“Parts Developed in an Unusual Manner”:

What’s this? An episode of Orphan Black I unequivocally enjoyed?

What sorcery is this?

“Parts Developed in an Unusual Manner” is easily the best episode of the series to date. The plot is streamlined, with no filler at all, and it seems like all the disparate threads of the show’s story are starting to come together.

Helena has recovered and is hot on Sarah’s trail. Paul walks a tightrope as he tries to discover the truth behind the clones without giving away Sarah’s secrets. Art and the cops are closing in on the truth. Everyone’s putting all their cards on the table, so to speak.

That there are still several episodes left before the season finale gives me hope that there might be some awesome stuff ahead. Everything’s on a collision course, and there’s plenty of time for the ensuing chaos to play out. Colour me intrigued.

I believe I can also now let go of one of my initial concerns about the show — that it would endlessly extend its mystery without providing any real answers. Thankfully, it seems this will not be the case. The mystery is slowly being unraveled, and I’m starting to get a pretty clear picture of what’s going. There are still a lot of questions left unanswered, but I now have confidence that they will eventually be answered, so I’m happy to sit back and enjoy the journey.

I do still have a few complaints about this episode, but they’re relatively minor. For one thing, the clones all continue to display a complete inability to exercise good judgement.

Also, my brief fascination with Paul’s character is already fading away. It was interesting to have him as a double agent whose loyalties were at best unclear, but now he seems to have been firmly established as Sarah’s loyal boyfriend. That’s far less compelling.

Still, on the whole, this was a very good episode, and Orphan Black’s best showing to date by a wide margin.

Overall rating: 8/10

“Entangled Bank”:

And now we’re back to the same old, same old.

I’m afraid everything I have to say about this episode is just repetition of the complaints I’ve had about this show from the start.

Once again, it’s an episode where a lot happens, but the plot isn’t really advanced in any meaningful way.

And once again, all the clones act incredibly stupid.

Sarah, if you’re going into a situation where you’re almost certainly going to be captured or killed, why wouldn’t you clean out your jacket pockets of things that would lead back to your daughter? You know, the person you swore to protect at all costs?

Meanwhile, Cosima continues to allow herself to be seduced by the world’s most obvious spy, and Allison… is just a lost cause at this point.

Overall rating: 6.9/10

“Unconscious Selection”:

This episode mainly seems to deal with the inevitable repercussions of the clones’ poor decisions. Sarah must find a solution to the Helena problem following Kira’s injury, Cosima has to confront the incredibly obvious truth that Delphine doesn’t have her best interests at heart, and Allison faces an intervention following her intoxicated rampage.

Meanwhile, Dr. Leekie tries to make peace with Sarah on behalf of her Neolutionist creators, and the cops draw ever closer to the truth.

I enjoyed “Unconscious Selection” much more than the last one. It does a good job of advancing current arcs in meaningful ways — mostly notable the Helena situation — while also opening up new questions.

Is Dr. Leekie really not the bad guy after all?* Does Kira have super healing a la Wolverine because she’s Sarah’s daughter?

*(I doubt it.)

Mostly, it’s an entertaining enough episode. My one complaint would be that Sarah continues to hide things from Art and the cops. She’s already brought Mrs. S. and Paul into her confidence. Is Art really so much less trustworthy than Paul? I’d think having the cops as back-up would be pretty handy.

I mean, I guess she runs the risk of being arrested for history’s weirdest case of identity theft, but I imagine she could get a pretty decent plea deal by helping to expose the world’s largest illegal human cloning ring.

But again, the clones are all idiots.

To my great surprise, I think Allison actually managed to be the most entertaining part of this episode. That was a Hell of a tongue-lashing she gave Aynsley. And her and Felix had some pretty hilarious moments.

Wherever else this show may go wrong, you can always count on Felix to keep things interesting.

Overall rating: 7.4/10

 “Endless Forms Most Beautiful” (season finale):

And so we come to the conclusion of Orphan Black’s first season.

As one would expect, it starts with all the plots slowly coming to a head. The Neolutionists extend an olive branch to the clones, offering an obviously false* promise of protection and freedom. The cops at last stumble onto the truth, though they don’t understand what they’ve found. Cosima begins to manifest the same lung disease that plagued the German clone. Sarah is at last forced to find a solution to the Helena problem. Allison finds a way to go even crazier.

*(I say this not because the Neolutionists are obviously sinister — though the only way they could be more so is if they had black top hats and spent all their time stroking their mustaches — but because their promise includes both 24/7 protection from all threats and no monitoring, two things that can’t possibly go together. The fact that none of the clones pick up on this is once again a testament to their complete inability to think rationally.)

But yet despite everything seemingly coming to a climax, this really doesn’t feel like a season finale. It offers no revelations about the clones or their reason for being. Most plots don’t advance much beyond the status quo.

Only Helena’s story comes to any satisfying conclusion, and while “Endless Forms Most Beautiful” leaves many questions yet to be answered, they’re all the same questions we’ve had for a while.

The story with the cops is a particularly bad case. Early in the episode, that particular arc seems to be coming to a head. They teeter on the brink of the truth, and all Hell seems ready to break loose. All bets are off as to whether the police will be Sarah’s salvation, or her doom.

And then it all just sort of evaporates. The cop plot all but disappears, and Art and his partner return to their previous status of being confused but of no immediate relevance to Sarah’s life.

There are some good emotional payoffs throughout the episode, but in a show whose appeal is based far more on its mysteries than on its somewhat mediocre cast of characters, that’s not nearly enough.

If “Endless Forms Most Beautiful” had been just another episode, it would be okay, but as a season finale, it falls flat. Even with a halfway decent cliffhanger, it just doesn’t have much to offer in the way of “wow” factor. It’s just another step along the road, not a climax.

Overall rating: 6.9/10

I leave the first season of Orphan Black feeling little more than a vague sense of disappointment. The potential for a great show is here, but it’s never been more than potential.

As of now, I’m not sure if I’ll bother with future seasons. I’m curious to find out what’s actually going on, but looking up spoilers on Wikipedia seems just as good an option as wading through several more hours of almost good television.

Despite misgivings, I’m continuing my binge watch of Orphan Black’s first season. After three more episodes, my opinion of the show has improved significantly, but there’s still a lot to take issue with.

“Effects of External Conditions”:

For me, this is the episode where the series really starts. The first three episodes were clogged with filler and could have easily be condensed into a single episode without losing anything important, but with “Effects of External Conditions,” things finally start moving forward.

This episode focuses on Sarah and the police attempting to track down Helena, the clone who has been killing all the other clones.

Yo dawg, we heard you had too many clones, so we sent a clone to kill some of your clones.

Ahem.

Cosima identifies religious iconography on Helena’s dagger and theorizes that Helena represents a group of fanatics who see the existence of the clones as an affront to God. Sarah comes to believe that Helena is under the impression she was the original of them all, and is trying to eliminate those whom she sees as perverse copies of herself.

Interestingly, Sarah notices that the symbol on Helena’s dagger matches a tattoo on the body of Maggie Chen, the woman Beth gunned down before her suicide.

There are still a fair few aspects of this episode that feel unnecessary. There’s still too much of what feels like filler involving Sarah’s life as a pretend cop and her relationship with Paul, Beth’s husband.

I’m on the fence about Sarah’s troubles with her daughter. It is an important part of Sarah’s arc as a character, but on top of everything else, it’s another distraction from the only interesting thing about this show: the clone mystery.

The best part of this episode is that it apparently puts an end to Orphan Black’s existence as a pseudo cop show. The clone story can now get the full attention it deserves.

Overall rating: 6.9/10

“Conditions of Existence”:

“Conditions of Existence” begins with Sarah realizing that doctors have been coming to examine her in her sleep, further reinforcing the idea that the clones are all part of some bizarre and far-reaching scientific experiment.

This is, unfortunately, another prominent example of how far-fetched this show can be. We’re expected to believe that all of those clones have been being regularly examined in their sleep for God knows how long, and none of them have noticed it before now.

Orphan Black tries to present itself as an intelligent thriller, but it’s just not. It’s one of those shows that’s only good if you do your very best not think about anything.

“Conditions of Existence” also sees the very unwelcome return of Vic, Sarah’s deranged ex-boyfriend. While Orphan Black has by this time done a lot to cut down on unecessary side plots, Vic clings on with all nine of his fingers. It’s just not an interesting story, and the sooner he’s gone for good, the better.

But it’s not all bad news by any stretch of the imagination. For the most part, “Conditions of Existence” puts the clone mystery front and center, and that makes this the best episode of the series to date.

Sarah’s discovery of the nocturnal experiments causes Cosima to speculate that every clone has a monitor in their life whose purpose it is to observe them and report the results of the experiments to whoever is behind them.

Suspicion immediately falls on Beth and Allison’s husbands, Paul and Donnie. Meanwhile, Cosima encounters a new student at her school, Delphine, who seems eager to become fast friends. There is a conspicuous lack of plausible options for Sarah’s monitor.

The race is then on to determine who these monitors are working for, while trying not to arouse suspicion.

Despite still suffering from significant problems already mentioned, this is an example of Orphan Black starting to live up to its potential. This episode is full of intrigue, mystery, and suspense, and the closing scene is downright intense.

Overall rating: 7.3/10

“Variations Under Domestication”:

This is a really weird episode.

Orphan Black suffers from this constant clash where it seems to be trying to be an intelligent thriller, but it’s actually quite ridiculous a lot of the time. “Variations Under Domestication” is a great example of this — I honestly can’t tell if I’m laughing with this episode, or at it.

Much of this episode deals with Allison as her paranoia boils over. Convinced her husband, Donnie, is her monitor, she proceeds to duck tape him to a chair and torture him with a glue gun in an attempt to get him to confess.

Of course, she happens to pick the day she’s supposed to be hosting the neigbourhood potluck. She has to enlist Sarah to help her keep order, while desperately hoping no one notices there’s two of her running around or that her husband is screaming for help in the basement.

Cue insanity.

Then add to that appearances by Paul and Vic, and things just get increasingly screwed up.

I don’t quite know how to rate this episode. It’s not bad, and it’s got a lot of interesting story developments, but it’s a complete farce, and it feels way out of place with the deadly serious tone Orphan Black seems to be shooting for.

I will grudgingly admit that Paul is starting to get pretty interesting as a character. I didn’t like him at first as he wasn’t contributing much, and I find the actor a bit stiff, but his role is getting increasingly ambiguous, and that’s interesting. Just whose side is he on? Even he doesn’t seem to know anymore.

Also, while I’m still utterly sick of Vic, at least he didn’t feel like such a distraction from the important story this time.

And it is a bit amusing how much he’s become the show’s whipping boy. He’s had his face bashed in by Sarah, he lost a finger to a drug dealer, Allison tasered and maced him, and Paul beat the snot out of him and nailed his hand to a chair. How much more punishment can this guy take?

“Variations Under Domestication” is also noteworthy for giving Cosima by far her biggest role to date, but unfortunately, this had the effect of her losing her crown as the only clone capable of common sense or good judgement.

Cosima is not only aware of monitors, she’s the one who suggested they existed in the first place. So when some mysterious stranger suddenly comes along to sweep her off her feet, you’d think she’d be suspicious. Not only does she not see anything odd about Delphine’s behavior, she becomes very testy when Sarah suggests something fishy might be going on.

What is going on with these clones? Donnie’s obviously not a spy, and Delphine couldn’t be a more obvious spy if the 007 theme played every time she walked on screen, but yet it’s the former who finds suspicion falling on him.

As an aside, I think the writers are playing with fire a little by making Cosima a lesbian when the other clones all appear to be heterosexual. That seems to be making a firm statement on the nurture side of the nature versus nurture debate, and that’s treading dangerously close to saying being gay is a choice.

It doesn’t bother me. I don’t think the writers had any ill intent in mind — I don’t think they even think that hard. But I could see some people getting pretty offended by it, rightly or wrongly.

Overall rating: 7/10

* * *

I’m starting to enjoy Orphan Black, and I’ll probably keep watching, but I can’t say I’d recommend it to others. It takes entirely too long to get started, and even once the plot is rolling, there’s a lot that just doesn’t hold up under any kind of scrutiny.