Retro Review: Once Upon a Time, Season Two: Episodes 18-22

I have now come to the end of the incredibly inconsistent second season of Once Upon a Time. There are some good moments, but for the most part, things remain underwhelming.

The logo for Once Upon a Time“Selfless, Brave, and True”:

Still wracked with guilt over killing Cora, Snow retreats into the woods to clear her head. There, she chances upon someone else lost in their own guilt: August, animate but completely wooden. He is too ashamed over his failure to show his face in Storybrook.

Meanwhile, Baelfire’s fiance, Tamara, arrives in Storybrook. He tries to come clean to her about his magical origins, but it doesn’t really have the effect he hoped.

And our flashbacks this time around take place in the real world, showing August’s journeys before contacting Baelfire and going to Storybrook. He manages to track down a mage hiding in Hong Kong, but things are complicated when he meets a woman planning to uncover the sorcerer’s secrets: Tamara.

I found this an improvement over the mediocrity that has defined most of the last few episodes. I like August, and it was long overdue for us to learn what happened to him after the breaking of the curse. Plus Tamara looks like she could make a good villain — I already want to push her down a flight of stairs.

August/Pinocchio in Once Upon a TimeBut there are still some hiccups. Tamara is mostly portrayed as a criminal mastermind, yet she was foolish enough to leave a sack of thousands of dollars right in front of August and expect nothing would happen? And how the Hell does a tazer kill both a powerful sorcerer and a man made entirely of wood? Those things are nonlethal for most normal people.

Overall rating:  7/10

 “Lacey”:

Okay, it needs to be asked: Why isn’t anyone doing anything about Regina? What is it with these people just letting incredibly dangerous supervillains just wander around freely? You couldn’t at least try to supervise them?

Ahem. Anyway. Moving on.

Most of this episode focuses on Rumpel and Belle, which is normally the very best of news, but this episode doesn’t quite have the heart such things usually do.

Rumpel finally seems to be making some progress in winning Belle back, but a spiteful Regina decides to reactivate Belle’s curse persona, Lacey. And it turns out her curse identity was less the forgetful but still heroic versions Grumpy and Red got and more the “perverse parody” that Charming got.

Belle and Rumpelstiltskin in Once Upon a TimeIt just gets sad and weird from there.

The flashbacks are set in the era shortly after Belle began to live with Rumpel and serve mainly as a retelling of their initial story, which is nice but pretty unnecessary.

I do wonder if we’ll see Robin Hood again. Seems wasteful to have such an iconic character play just a bit role in one episode.

I should probably stop investing in Rumpelstiltskin so much as a character. It’s becoming increasingly clear he’s not going to change, and even if he does, he doesn’t really deserve any kind of forgiveness or redemption at this point.

Overall rating: 6.9/10

“The Evil Queen”:

We are now moving towards a climax to the season. Regina has finally gone off the deep end, planning to use the remnants of the curse to slaughter everyone in Storybrook while she and Henry escape to the Enchanted Forest.

Captain Hook in Once Upon a TimeBut it’s not going to be quite that simple. Greg and Tamara have enlisted Hook’s aid, and they have their own nefarious scheme to enact.

Emma begins to suspect Tamara, but her concerns are brushed off as jealousy by all but Henry.

I think I’ve identified the main way in which this season has gone wrong. Once Upon a Time is a show with idealistic themes, and it’s always trying to send the message that there’s good in everyone, that everyone deserves a second chance.

And early on in the season, the plots jived with that message. Regina and Rumpelstiltskin were making a genuine effort to reform, and it added a lot of interesting nuance to their characters.

But the latter half of the season has spent all its time making those characters appear irredeemable, which wastes the development from the first half, goes against the themes of the show, and makes the protagonists look like idiots for continually giving them new chances.

I did enjoy the endlessly intricate double-crossings of this episode, though. More like triple and quadruple crossing after a while.

Lana Parilla as Regina Mills in Once Upon a TimeI’m also curious how Greg and Tamara were able to neutralize Regina. They made it sound like nanotechnology or something — are we about to move to science fantasy? Frankenstein is already in the mix, so it’s not much of a leap.

Overall rating: 6.9/10

“Second Star to the Right”:

After being on the back burner for nearly the entire season, Greg and Tamara finally take center stage as villains in this episode. And surprisingly, they’re proving pretty effective in the role.

It turns out they’re members of some sort of fanatical — possibly religious — anti-magic organization, and they’re out to destroy Storybrook at any cost. Greg is also still searching for the truth about his father, and he begins torturing Regina in an attempt to learn the truth.

Snow and Charming work to save Regina because… I don’t even know at this point. The only good reason I can see for trying to figure out what happened to Regina is morbid curiosity. And the magic beans, I guess.

Neal/Baelfire in Once Upon a TimeThe flashbacks in this episode take another odd turn. It seems when Baelfire came to Earth, he arrived in the nineteenth century. He meets a girl named Wendy Darling… and I think you can guess where this is heading.

It is interesting that this version of Peter Pan seems so much darker than the traditional depiction. Based on what little we’ve seen of it so far, Neverland seems like a pretty scary place.

I don’t have a lot of complaints about this episode specifically. Mostly it just suffers from the lingering effects of all the stumbles of this season. I just don’t care as much about the characters or the story as I otherwise would.

But it’s pretty effective at setting up the end of the season. Crisis, mortal peril, tragedy, and so forth.

Overall rating: 7.1/10

“And Straight on ‘Til Morning” (season finale):

The last episode have me high hopes for this to be a good season finale. But unfortunately it encapsulates everything that’s wrong with this season.

Neverland in Once Upon a TimeThey’ve spent so much time and effort making Regina and Rumpel out to be irredeemable, but now out of the blue their inner goodness is winning out again. I even prefer seeing them as more nuanced characters, but it’s just so jarring with how they’ve been portrayed for the last ten or so episodes. It’s sloppy.

And once again, the characters are acting like complete morons. No one thought to check Hook’s bag to make sure the bean was in it? No one? Really? This is Hook we’re talking about. He’s sleazy even by pirate standards.

Which also begs the question of why Hook decided to do the right thing at the end. At least Regina and Rumpel have been shown as having some heart in the past. There has never been any indication of Hook having any redeeming qualities, and there’s no clear indication of why he’s spontaneously developed a conscience.

Again, it feels sloppy.

The only upside is this does lay the seeds for some interesting plots next season. Baelfire’s wound up in the Enchanted Forest, and it looks like we’ll be seeing more of Mulan, which is great. I’m also curious as to why Peter Pan is after Henry and apparently running an anti-magic crusade on Earth. That’s… unexpected.

Overall rating: 6/10

Retro Review: Once Upon a Time, Season Two: Episodes 13-17

I’m now nearing the end of the second season in my Once Upon a Time binge watch. Once again, expect spoilers.

The logo for Once Upon a Time“Tiny”:

Here we have another somewhat disappointing episode.

An interrogation of Hook leads to the discovery of Anton, the last surviving giant, aboard his ship — albeit somewhat shrunken. He flies into a rage at the sight of Charming, believing him to be his far less noble brother, James. With a little help from Regina, he plans to wreak some havoc.

Meanwhile, Emma, Henry, and Rumpelstiltskin travel to New York in search of Rumpel’s son.

I like Anton and the giants’ story in general. The battle with Jack wasn’t quite the mighty epic I’d initially envisioned, but it’s still a nice twist.

But I was very disappointed that all of Regina’s character development has been thrown out to turn her back into the old caricature of evil, and the ending was just a bland deus ex machina.

Anton the giant in Once Upon a TimeAlso, what idiot decided to let Hook roam around without supervision? I realize these people are kind of naive, but jeez.

Overall rating: 6.4/10

“Manhattan”:

And suddenly everything is very awkward.

Emma, Henry, and Rumpel have arrived in New York, and they manage to track down down Rumpel’s son, Baelfire. But in a twist I should have seen coming, it turns out Baelfire is also Henry’s father.

Our flashbacks this time around illustrate how Rumpel came to be a cripple with a reputation for cowardice, and it puts him in a surprisingly sympathetic light while once again proving that his wife was a horrible, horrible person.

This episode neither excels nor disappoints. It’s got a lot of Robert Carlyle, which is good, but mostly all it boils down to is a lot of yelling and general awkwardness.

Neal/Baelfire in Once Upon a TimeI really do feel bad for Rumpelstiltskin. I’m sure I shouldn’t, but I do. He may have ended up a monster, but he started out with the best of intentions. People treated him like a monster long before he became one.

Him being Henry’s grandfather could prove interesting going forward, but on the other hand, I don’t like this “the boy will be your undoing” talk.

Overall rating: 6.9/10

“The Queen Is Dead”:

This is kind of an odd episode. There’s a lot going on, but not much really happening.

In New York, Hook catches up with Rumpel but manages to serve as little more than a plot device to force him and his son together.

How much more trouble is Hook going to cause before these people realize that a more permanent a solution is necessary? I know they’re not the killing type, but they could at least lock him up and throw away the key.

Captain Hook in Once Upon a TimeMeanwhile, in Storybrook, Cora and Regina hunt for Rumpelstiltskin’s dagger so that they will be able to control him once he returns.

I have little to say about this plot beyond the fact that I remain powerfully disappointed by how all of Regina’s character development has been thrown out the window, and that Charming’s foolishness seems to be rubbing off on Snow now.

Overall rating: 6.6/10

“The Miller’s Daughter”:

Rumpelstiltskin is dying, and Cora is determined to claim his power for herself. She claims it’s to help Regina, but by now we all know how much truth there is in that.

It’s up to Emma, David, and Baelfire to protect Rumpel, despite their less than warm feelings toward him. But the battle may hinge on the actions of Snow White. Rumpel offers a way to save him and end the threat of Cora once and for all, but it goes against everything Snow believes in.

Robert Carlyle as Mr. Gold/Rumpelstiltskin in Once Upon a TimeFor the flashbacks, we go way far back to learn Cora’s origin story. It’s not terribly surprising — she was pretty much always awful and power hungry — and definitely the weakest part of the episode. My main takeaway was that Regina’s father used to be a Freelancer.

Also, how old is Rumpelstiltskin, anyway? He was already the Dark One long before Regina’s birth. That also begs the question of how long Hook and Baelfire have been around.

But I digress.

“The Miller’s Daughter” is slow to start, but it builds to a pretty powerful conclusion. As is often the case, much of the appeal boils down to Robert Carlyle being an amazing actor. Rumpel’s deathbed confessions to Belle and Baelfire were examples of how powerfully moving Once Upon a Time can be when it’s not being too sugary sweet. After a run of weak episodes, I remember why I’m watching this series.

The ending was great, as well. I definitely did not expect Snow to actually go through with and succeed in her plan to kill Cora. Not only is it very satisfying to see Cora finally reach her end, but it’s a nice change of pace to see Snow go a little too far — by her own standards, at least. It’s a refreshing surprise.

It also gives Regina a good reason to be pissed off for once. Maybe now her conflict with Snow won’t be so clearly black and white.

Lana Parilla as Regina Mills in Once Upon a TimeFor the first twenty minutes or so, I thought this would be another mediocre episode, but I am quite happy to be wrong.

Overall rating: 8/10

“Welcome to Storybrook”:

Yet again, Regina is on the war path to end Snow White. She plans to kill Snow and use her heart to cast a spell that will place Henry in her thrall.

Meanwhile, the flashbacks this time around actually take place in Storybrook. Immediately after the town’s creation, Regina encounters an ordinary man and his son who were caught up in the curse. She proceeds to get all baby crazy and try to abduct the son, with consequences in the town’s modern day.

I found this another disappointing episode. Regina going after Snow just feels a little tired at this point, I am so not interested in this conflict they seem to be trying to set up between Storybrook and the real world, and a lot of the characters’ actions just didn’t feel right.

Emma and her son, Henry, in Once Upon a TimeI don’t believe for a moment that any self-respecting child — least of all Henry — would willingly try to banish magic from the world, especially when we have plenty of examples of magic doing good in the world. The problem is obviously the people, not the magic.

Snow’s suicidal self-loathing over Cora’s death is a bit hard to swallow, too. I do understand that killing someone is not something to be taken lightly, and any decent person — especially someone as pure-hearted as Snow — will feel guilt over such an act.

But Cora was about as unambiguously evil as anyone could ever be, and there’s no doubt whatsoever the world is better without her. There are limits to how much guilt over her death can be considered reasonable.

And while it’s in Snow’s character to be very pure-hearted, it’s also in her character to be incredibly strong, to rise above all adversity, and the writers seem to have forgotten that right now.

Overall rating: 6.5/10