Processing Lucifer’s Final Season

By the standards of today’s binge-watch culture, I’m already a bit late, but I did want to get in some thoughts on the final season of Lucifer — recently uploaded to Netflix — before it completely fades from relevancy.

The official logo for the TV series LuciferI have mixed feelings on the show’s ending, and I think it will be quite a while before I fully decide how I feel about it. I lean towards being more pro than con, but it definitely has its issues.

The main thing making this so difficult is that the sixth and final season is a massive, jarring change in direction compared to the rest of the series.

Lucifer has always been a light-hearted dramedy with a healthy mix of “case of the week” standalone episodes and ongoing plot. Since moving to Netflix, the balance has shifted a bit more towards drama rather than comedy and plot versus standalone stories (to the show’s benefit), but it’s been pretty much the same show at its heart.

Season six pretty much throws out the case of the week format (no great loss in my book) in favour being almost pure plot. You might think that makes for a breakneck pace, but it’s actually a very slow, meditative season. I do think this was the right choice for the story they meant to tell, but it does take some patience.

Similarly, while there are still some laughs to be had, the final season leans far more on emotion and pathos. Again, not necessarily a bad thing, but it feels very different from what’s come before. Almost like a totally different series. It’s still good — great, at times — but it doesn’t have that tongue-in-cheek sense of fun that so long defined the series.

Rory shows off her wings in Lucifer season six.Ultimately, this is the season where Lucifer finally grows up. So much of the series had him learning lessons, only to mostly be back to his old immature self next episode. This is the moment where he finally learns the lessons for good and becomes a mature, healthy person. It’s pretty gratifying, but again, sudden. It would have been better to spread his development out more evenly over the course of the series rather than have it all happen at once.

To be blunt, the final season is also contrived, corny, and full of plot holes. It’s very much a story that works best if you don’t think about it too hard.

Now, here’s the thing: The above statement could describe every season of Lucifer, and I’ve generally been fine with it. It’s always just been junk food watching, and there’s nothing wrong with that. It’s not smart, but it’s fun and it makes you feel good. That’s a perfectly valid form of art.

But the silliness of the plot becomes harder to swallow when the show makes the shift to towards straight character drama. You can have ridiculous stories in a comedy, but when you’re trying for something more serious, it’s a lot harder to overlook. You can do one, but not both.

It also rankles that we never got an answer on why God created Chloe. I guess it’s meant to be some “so all of this could happen thing,” but it really feels like they just abandoned that plot thread. Come on, guys, it’s only the single biggest question in the entire series…

Chloe and Lucifer in the final season of Lucifer.However, if you are willing to overlook the over-complicated plot and the various things that just don’t add up, it is a pretty satisfying season emotionally. We get to see Lucifer finally grow up and become the Lightbringer he was always meant to be, and that feels good.

Most of the other characters get really satisfying conclusions to their story too, with the possible exception of Ella, whose story deserved more screen time than it got. But I’m an Ella fanboy, so I’m biased.

Dan especially stands out as perhaps the best part of this season, and in hindsight perhaps one of the best parts of the series as a whole. I’m a pretty harsh person, and redemption arcs often wrankle me because I rarely feel they’re deserved… but this is a redemption arc done right.

Who would have thought Detective Douche would have turned out to be such an incredible character?

All in all, I do think the final season is more good than bad, but it’s not so easily digestible as the rest of the series has been. I suppose in some ways it’s good that it provokes so much thought — I definitely wouldn’t have expected to still be mulling the ending weeks later like I have been.

What’s New: Horizon Zero Dawn and Umbrella Academy Disappoint, while Cursed and Iron Harvest Impress

I once again apologize for my slowed posting schedule. I just haven’t had the spoons lately. But there’s a bit of a lull right now, so let’s do a quick run through what I’ve been up to lately.

A Rusviet mech in Iron Harvest 1920.I recently finished playing through the PC port of Horizon Zero Dawn. I was excited to finally check out such a well-regarded game, but unfortunately I found myself rather underwhelmed. The setting is very unique, but it’s a depressingly ordinary game otherwise. It plays like any other open world RPG from recent history, excessive boring side quests and all, and it doesn’t really do anything to set itself apart from the pack aside from having a unique aesthetic.

I never thought I’d say this about anything, but it should have been more like Pokemon. Taming machines and using them to assist you should have been the core gimmick of the game, not a wonky side feature that wasn’t good for much other than acquiring mounts.

I also think Aloy was a missed opportunity of a character. As someone who actually grew up isolated from the world with no one but a father figure to talk to, I can assure you Aloy should be much, much more socially awkward. I’m perfectly willing to accept that Aloy is the ultimate badass when it comes to hunting, tracking, and fighting — that makes sense given her backstory — but she ought to be a hot mess when it comes to interacting with people.

She could have been a unique character that someone like me could as a role-model, but instead they made her a generic wise-cracking action hero. She just doesn’t feel like a real person.

Also on the subject of things not living up to their hype, I recently finished the second season of Netflix’s The Umbrella Academy. Now, I was never the biggest fan of this show, but even so, I expected a lore more from the second season.

The cast of the Umbrella Academ.Basically, it’s just season one all over again. It’s the same plot, with only cosmetic differences. There’s no significant character growth compared to the first season, there’s no significant surprises, and what new characters and plot threads are added are mostly irrelevant and forgotten by the end.

It bothers me how this is a show about a team of superheroes that seems to go out of its way to avoid ever showing them working as a team. I get that they’re supposed to be a dysfunctional bunch, but there are ways to show that don’t involve scattering everyone to the four winds.

It’s the same problem the Netflix seasons of Arrested Development had. The show’s greatest strength is its cast and how they play off each other. Why are you doing everything you can to not let that happen?

Meanwhile, I’ve also been working my way through the latest season of Lucifer. It’s also felt like a bit of a letdown, but mostly just because the last season was so damn good. Season five has been solid so far; season four just set a really high bar, so it’s hard to live up to.

On a brighter note, one thing that has impressed me on Netflix recently is Cursed. I went in with pretty low expectations, and the first few episodes didn’t exactly blow me away, but since then it’s really drawn me in. I’ve got a few episodes left in the season, and I’m trying to savour them. It’s been a good ride.

Katherine Langford as Nimue, the Wolf Blood Witch, in Cursed.It’s kind of by the numbers fantasy, but I think that’s what I like about it. It feels like the classic high fantasy adventures I grew up loving. It’s not hiding the magic off in a corner or focusing on petty politics. It’s true, proper high fantasy, with magic and wonder around every corner.

I’ve also been thinking about how Cursed is a fantastic example of how to do dark story-telling the right way. These days too much media goes too far and just wallows in awfulness. Everything is bleak, visually and emotionally.

Cursed isn’t like that. It’s definitely a brutal story, and it doesn’t pull any punches. It’s a story about genocide, and it’s got the gorey battle scenes and horrifying villains to match.

But there’s good to be found, too. The heroes of the story, while not perfect, are actual heroes. Nimue and her companions are largely brave, decent people doing their best to fight against evil. They’re worth cheering for.

Even the visuals of the show reflect this balance. The battles may entail no shortage of blood and guts, but there’s also a lot of genuine beauty seen in things like the forests of the Fey. It’s not a world where everything is brown and ugly. It’s a world of beauty and wonders.

This is how you do it. Despicable villains, but lovable heroes. Moments of brutality, and moments of peace. Ugliness, but also beauty.

Gustaf Skarsgard as Merlin in Cursed.My only major complaint at this point is that the inevitable flirtation between the leads feels painfully forced, but otherwise Cursed has thus far proved an excellent series. Let’s hope the last few episodes keep up that momentum.

Moving back to the world of gaming, something else that I’ve enjoyed recently is Iron Harvest 1920. I gave my thoughts on the beta over at Massively OP, and now I’m playing the full version of the game and continuing to enjoy it.

I will say that it’s not the most relaxing game. Even on the lowest difficulty setting, it keeps you on your toes. But the story is quite good, and it feels genuinely fresh. While it’s familiar in many ways, I haven’t played an RTS game exactly like this before. It’s got an emphasis on positioning and mobility that you normally would only find in an RPG or shooter. Would recommend.

And that’s about it for now. I should return to slaving in the RPG mines. Stay tuned for some fun news on that front in the coming weeks (hopefully…).