman movieNow, all that being said, this still isn’t what I’d call a bad movie. There is a lot to like, despite its flaws.

Something I absolutely was not expecting was the ruminations on the dual nature of humanity, our potential for both incredible tenderness and shocking brutality. For all that it can be quite mindless in some areas, Wonder Woman can also be incredibly smart in others.

I was also greatly impressed by how the film pulls no punches on showcasing the tragedy and brutality of war. In addition to being smart, this movie can also be very powerful.

And despite their sometimes poor writing — Diana’s over-perfection and everyone else’s incompetence — the characters still manage to be pretty likable and draw you in, helped in part by strong acting from pretty much every cast member. The quieter moments when the cast is at its most human are often the highlight.

Aesthetically, Wonder Woman is also excellent. The fight choreography, while wildly unrealistic, is gorgeous, and the special effects, art design, soundtrack, and cinematography are top notch.

As a mythology fan, I was worried I’d end up cringing over the film’s treatment of Greek myths, but while it heavily departs from the original mythology (unsurprisingly), it doesn’t do so in a way that feels cheap or disrespectful, which is more than can be said for many similar movies. My one complaint would be that in a movie about Greek gods and badass warrior women, there was somehow not a single mention of Athena. Missed opportunity there.

The Amazons in Wonder WomanFinally, I think the best part of the movie for me was the villain. Hard to say too much without getting into spoiler territory, but he is charismatic and surprisingly nuanced, and a major contributor to the surprisingly smart social commentary within the film.

As a comic book movie, I’d say Wonder Woman is okay but not great. As a milestone for women’s portrayal in the media, I’d say it’s a step in the right direction but that feminism deserves better champions in the long run.

Overall rating: 7/10