Review: The Dragon Apocalypse, Cinder

It’s been many long years of waiting, but I’ve finally gotten my hands on the fourth and final book of James Maxey’s wildly original Dragon Apocalypse series, Cinder.

Cover art for Cinder, book four of the Dragon Apocalypse series by James MaxeyThis is a series with a strange history. The first book, Greatshadow, is easily one of the best novels I’ve ever read, but while the following volumes still had many strengths, the truth is it’s pretty much been downhill from there. That sounds harsher than I mean it to, but the fact remains that while I’ve enjoyed each book, I’ve enjoyed each one less than the previous.

Part of this is due to the strange structure of the series. Halfway through, the Dragon Apocalypse changed its main character and its entire writing style. It was a jarring transition I still haven’t fully adjusted to.

It also seems there has been some real world turbulence for the series. I’m not clear on what exactly the story is, but Cinder seemed to take an awfully long time to make it to market, and it’s now under a different publisher than the previous books.

The change in publishers definitely wasn’t an upgrade, either, as the quality of the product has taken a hit. I have never seen a professional novel with anywhere near this many typos.

But whatever the journey, Cinder is finally here now.

It is a book of inconsistent quality. Once again, there’s been a shake-up of perspective. Now the novel’s perspective shifts regularly between the series’ large cast of characters, and while many of these characters are familiar, a lot of attention is spent on a new character, the book’s namesake, Cinder.

Cinder is the daughter of Stagger and Infidel. Conceived in the spirit realm, she has skin as black as midnight and the ability to shift between the physical and abstract realms at will.

Cinder is one of my main problems with the book, because I find her fairly dull in comparison to most of the other characters. This is the same problem I had with Sorrow in the last book, though ironically by now Sorrow has grown on me and I would have liked to have seen her get more attention this time.

It should also be noted that the long gap between Cinder and the previous book left my memory of the series to date rather atrophied, and that also probably hindered my enjoyment of the story. In retrospect I should have reread the rest of the series first, but my impatience got the better of me, and I spent the first few chapters mostly trying to remember who everyone was and what was going on.

However, my biggest problem with Cinder is that it feels very, very rushed. In this fourth and final installment, the Dragon Apocalypse has come at last, the primal dragons of ice and storm uniting to destroy the world of humanity and plunge the world into an eternal blizzard.

Cinder deals with spectacular, earth-shattering events. It has a massive cast of characters whose stories need closure. And it tries to deal with all this in less than 300 pages. There’s just not enough time to give everyone and everything its due.

If ever there was a series that should have been spread out to ten or so books, this was it. The Dragon Apocalypse boasts one of the most brilliantly colourful and wildly inventive settings in all of fantasy, with no shortage of bizarre and awe-inspiring places, creatures, characters, and concepts. Four short books simply isn’t enough to do justice to the world or its story.

Still, I don’t like dumping on this book so much. Partly this is because I have spent some time speaking with James Maxey in the past (briefly, several years ago, over email), and I found him to be very humble and gracious and an all around good guy.

And partly there is still a fair bit to appreciate in Cinder. As mentioned above, the setting of the Dragon Apocalypse still offers no shortage of wonders. I love the concept of the primal dragons, immortal beings whose souls have fused with the fundamental aspects of the natural world, and Cinder more so than any of its predecessors shows off the terrible grandeur of the primal dragons.

There are also still many great characters in the story, even if Cinder herself didn’t blow me away. It was great to see Infidel back in action, even if her role was relatively small, and I’d happily read an entire series devoted to the adventures of the Romer clan. Seriously, Gale is awesome; can we get a book that’s all about her?

Cover art for the complete Dragon Apocalypse collection by James MaxeyAnd I have to say that I did really like how it ended. Without spoiling anything, I think there’s a beautiful poetry to the final conclusion of Stagger and Infidel’s long, bizarre story.

In the end, it does remain true that every Dragon Apocalypse book is less enjoyable than the previous, but it started from such lofty heights that even after four books, the end result is not bad.

Overall rating: 7/10

I do want to say again that despite whatever flaws the series might have developed after, Greatshadow is one of the best books I’ve ever read and something that is absolutely worth your time. It’s a hilarious, heartfelt, and brilliantly strange story that I can guarantee is not like anything you’ve read before.

Retro Review: Killjoys, Season One: Episodes 6-10

Moving on to the second half of my binge watch of the first season of Killjoys. Once again, there’s probably gonna be spoilers.

The logo for Killjoys“One Blood”:

A legendary Killjoy has stolen something of incredible value to the Company, and the race is on for the other Killjoys to find him.

Dutch finds herself torn between conflicting loyalties. “The warrant is all,” but this particular Killjoy was a friend and mentor to her, and the other major figure from her past, Khlyen, has an interest in what was stolen.

“One Blood” is a pretty good episode overall. There’s more going on than usual in Killjoys, and there’s a nice intriguing mystery to it.

As far as character development goes, it’s a bit of mixed bag. I’m starting to get a bit more interested in Dutch and her dark past, and seeing the team unifying to help her at the end was a very nice moment, but the fact that they just handed over the terrible superweapon to the Company is kind of hard to swallow. I kept expecting them to “accidentally” destroy it, but apparently Dutch and her team are of much looser morals than I had given them credit for.

Also, yay for seeing Ian Tracey again, even if it’s a small role.

Overall rating: 7.5/10

Johnny, Dutch, and D'avin in Killjoys“Kiss, Kiss, Bye Bye”:

This had the ingredients to be a very good episode, and in some ways it was, but there’s also a lot wrong with it.

The team finally succeeds in tracking down the doctor who scrambled D’avin’s brain (played by sci-fi legend Amanda Tapping, which is awesome) and learning the truth of why he murdered his squad, but the doctor is not without ways to keep her secrets safe.

This is a very intense episode, and I like that about it, but unfortunately most of the drama comes from the incompetence of the protagonists, and that kind of takes the edge out of it all. It’s painfully obvious Dr. Jaeger is up to know good, and yet they just leave her unsupervised for hours at a time. These are supposed to be elite agents?

On that note, also, I find it hard to believe that with all their fancy RAC toys, Dutch still didn’t have a better way to disarm D’avin than to shine a light in his eyes and hit him with a box.

Nor am I entirely pleased that Dutch and D’avin are now apparently an item. Gods save me from the endless tide of forced romantic subplots.

Dutch and D'avin in KilljoysIt’s also a little unfortunate that D’avin’s mysterious past has been wrapped up so quickly, as it was easily the most interesting part of the show up until now. I guess that’s one of the problems with Killjoys; it’s not quite an arc-based show, and it’s not purely episodic, either. It’s occupying some uncomfortable middle ground where each individual episode’s plot isn’t quite a satisfying package on its own, but there isn’t really a main plot thread flowing through it all to become invested in.

Johnny puts on a good performance, at least. He’s felt kind of faceless for most of the series to date, but he seems to be settling in as the lovable heart of the team, a Samwise sort of character. I can dig that.

Overall rating: 6.9/10

“Come the Rain”:

Johnny contrives to patch things up between Dutch and D’avin by sending them off a warrant that will force them to spend some time alone, but while they’re away, he finds himself caught in a hostage situation during a deadly acid rain storm.

I really could have done without the ongoing drama with Dutch and D’avin, but Johnny’s story is actually pretty good. The hostage situation itself is pretty by the numbers, but it’s an excuse for some great performances by Johnny and Dr. Pawter.

The cast of KilljoysI gotta say, I enjoy learning more about Pawter. I like her character. Well, “like” maybe isn’t the right word, but she’s fascinating. Like a car wreck — you just can’t look away.

Johnny is also on the fast track to be my favourite character on this show. While this episode further establishes him as the heart of the team and someone who will always put others ahead of himself, he also has the opportunity to be pretty damn badass. A strong showing all around.

Overall rating: 7.8/10

“Enemy Khlyen”:

This is my favourite episode so far, but it’s still not without its hiccups.

Using a reverse-engineered neural link, Dutch is finally able to track down her twisted mentor Khlyen, and what she discovers is shocking: He’s a high-ranking RAC officer.

Breaking into the RAC is nigh-impossible task, but Dutch and the team are determined to finally get some answers, so the mission is on.

Khlyen working for the RAC — or perhaps, more frighteningly, the RAC working for him — is an excellent twist and by far the most interesting development in the show to date, and I’m also intrigued by the second mention of “Red 17,” whatever that is.

The mysterious Khlyen in KilljoysIt’s also a plenty exciting episode. A pretty standard heist sort of scenario, but well done.

Also, normally I complain about the soundtrack on this show, and on principle I still dislike hearing loud contemporary music blaring in the middle of a far-future sci-fi… but for July Talk, I’ll make an exception. Definitely didn’t expect to hear one of the best Toronto rock bands in Killjoys, but I won’t complain.

However, “Enemy Khlyen” does suffer from a bit of what I like to call a Voyager ending, where all the tension just dissolves for an illogically hasty resolution in the final minutes. Seemed like both Dutch and Khlyen just kind of gave up and stopped trying for no apparent reason at the end.

Overall rating: 8/10 Earns bonus points for July Talk.

“Escape Velocity” (season finale):

To be honest, Killjoys mostly failed to impress me through its first season. It’s been good enough, but never more than that. In my mind, the word “mediocre” is closely associated with the series.

Credit where credit is due, though: This is a pretty damn good season finale.

The cast of KilljoysEvents in the Quad have reached a boiling point. The Scarback monks have been framed for a brutal terrorist attack, and the Qreshi nobles plot to end their Westerley problem once and for all. While Dutch and the team want to focus on Khlyen, they can’t help but be drawn into the rapidly escalating political situation.

This is the most intense episode yet, and I was really amazed by how dark things got in the end. I admire a story that can shock us out of our lethargy, and this certainly has (even if said lethargy was induced by the lackluster nature of Killjoys to date).

Once again, we see what a master manipulator Khlyen is, as he once again manages to get Dutch right where he wants her without her suspecting a thing. Johnny continues to surprise with his quick wits and big heart.

However, it’s still not quite perfect. Too much of the drama still hinges on the incompetence of the protagonists. D’avin pretty much walked straight into Khlyen’s arms, and the Qreshi coup couldn’t have happened if Dutch and the team hadn’t handed over the genetic bomb earlier in the season.

Also, these world-shaking events seemed to sort of come out of nowhere. I can’t say there wasn’t foreshadowing, because there has been, but things escalated very, very quickly and with little warning. I was still trying to get a handle on the fundamental geographic, cultural, and political layout of the Quad, and already the whole thing is tearing itself apart.

You know what Killjoys needs more of? Info-dumps. As writers we’re warned to avoid info-dumps, and yes, they can often be tedious and off-putting, but they’re also often necessary. One season in, I still have a lot of very fundamental questions about Killjoys and its setting that are unanswered.

The Quad, the setting for KilljoysWhen is this? What, if any, is the Quad’s relationship with the rest of the universe? Where’s Earth in all this? Why was the Quad settled? What is the Company and how did it come to control everything? I could just keep going.

Dark Matter did something similar, but its strong character focus carried the story, and by the time they got into big political events, they’d had plenty of time to flesh things out.

Still, “Escape Velocity” remains a very strong episode. In fact that’s a large part of why these questions are nettling me. The reason I haven’t brought them up before now is that up until “Escape Velocity” I simply didn’t care. Now I do.

Overall rating: 8.5/10

* * *

Thus concludes season one. Unfortunately that’s all Crave has right now, and I’m not impressed enough to buy downloads from Google Play or iTunes, so my reviews end here for now. The season finale was impressive enough that I would like to see more of the show at some point, though, so I’ll try to keep an eye out. I expect they’ll add season two sooner or later.