Review: The Gates of Good and Evil, book two: The Fatal Gate

Was hoping this would be a review of the Dark Matter season finale, but the app store is being uncooperative, so here’s a book review instead.

Following on the heels of The Summonstone, the second installment of Ian Irvine’s The Gates of Good and Evil series, itself the continuation of the massive Three Worlds Cycle, has at last been delivered into our grubby mitts.

This is a sometimes inconsistent book, which makes it a little hard to rate.

Cover art for The Gates of Good and Evil, book two: The Fatal GateOne thing I have found in my long career of reading fantasy novels is that every author whose series goes on for a very long time eventually falls into a formula that will feel increasingly tired. Stories become predictable, and every book starts to feel the same.

Being a writer of uncommon skill, Ian Irvine has done a better job than most of avoiding this pitfall, but I am starting to see elements of formula creep in. For example, much as I have long admired the intensity of his stories, I have found that more often than not I am now able to predict the outcome of any given situation by asking myself, “What’s the worst possible thing that could happen here?”

And it wouldn’t be an Ian Irvine book without a long, grinding escape through the wilderness in brutal conditions.

I find the cast a little hit and miss, too. As I’ve said before, I find Karan’s sensitive nature becomes rather exhausting after a while. Llian, on the other hand, has grown a lot as a character, and I actually quite liked him in this book. Peasant turned hero Wilm remains a gem, and the tormented double agent Ifoli grew on me a lot, but neither got enough attention.

And the story does take some odd turns at times. The whole “ghost vampire” thing sure came out of left field.

My biggest complaint, though, remains the villains, the Merdrun. They’re too inhuman to have any nuance, but still human enough to feel ordinary. They’re not as scary as the beasts of the Void, as grand and tragic as the Charon, or as viscerally vile as the God-Emperor. They’re just boring.

I have to say again that my expectation and hope had been that The Gates of Good and Evil would focus on the conflict between Karan’s family and Maigraith. Maigraith, to me, deserves the title of the greatest and ultimate villain of the Three Worlds saga, and hers is the story I want to read.

There is some attention in The Fatal Gate given to the threat she represents, and it’s by far the best part of the book, but it’s not enough.

The whole situation kind of reminds me of my continued desire for an Azshara expansion in World of Warcraft. Both incredible villains, both situations where I’ve spent years longing for the final confrontation, and both situations where I seem increasingly destined for disappointment.

That said, there’s also quite a lot about The Fatal Gate I do like.

While it’s still not quite as much of the story as I’d hoped, there is a lot more that bridges the gap between The View from the Mirror and later books in The Fatal Gate than The Summonstone, and some of them can be real “chills” moments. In a way it’s sort of heartbreaking to see the seeds of so much misery and destruction being sewn, but it’s a part of the story that needed to be told.

A map of the continent of Lauralin on the world of Santhenar, setting of Ian Irvine's Three Worlds novelsFormulaic elements notwithstanding, Irvine is still an absolute master at producing page-turners, too. You would think a 500+ page book might be a bit slow in places, but you’d be wrong.

The best part of The Fatal Gate, though, is its final few chapters, which unfortunately I can’t talk about in detail without all kinds of spoilers. Even there, there are a few things I’m not sold on, but the overall result was a fiercely exciting and often powerful ending that has me incredibly eager to read the next book.

As an aside, that there will be a next book cannot be doubted, but whether it will be a continuation of The Gates of Good and Evil or part of a new series is less clear. The back cover of The Fatal Gate declares it to be “the epic conclusion to The Gates of Good and Evil duology,” but the last page says that the series will continue, and the current direction of the story seems more suited to a continuation of the series rather than starting a new one.

It’s all a bit confusing.

Overall rating: 8.7/10

Review: Dark Matter, “My Final Gift to You”

Man, this has been a crazy season. For a while there I really thought Dark Matter was losing its mojo. There were a lot of mediocre episodes, and at least one straight up terrible one, in the middle of the season, and there have been a lot of missed opportunities. I was starting to get pretty discouraged.

A promotional image for Dark Matter season threeBut now I’m starting to think they took all the awesome out of the middle of the season so they could cram it into the end. The last three episodes have been incredible, and this is the best one yet — not just of the season, but maybe the whole series.

“My Final Gift to You” brings the ultimate confrontation with Emperor Ryo Ishida, the man who was once Four. I’ve spent the season being disappointed this plot hasn’t got more attention, and this very well could have been too little too late, but they managed to stuff a full season’s worth of emotion and intensity into one episode.

Ryo has abducted Two. To get her back, he demands the Raza crew hand over the blink drive. But Two’s life isn’t his only tool of manipulation. His reclaimed memories also grant him access to the darkest secrets of every member of the crew, and he uses these to masterfully manipulate them.

But the Raza crew aren’t Ryo’s only problem. As the war worsens for Zairon, unrest grows, and intrigue within the court threatens to throw all into chaos.

Oh, yeah, and Suki just happens to have a galaxy-shaking revelation, too.

Man, where to even begin? Everything about this episode was awesome.

I think my favourite part was Ryo’s one-on-one meetings with all of the crew members and how he was pretty much able to play all of them like a fiddle. There’s fantastic performances from every member of the cast here, and some really intriguing revelations that have no doubt sewn plot seeds for many episodes to come.

Alex Mallari Jr. as Ishida Ryo/Four in Dark MatterMy one and only complaint is that I don’t like being strung along with Five’s secret. Just tell us who it is already.

I think I enjoy Ryo/Four more as a villain than I did as a protagonist, honestly. This episode really shows just how ruthlessly cunning he is, and his personal connection to the crew adds such a raw emotional intensity to the conflict. “Former friend turned bitter enemy” is hardly a new angle for a story, but rarely is it executed so well.

And we get some awesome sword fights, and we’re treated to another awesome “love to hate her” performance from Ellen Wong as Misaki, and we get to see clearer than ever how much Suki has become an equal member of the crew…

Really, “My Final Gift to You” is just excellent in every way. I hope the season finale can somehow keep up this momentum.

Overall rating: 9.3/10