Review: The Stormlight Archive, book one: The Way of Kings

A friend who is also a big fantasy reader had been raving about — and trying to get me to read — the first book of Brandon Sanderson’s Stormlight Archive series for some time. I was a bit skeptical because I’d tried Mistborn, also by Sanderson, a few years back and been unimpressed, but my friend was insistent. Eventually I realized it was in the best interests of my ongoing health to simply acquiesce and let her lend me the damn book.

Cover art for The Stormlight Archive, book one: The Way of Kings by Brandon SandersonAfter all her raving, I was expecting The Way of Kings to be something really different and original.

Certainly the setting is unusual. Way of Kings takes place in a world that is constantly lashed by titanic “Highstorms,” and all of the plant and animal life has evolved along strange, exotic lines to survive this brutal environment.

However, when you get down to the bones of the story, Way of Kings is a very classical, almost generic, high fantasy epic.

And I could not be happier about that.

Way of Kings feels just like the books I grew up reading and loving: Lord of the Rings, Shannara, Obsidian, and the like. Ancient evils return to swallow the world, and heroes rise to fight them.

The characters all feel very familiar, almost cliche — a nobleman chosen by the divine to redeem his people, a slave fighting to survive against brutal oppression — but you know what? Some things are cliches for a reason. It works. They’re characters that I want to cheer for. They’re characters I want to see succeed.

Similarly, the meta-plot thus far feels like the sort of thing I’ve seen before, but it’s a story that I like. It feels epic. It feels meaningful. The fate of the world is on the line, and the stakes couldn’t be higher. This is exactly what I look for in fantasy: big ideas, big threats, epic conflicts with mighty heroes standing to save what they hold dear.

It’s not a perfect book. It does inherit one sin from the old school fantasy it’s clearly emulating: It has a very slow start. For those with the patience to persevere, Way of Kings eventually becomes very exciting, but it does take its time getting there.

I think the author could have spaced out the big reveals a little better such that there isn’t more happening in the last hundred pages than in the first six hundred.

And sometimes he gets a bit too bogged down in details. He has an odd obsession with describing every article of clothing worn by every character in excruciating detail, and it gets wearing after a while.

Finally, one of the main characters — a scholarly girl named Shallan — has thus far failed to capture my interest. Her story is as cliche as the others, but her cliches aren’t cliches that I ever liked in the first place. I’ve kind of had my fill of “tough but fair” mentor characters, among other eye-rollingly predictable choices that are too spoilery to get into.

That said, I wasn’t immediately impressed by the other characters, either, so there may be hope for Shallan to redeem herself later in the series.

And don’t let my complaints detract from the fact that this is a strong book. Considering it’s twelve hundred pages long, the pacing is actually a lot better than you’d expect, and again, it does eventually become very gripping. Those of us who are fantasy fans are used to slow starts, so I don’t think anyone in this book’s target audience will consider this an unforgivable sin.

If you are a fan of traditional high fantasy, I definitely think that The Way of Kings belongs on your reading list.

Overall rating: 8/10

Review: Disenchantment, Part One

When I watched the first couple of episodes of Matt Groening’s Disenchantment, I have to admit I was a bit disappointed. Being a massive fan of The Simpsons and Futurama, and a huge fantasy nerd, my expectations were very high. It seemed like the perfect series for me.

A shot from Netflix's DisenchantmentMy expectations were sky high, so maybe it’s not surprising they weren’t met.

Don’t get me wrong. I enjoyed it. There are good gags, and the characters grabbed me pretty quickly. I also loved the animation. While the characters are of the same cartoony Matt Groening style we recognize, the environments are very detailed, with a unique style clearly meant to emulate Medieval artwork. Disenchantment is a feast for the eyes.

So it was good, but it wasn’t the Second Coming of Futurama I hoped for. However, as I got farther into the season, it did start to grow on me. It got a bit funnier, with some of the later episodes being genuinely hilarious, though it did maintain a certain inconsistency through to the end.

A real strength of Disenchantment, as alluded to above, is its characters. Though there’s a diverse background cast, as you might expect from a Groening show, the focus of the story is pretty heavily placed on Princess Tiabeanie (or “Bean” as she prefers to be known) of Dreamland and her companions, Elfo the renegade Elf and a self-appointed “personal demon” named Luci.

Luci doesn’t add much beyond the occasional one-liner, but Bean and Elfo are, for such a silly show, surprisingly real and endearing characters. At times they feel like a bit of a retread of Fry and Leela, but their arc progresses more quickly, and I think it may be headed in a different direction.

I especially want to highlight Abbi Jacobson as doing a fantastic job voicing Bean. She feels very comfortable in the role right of the gate, and she infuses Bean with a great deal of personality, perfectly nailing both serious and comedic moments. Despite her many bad habits, Bean is an intensely lovable character.

A promotional image for Netflix's DisenchantmentThe characters help carry the series, even during the slower moments when there aren’t as many jokes.

One other thing that makes Disenchantment unique compared to Groening’s other shows is that it is much more serialized. Some episodes are still standalone, but it’s clearly following a continuous arc. The writers have a plan, and it shows.

Events start to come to a head in the final episodes of the season, and things actually get pretty serious and intense, all things considered. Some of the twists are a bit predictable, but I enjoy them for the effect they have on the characters, and I’m really curious where things are going to go in the long run.

In the end, it might not be quite as good as Futurama at its best, but Disenchantment is definitely worth your time.

Overall rating: 8/10