Limetown and Night Vale: From Audio to Print

There seems to be a lot of crossover between the world of audio and the world of print. Both of the podcasts I’ve become a fan of in recent times — Limetown and Welcome to Night Vale — have put out tie-in novels, and I figured it was time I gave them a read.

An official banner for the podcast drama LimetownWhen it comes to the podcasts, I think I still enjoy Limetown a little more than Night Vale (though it’s a very close race). But when it comes to the books, Night Vale is the decisive champion.

To be honest, I didn’t much enjoy Limetown’s novel at all. It doesn’t provide much insight into the conspiracies and intrigue that are the setting’s focus; instead, it mostly provides backstory for Lia Haddock and her uncle, Emile.

That’s not the worst idea in theory. A character study could still be interesting, even if it’s not necessarily what I’m looking for in a Limetown story. But it’s not even a very good character study.

In the podcast, Lia comes across as fierce and determined, but also warm and human. In the book, her determination comes across more as obsessiveness. She wants to solve mysteries not because she cares about the people involved — the book makes it very clear that Lia doesn’t care about anyone, at all — but simply because she has a deranged need to poke at any unanswered questions she finds.

Not only does it not make for an enjoyable book, it dampens my interest in the podcast, too. Part of what hooked me into Limetown was how much I loved Lia as a character, but the book kind of made me hate her.

By contrast, the Night Vale novel — while not without a few hiccups of its own — is a much better experience.

Official art for the audio drama Welcome to Night ValeShifting focus away from Cecil, Night Vale’s print incarnation focuses on two ordinary citizens of Night Vale: Diane Crayton, PTA member and single mother of a teenage shapeshifter, and Jackie Fierro, a pawn shop operator who has been nineteen years old for an indeterminate number of decades.

The more detailed perspective of a book makes the surrealism of Night Vale a bit harder to swallow at times, but once you readjust to an even greater sense of weirdness than the podcast provides, it’s a good read. It’s got the same humour as the podcast, and I found myself audibly cracking up on nearly every page.

The thing that’s really impressive about this book — that’s also true of the podcast to some extent — is how real the characters and their struggles can feel. Once you get past the carnivorous insectoid librarians and wheatless deconstructed croissants, this is a very down to earth story of family struggles that is deeply relevant to our own world. Having dealt with some of the issues this book brings up in my own life, I can confirm that the characters and their struggles feel very authentic and relatable.

I do think the ending could have been more conclusive, and you definitely have to be careful about when you read this book relative to where you are in the show (I unintentionally spoiled myself, as I read the book before I’d caught up to when it was released), but even so the Night Vale novel definitely gets my recommendation.

I wouldn’t bother with the Limetown one. It’s not worth your time.

iZombie’s Final Season Provides a Satisfying Conclusion… Eventually

iZombie has become one of my favourite shows over the past few years, and as much as the thought of it ending is bittersweet, I was glad to see the series ending on its own terms, rather than being cut short without a proper conclusion as far too many genre shows are.

An official promo image for iZombieSeason four was absolutely brilliant, so I went into the fifth and final season with very high expectations… only to experience no small amount of disappointment.

I have a lot of faith in the writers, so I kept the hope alive throughout, but most of the season was slow, scattered, and just not all that compelling. They spent too much time on the formulaic weekly murder cases while spreading themselves thin over multiple major ongoing arcs. There’s a pretty gripping plot about the virus beginning to spread beyond Seattle, but it never really amounts to anything.

The biggest flaw, however, is the introduction of a new antagonist.

Looking back, iZombie’s biggest problem throughout the series is that it hasn’t done its villains justice. Blaine is a fantastic villain with a great actor behind him, but after season one, he just fell by the wayside and was never really utilized to his full potential. It made sense to move the focus off him for a while to prevent over-using the character, but eventually he should have taken centre stage again. But he never did.

In season four, Brother Love proved to also be a charismatic and frightening villain, but he was in the end unceremoniously killed off, and the show was once again left without a compelling central antagonist to hang the story off of.

Season five would have been the perfect time to bring Blaine back in a big way, but instead they introduced a new villain who serves pretty much the same role Blaine did — shady weirdo who started the outbreak — but it’s out of nowhere, and there’s just not the time to develop him into a memorable character.

Making matters worse, he ultimately gets pushed aside to make way for someone even duller to take up the mantle of Big Bad. The new character’s entire arc was a complete waste of time, and it takes up half the season.

Ravi Chakrabarti in iZombieWhat should have happened is that Blaine should have taken up the remnants of Brother Love’s movement and set himself as the leader of radical zombies. He could have reclaimed his role as the series’ main villain, and they wouldn’t have had to waste time developing new characters.

The other major issue — no pun intended — is Major. Man, the writers just don’t seem to know what to do with that character. Last season, he’d gone full evil, and a character I’d once loved become one I longed to see brought to a bloody end. In season five, all that’s pretty much ignored, and Major is back to being the white knight.

I’m especially bothered by the fact the show just kind of writes off the fact that last season Major rufied Liv and brainwashed her to be his wife. That’s really not the sort of thing that should just be laughed off.

Now, I think the mistake was making Major go bad in the first place. They should have just kept his and Liv’s relationship strong throughout rather than going to increasingly desperate lengths to add drama. From that perspective, his sudden redemption in the final season could be viewed as writing a wrong, but it’s still hard to swallow.

However, in the end my faith did pay off. It takes until the last two episodes, but the final season does eventually find its footing, and the ending is very nearly perfect. It wraps up every character’s story in a pretty satisfying way while providing the mix of humour, drama, and excitement that we all love about iZombie.

It’s just a shame it was such a rocky road to get there.